Author: Béatrice SablonnièrePublisher:
ISBN:
Category :
Languages : en
Pages : 138
Book Description
The Notion of Tragedy in Thomas Hardy's Novels
Author: Béatrice SablonnièrePublisher:
ISBN:
Category :
Languages : en
Pages : 138
Book Description
Thomas Hardy
Author: Dale KramerPublisher: Springer
ISBN: 134902743X
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
Tragedy in the Victorian Novel
Author: Jeannette KingPublisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
The Origin of Hardy’s Tragic Vision
Author: Rıza ÖztürkPublisher: Cambridge Scholars Publishing
ISBN: 1443845035
Category : Art
Languages : en
Pages : 115
Book Description
“Dr Rıza Öztürk’s new book, The Origin of Hardy’s Tragic Vision, is a lucid explanation of the most important aspect of novelist Thomas Hardy’s worldview – the destruction of self. Dr Öztürk gets to the core of Hardy’s ‘tragic vision’ – evident in the novelist’s interpretation of the dramatic interplay between character and circumstance. To what degree either element of character or circumstance weighs in the tragic equation is the subject of discourse in Öztürk’s book, a significant acquisition for students and scholars of Hardy, Victorian literature and culture, or the history of the English novel. This study of Hardy tackles the novelist’s formulation of tragedy as an individual’s ‘natural aim or desire’ – and attempts to answer the important question concerning who or what is responsible for such appetite. The Origin of Hardy’s Tragic Vision can serve as a handbook in the study of tragedy, from the ancient Greek notions to manifestations in late nineteenth century novelists (with reference to modern novelists and dramatists, such as D. H. Lawrence and Henrik Ibsen). Öztürk’s analysis, from the impulse of character in The Mayor of Casterbridge, through the envelope of circumstance in Tess of the D’Urbervilles, culminates comprehensively in his discussion of the depletion of life in Jude the Obscure. As a novelist familiar with the ideas of Schopenhauer and Darwin, Hardy’s tragic vision encompasses a brutally stark statement about the reality of life itself, and this assessment is captured brilliantly in Rıza Öztürk’s important book. Regarding tragedy from the technical elements to the thematic, to its special attention in terms of feminism and illustrations of the absurd in Jude the Obscure, there is no question that The Origin of Hardy’s Tragic Vision fills the need for newer interpretations of a vital figure in English literature who straddles both the Victorian and modern eras.” – Gregory F. Tague, PhD, Professor of English, St. Francis College, New York; author of Character and Consciousness (2005) and Ethos and Behavior (2008); editor of the ASEBL Journal
Tess of the D'Urbervilles
Author: Thomas HardyPublisher:
ISBN:
Category : English fiction
Languages : en
Pages : 284
Book Description
Jude the Obscure
Author: Thomas HardyA General Drama of Pain
Author: Bernard J. ParisPublisher: Routledge
ISBN: 1351535501
Category : Literary Criticism
Languages : en
Pages : 155
Book Description
This motivational analysis of the protagonists in Thomas Hardy's three most widely read novels--Tess of the d'Urbervilles, The Mayor of Casterbridge, and Jude the Obscure--highlights an often-overlooked aspect of his art. Bernard J. Paris shows Hardy's genius in creating imagined human beings. He demonstrates that while Hardy tends to blame external conditions for his characters' painful fates, their downfalls are due to a very complex combination of cosmic, social, and psychological factors. Hardy's characters are usually discussed primarily in thematic terms. The characters are are so richly portrayed, Paris argues, that they can be better understood independent of Hardy's interpretations, in motivational terms and he utilizes the psychologist Karen Horney's theories to recover Hardy's intuitions. The characters are full of inner conflicts that make them difficult to fathom, but the approach Paris employs explains their contradictions and illuminates their troubled relationships--shedding light on these expertly crafted imagined human beings. This psychological approach to Hardy's characters enables us to understand his characters and gain insight into the implied authors of the works. In addition, the approach shows Hardy's authorial personality. We can see that Hardy treats some defensive strategies more sympathetically than others. Given his view of life as a general drama of pain, resignation, like that of Hardy's character Elizabeth-Jane, is the strategy he prefers.
The Flirt's Tragedy
Author: Richard A. KayePublisher: University of Virginia Press
ISBN: 0813922003
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert’s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt’s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin’s The Descent of Man and Gilbert and Sullivan’s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt’s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
Thomas Hardy: The Complete Novels (The Giants of Literature - Book 22)
Author: Thomas HardyPublisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 4582
Book Description
E-artnow presents to you the complete novels by one of the greatest novelists of English literature. This edition includes all 15 classics of this great Victorian author. His novels mainly concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex. Content: Under the Greenwood Tree Far from the Madding Crowd The Return of the Native The Mayor of Casterbridge The Woodlanders Tess of the d'Urbervilles Jude the Obscure A Pair of Blue Eyes The Trumpet-Major Two on a Tower The Romantic Adventures of a Milkmaid The Well-Beloved Desperate Remedies The Hand of Ethelberta A Laodicean Thomas Hardy (1840-1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England. His most famous novels include Tess of the d'Urbervilles, Far from the Madding Crowd and Jude the Obscure.
Four Novels of Thomas Hardy
Author: Howard. R. FinkPublisher:
ISBN:
Category :
Languages : en
Pages : 318
Book Description
"When Thomas Hardy undertook to write tragedy he invoked an old tradition. A review of the traditional theory and practice of this genre clarifies Hardy's tragic philosophy and techniques. This definition in the Poetics is the usual starting place. For Aristotle tragedy is a serious, complete work of art, which uses poetic and prose techniques to enhance the audience's enjoyment. It should be in the form of a drama rather than a narrative, and should stimulate the emotions of pity and fear in the onlooker." --