The Night Buster Keaton Dreamed Me PDF Download

Author: Kerry Muir
Publisher: Lulu.com
ISBN: 1387850628
Category : Fiction
Languages : en
Pages : 143

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Book Description
THE NIGHT BUSTER KEATON DREAMED ME by Kerry Muir with Spanish Translation by Ercilia Sahores. This bilingual edition (English-Spanish) of Muir's enchanting play is for audiences young and old. This publication is from NoPassport Press.

Author: Claudia Carroll
Publisher: Bloomsbury Publishing
ISBN: 1788548558
Category : Fiction
Languages : en
Pages : 383

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Book Description
A riches to rags fairytale, complete with an evil stepmom and two wicked stepsisters, which will have you praying for a happy-ever-after. Light-hearted, warm, a perfect tonic! Jessie Woods absolutely believes in fairytale endings. So would you if you had a recession-proof career as a daredevil TV host, a palatial pink mansion, and the dream boyfriend. But, quicker than you can say Cinderella, her life falls to pieces and suddenly her prince isn't quite so charming, her party-loving friends disappear and even her faithful friend Visa no longer loves her... Utterly heartbroken and jobless, Jessie is forced back home to live with her stepmom and two evil stepsisters. Is it time for her to give up on the dream - or will Jessie learn that happy endings can come in the strangest of places?

Author: Michaela Schrage-Früh
Publisher: Springer
ISBN: 3319407244
Category : Philosophy
Languages : en
Pages : 311

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Book Description
This book explores the intersections between dreaming and the literary imagination, in light of the findings of recent neurocognitive and empirical research, with the aim to lay a groundwork for an empirically informed aesthetics of dreaming. Drawing on perspectives from literary theory, philosophy of mind and dream research, this study investigates dreaming in relation to creativity and waking states of imagination such as writing and reading stories. Exploring the similarities and differences between the 'language' of dreams and the language of literature, it analyses the strategies employed by writers to create a sense of dream in literary fiction as well as the genres most conducive to this endeavour. The book closes with three case studies focusing on texts by Kazuo Ishiguro, Clare Boylan and John Banville to illustrate the diverse ways in which writers achieve to 'translate' the experience and 'language' of the dream.

Author: James Curtis
Publisher: Knopf
ISBN: 0385354215
Category : Biography & Autobiography
Languages : en
Pages : 833

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Book Description
**One of Literary Hub’s Five “Most Critically Acclaimed” Biographies of 2022** From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. "It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, "ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.

Author: James Curtis
Publisher: Knopf
ISBN: 0385354223
Category : Biography & Autobiography
Languages : en
Pages : 832

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Book Description
From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. "It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, "ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.

Author: John Bengtson
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 244

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Book Description
Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton is an epic look at a genius at work and at a Hollywood that no longer exists. Painstakingly researching the locations used in Buster Keaton's classic silent films, author John Bengtson combines images from Keaton's movies with archival photographs, historic maps, and scores of dramatic "then" and "now" photos. In the process, Bengtson reveals dozens of locations that lay undiscovered for nearly 80 years. Part time machine, part detective story, Silent Echoes presents a fresh look at the matchless Keaton at work, as well as a captivating glimpse of Hollywood's most romantic era. More than a book for film, comedy, or history buffs, Silent Echoes appeals to anyone fascinated with solving puzzles or witnessing the awesome passage of time.

Author: Robert J. Hoss
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Psychology
Languages : en
Pages : 644

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Book Description
This two-volume set examines dreams and dreaming from a variety of angles—biological, psychological, and sociocultural—in order to provide readers with a holistic introduction to this fascinating subject. Whether good or bad and whether we remember them or not, each night every one of us dreams. But what biological or psychological function do dreams serve? What do these vivid images and strange storylines mean? How have psychologists, religions, and society at large interpreted dreams, and how can a closer examination of our dreams provide useful insights? Dreams: Understanding Biology, Psychology, and Culture presents a holistic view of dreams and the dreaming experience that answers these and many other questions. Divided thematically, this two-volume book examines the complex and often misunderstood subject of dreaming through a variety of lenses. This collection is written by a large and diverse team of experts and edited by leading members of the International Association for the Study of Dreams (IASD) but remains an approachable and accessible introduction to this captivating topic for all readers.

Author: Bernard F. Dick
Publisher: University Press of Kentucky
ISBN: 0813153654
Category : Performing Arts
Languages : en
Pages : 426

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Book Description
Horror films. Deanna Durbin musicals. Francis, the talking mule. Ma and Pa Kettle. Ross Hunter weepies. Theme parks. E.T. (1982). Apollo 13 (1995). These are only a few of the many faces of Universal Pictures. In February 1906, Carl Laemmle, German immigrant and former clothing store manager, opened his first nickelodeon in Chicago, where he quickly moved from exhibition to distribution and then to film production. A master of publicity and promotions, within ten years "Uncle Carl" had moved his entire operation to Southern California, founded a city, and established Universal Pictures as one of the major Hollywood studios. In City of Dreams, Bernard F. Dick traces the history of Universal Pictures from its humble early origins to the modern day and analyzes the studio's films, from horror flicks featuring Karloff and Lugosi to comedies starring Abbott and Costello and W. C. Fields. Dick details how the Laemmle family was eventually forced out of the Universal empire, replaced by a string of studio heads who entered and exited one after another—the beginning of the age of corporate Hollywood, which transformed Universal Pictures into NBCUniversal, a subsidiary of Comcast. Dick explains how the Universal-International merger in 1946, Decca's stock takeover in the early 1950s, and MCA's buyout in 1962 all presaged today's Hollywood, where the art of the deal often eclipses the art of making movies. Ultimately, although stars and executives have come and gone, shaping and reshaping the studio's image, Universal's revolving globe logo has lit up screens around the world through it all.

Author: Chris Forhan
Publisher: Simon and Schuster
ISBN: 1501131311
Category : Biography & Autobiography
Languages : en
Pages : 320

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Book Description
"The fifth of eight children, Chris Forhan was born into a family of silence. His mother and father often sat in the same room but exchanged no words. He and his siblings learned, without being told, that certain thoughts and feelings were not to be shared. On the evenings his father didn't come home, the rest of the family would eat dinner without him, his whereabouts unknown, his absence pronounced but unspoken. And on a cold night just before Christmas 1973, long after dinner, the rest of the family asleep, Forhan's father killed himself in the garage--a new silence. Forty years later, Chris speaks into the quiet his father left behind, digging into his family's past and finding within each generation the same abandonment, loss, and silence in which he was raised. Like Ian Frazier in Family or Philip Roth in American Pastoral, Forhan shows his family as both a part and a product of its time. My Father Before Me is a family history, an investigation into a death, and a stirring portrait of an Irish Catholic childhood, all set against a backdrop of America from the Great Depression to Elvis Costello. Lucidly and unflinchingly, Forhan attempts to understand his father and ultimately himself in order to avoid passing his family's silence on to his children. To separate this silence from the introversion that inspires him as a writer, he courageously confronts it, telling the story that his family will not tell, and piecing together the fragments of the life that his father chose to leave"--Provided by publisher.

Author: N. Roy Clifton
Publisher: University of Delaware Press
ISBN: 9780874131895
Category : Performing Arts
Languages : en
Pages : 436

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Book Description
An application of the classical figures of speech to the criticism of the motion picture. The author defines and illustrates each figure by literary analysis, then presents the filmic analogies. The occurrence in film of fantasy, allegory, and abstraction are also discussed.