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The Next Documenta Should be Curated by an Artist

The Next Documenta Should be Curated by an Artist PDF Author: Jens Hoffmann
Publisher: Spotlight Poets
ISBN:
Category : Art
Languages : en
Pages : 100

Book Description


The Next Documenta Should be Curated by an Artist

The Next Documenta Should be Curated by an Artist PDF Author: Jens Hoffmann
Publisher: Spotlight Poets
ISBN:
Category : Art
Languages : en
Pages : 100

Book Description


Next Documenta Should Curated By

Next Documenta Should Curated By PDF Author: A. A. Bronson
Publisher: E-Flux/Revolver
ISBN: 9783937577418
Category :
Languages : en
Pages : 0

Book Description
Edited by Jens Hoffman.

Biennials, Triennials, and Documenta

Biennials, Triennials, and Documenta PDF Author: Anthony Gardner
Publisher: John Wiley & Sons
ISBN: 1444336657
Category : Business & Economics
Languages : en
Pages : 306

Book Description
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

The Culture of Curating and the Curating of Culture(s)

The Culture of Curating and the Curating of Culture(s) PDF Author: Paul O'Neill
Publisher: MIT Press
ISBN: 0262529742
Category : Art
Languages : en
Pages : 195

Book Description
How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions—large-scale, temporary projects with artworks cast as illustrative fragments—came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated—and authorized—the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.

Martha Rosler

Martha Rosler PDF Author: Rosalyn Deutsche
Publisher: Yale University Press
ISBN: 0300230273
Category : Art
Languages : en
Pages : 257

Book Description
The politically engaged work of Martha Rosler is fascinating and provocative; this wide-ranging survey brings timely insights at a moment of resurgence for political activism and feminism.

Beyond Objecthood

Beyond Objecthood PDF Author: James Voorhies
Publisher: MIT Press
ISBN: 0262035529
Category : Art
Languages : en
Pages : 287

Book Description
The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form—and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.” Beyond Objecthood focuses on innovative figures, artworks, and institutions that pioneered the exhibition as a critical form, tracing its evolution through the activities of curator Harald Szeemann, relational art, and New Institutionalism. Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.

Art + Archive

Art + Archive PDF Author: Sara Callahan
Publisher: Manchester University Press
ISBN: 1526156849
Category : Art
Languages : en
Pages : 277

Book Description
Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.

Art of the Deal

Art of the Deal PDF Author: Noah Horowitz
Publisher: Princeton University Press
ISBN: 1400836441
Category : Art
Languages : en
Pages : 400

Book Description
An eye-opening look at collecting and investing in today’s art market Art today is defined by its relationship to money as never before. Prices have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists think ever more strategically about how to advance their careers. Art is no longer simply made, but packaged, sold, and branded. In Art of the Deal, Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. In a new postscript, Horowitz reflects on the market’s continued ascent as well as its most urgent challenges.

Globalizing Contemporary Art

Globalizing Contemporary Art PDF Author: Lotte Philipsen
Publisher: Aarhus Universitetsforlag
ISBN: 8779343481
Category : Art
Languages : en
Pages : 214

Book Description
Today, contemporary art is a global phenomenon. Biennales, museums, art fairs, galleries, auction houses, academies and audiences for contemporary visual art are all institutions whose presence on a global scale has widened tremendously during the past two decades. Thus, by including contemporary art from non-Western regions, these traditional Western art institutions have not only broadened their scope to a greater extent, but have also been challenged themselves by the new cultural, economic and media world order of globalization. How contemporary art is made 'international' is the subject of this book, tracing as it does developments during the past two decades, while focusing particularly on the mechanisms of 'globality' which are at work in the art world today. The book critically investigates fundamental questions like: What is 'New Internationalism' in contemporary art, and how it affected the art world? How does New Internationalism relate to concepts like ethnicity, aesthetics, standard art history, and new media? And how is New Internationalism, rather paradoxically, furthered to a greater extent by global capitalism than it is by seemingly progressive art projects?

The Best Surprise is No Surprise

The Best Surprise is No Surprise PDF Author: Liz Linden
Publisher: Jrpringier/E-Flux
ISBN:
Category : Art
Languages : en
Pages : 322

Book Description
Introduction by Daniel Birnbaum. Edited by Anton Vidokle. Text by Hans-Ulrich Obrist.