Author: Friedrich Hebbel
Publisher:
ISBN:
Category :
Languages : en
Pages : 690
Book Description
The Nibelungs
The Nibelungenlied
Author:
Publisher: OUP Oxford
ISBN: 019161369X
Category : Literary Criticism
Languages : en
Pages : 673
Book Description
'In ancient tales many marvels are told us ... now you may hear such marvels told!' The greatest of the heroic epics to emerge from medieval Germany, the Nibelungenlied is a revenge saga of sweeping dimensions. It tells of the dragon-slayer Sivrit, and the mysterious kingdom of the Nibelungs with its priceless treasure-hoard guarded by dwarves and giants, of Prünhilt the Amazonian queen, fortune-telling water-sprites and a cloak of invisibility. Driven by the conflict between Kriemhilt, the innocent maiden turned she-devil, and her antagonist, the stoic, indomitable Hagen, the story is one of human tragedy, of love, jealousy, murder, and revenge, ending in slaughter on a horrific scale. The work of an anonymous poet of c.1200, since its rediscovery in the eighteenth century the Nibelungenlied has come to be regarded as the national epic of the Germans. It has inspired countless reworkings and adaptations, including two masterpieces: Fritz Lang's two-part film, and Richard Wagner's Ring cycle. This is the first prose translation for over forty years: accurate and compelling, it is accompanied by a wealth of useful background information. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Publisher: OUP Oxford
ISBN: 019161369X
Category : Literary Criticism
Languages : en
Pages : 673
Book Description
'In ancient tales many marvels are told us ... now you may hear such marvels told!' The greatest of the heroic epics to emerge from medieval Germany, the Nibelungenlied is a revenge saga of sweeping dimensions. It tells of the dragon-slayer Sivrit, and the mysterious kingdom of the Nibelungs with its priceless treasure-hoard guarded by dwarves and giants, of Prünhilt the Amazonian queen, fortune-telling water-sprites and a cloak of invisibility. Driven by the conflict between Kriemhilt, the innocent maiden turned she-devil, and her antagonist, the stoic, indomitable Hagen, the story is one of human tragedy, of love, jealousy, murder, and revenge, ending in slaughter on a horrific scale. The work of an anonymous poet of c.1200, since its rediscovery in the eighteenth century the Nibelungenlied has come to be regarded as the national epic of the Germans. It has inspired countless reworkings and adaptations, including two masterpieces: Fritz Lang's two-part film, and Richard Wagner's Ring cycle. This is the first prose translation for over forty years: accurate and compelling, it is accompanied by a wealth of useful background information. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Teutonic Mythology of Richard Wagner's "The Ring of the Nibelung": pt. 1-2. The natural and supernatural worlds
Author: William O. Cord
Publisher:
ISBN:
Category : Legends
Languages : en
Pages : 320
Book Description
An exhaustive, three-volume presentation of the totality of mythological thought associated with Wagner's Ring. Volume 1 includes extensive treatments of: the World Ash, the Rainbow Bridge, Donner's Golden Hammer, Valhalla, and the Ring. Volume 2 presents each god in rich detail and unprecedented breadth of coverage. Volume 3 (Parts 1 and 2) includes a supplement on the names presented in the first two volumes with specific examination of every person, thing, or object given a proper name in the drama. Assembles and explicates the many miscellaneous elements, difficult to categorize, that are vital to appreciation of the Ring.
Publisher:
ISBN:
Category : Legends
Languages : en
Pages : 320
Book Description
An exhaustive, three-volume presentation of the totality of mythological thought associated with Wagner's Ring. Volume 1 includes extensive treatments of: the World Ash, the Rainbow Bridge, Donner's Golden Hammer, Valhalla, and the Ring. Volume 2 presents each god in rich detail and unprecedented breadth of coverage. Volume 3 (Parts 1 and 2) includes a supplement on the names presented in the first two volumes with specific examination of every person, thing, or object given a proper name in the drama. Assembles and explicates the many miscellaneous elements, difficult to categorize, that are vital to appreciation of the Ring.
The Song of the Nibelungs
Author: Anonymous
Publisher: DigiCat
ISBN:
Category : Poetry
Languages : en
Pages : 417
Book Description
The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition that has some of its origin in historic events and individuals of the 5th and 6th centuries. The poem is split into two parts: in the first part, Siegfried comes to Worms to acquire the hand of the Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however Brünhild and Kriemhild become rivals, leading eventually to Siegfried's murder by the Burgundian vassal Hagen with Gunther's involvement. In the second part, the widow Kriemhild is married to Etzel, king of the Huns. She later invites her brother and his court to visit Etzel's kingdom intending to kill Hagen. Her revenge results in the death of all the Burgundians who came to Etzel's court as well as the destruction of Etzel's kingdom and the death of Kriemhild herself. The Nibelungenlied was the first heroic epic put into writing in Germany, helping to found a larger genre of written heroic poetry.
Publisher: DigiCat
ISBN:
Category : Poetry
Languages : en
Pages : 417
Book Description
The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition that has some of its origin in historic events and individuals of the 5th and 6th centuries. The poem is split into two parts: in the first part, Siegfried comes to Worms to acquire the hand of the Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however Brünhild and Kriemhild become rivals, leading eventually to Siegfried's murder by the Burgundian vassal Hagen with Gunther's involvement. In the second part, the widow Kriemhild is married to Etzel, king of the Huns. She later invites her brother and his court to visit Etzel's kingdom intending to kill Hagen. Her revenge results in the death of all the Burgundians who came to Etzel's court as well as the destruction of Etzel's kingdom and the death of Kriemhild herself. The Nibelungenlied was the first heroic epic put into writing in Germany, helping to found a larger genre of written heroic poetry.
Song of the Nibelungs
Author:
Publisher: Yale University Press
ISBN: 9780300125986
Category : Literary Collections
Languages : en
Pages : 384
Book Description
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Publisher: Yale University Press
ISBN: 9780300125986
Category : Literary Collections
Languages : en
Pages : 384
Book Description
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Medievalism and Nationalism in German Opera
Author: Michael S. Richardson
Publisher: Routledge
ISBN: 1351806378
Category : Music
Languages : en
Pages : 186
Book Description
Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.
Publisher: Routledge
ISBN: 1351806378
Category : Music
Languages : en
Pages : 186
Book Description
Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.
The Nibelungenlied
Author: Winder McConnell
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
Book Description
European Writers: The Romantic century: Goethe to Pushkin. Hugo to Fontane. Baudelaire to the well made play
Author: George Stade
Publisher:
ISBN:
Category : European literature
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : European literature
Languages : en
Pages : 648
Book Description
McGraw-Hill Encyclopedia of World Drama
Author: David Eggenberger
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 522
Book Description