North Carolina Museum of History Services PDF Download

Author: North Carolina Museum of History
Publisher:
ISBN:
Category : Historical museums
Languages : en
Pages : 1

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Author: North Carolina Museum of History
Publisher:
ISBN:
Category : Historical museums
Languages : en
Pages : 18

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Author: Misc Rambling
Publisher:
ISBN: 9781797051055
Category : History
Languages : en
Pages : 36

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Book Description
North Carolina Museum of History NC Museum of History by Misc Rambling contains 33 color photos of the most inspiring scenes at the museum. Photos are presented in landscape or portrait format to maximize the size of the photo on the page. Hope you enjoy the photographs! Check out the pictures here: https: //photobookmiscrambling.blogspot.com/ Photos were taken at the NC History Museum in Raleigh, NC United States of America.

Author: North Carolina. Division of Archives and History. Museums Section
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 6

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Author: Warren Eugene Milteer Jr.
Publisher: LSU Press
ISBN: 0807173789
Category : History
Languages : en
Pages : 294

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In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.

Author:
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 4

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 11

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Author: Patricia Phillips Marshall
Publisher: Univ of North Carolina Press
ISBN: 0807895717
Category : Design
Languages : en
Pages : 321

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Book Description
Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.

Author: North Carolina Museum of History
Publisher:
ISBN:
Category : North Carolina
Languages : en
Pages :

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Author: North Carolina Museum of History Associates
Publisher:
ISBN:
Category :
Languages : en
Pages : 4

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