The New Woman and Other Emancipated Woman Plays PDF Download

Author: Jean Chothia
Publisher: Oxford University Press, USA
ISBN: 9780192824271
Category : English drama
Languages : en
Pages : 356

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Book Description
Female emancipation and the much derided `New Woman' was a subject of immense fascination in the English Theatre of the 1890s. Associated issues of women's education, freedom of thought, the sexual double standard, and the right to self-determination feature in play after play of the period.However the advent of the New Drama after the turn of the century marked a change of emphasis and figures previously demonized were now heroized. This collection includes two plays from the 1890s, Sidney Grundy's The New Woman (1894) and Arthur Wing Pinero's The Notorious Mrs Ebbsmith (1895), bothmuch mentioned in recent criticism but neither available, until now, and two of the liveliest examples of the New Drama, Elizabeth Robins's Votes for Women (1907) and St John Hankin's The Last of the De Mullins (1908).

Author: MARGARET BEETHAM
Publisher: Routledge
ISBN: 1134422709
Category : Business & Economics
Languages : en
Pages : 296

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Book Description
This book explores the diversity of meanings ascribed to the turn-of-the-century New Woman in the context of cultural debates conducted within and across a wide range of national frameworks. Individual chapters by international scholars scrutinize the flow of ideas, images, and textual parameters of New Woman discourses in the UK, North America, Europe, and Japan, elucidating the national and ethnic hybridity of the 'modern woman' by locating this figure within both international consumer culture and feminist writing. The volume will be essential reading for advanced students and researchers of American Studies, Women's Studies, and Women's History.

Author: James Matthew Barrie
Publisher: Oxford University Press, USA
ISBN: 9780192839190
Category : Drama
Languages : en
Pages : 388

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Book Description
In addition to the ever-popular "Peter Pan", J.M. Barrie also wrote social comedy and political satire. "The Admirable Crichton and "What Every Woman Knows" are shrewd contributions to the politics of class and gender, while "Mary Rose" is one of the best ghost stories written for the stage.

Author: David Herbert Lawrence
Publisher: Oxford University Press, USA
ISBN: 9780192833143
Category : Drama
Languages : en
Pages : 324

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Book Description
A Collier's Friday NightThe Widowing of Mrs HolroydThe Daughter-in-LawThe Fight for BarbaraTouch and GoOxford English Drama offers plays from the sixteenth to early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographiesilluminate the play's cultural contexts and theatrical potential for reader and performer alike.'The series should reshape the canon in a number of significant areas. A splendid and imaginative project.' Anne Barton, Canbridge University

Author: Valerie Fehlbaum
Publisher: Taylor & Francis
ISBN: 1351940791
Category : Literary Criticism
Languages : en
Pages : 216

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Book Description
In a career that spanned over forty years, Ella Hepworth Dixon (1857-1932) was alternately journalist, critic, essayist, short story writer, novelist, editor of a women's magazine, dramatist, and autobiographer. After an initial popularity, however, Dixon's work remained largely unread for decades. Valerie Fehlbaum sheds light on Dixon's life and work, and provides profound insight not only into Dixon herself but into the multifaceted character of the "New Woman" writer that Dixon typified.

Author: Denise L. Montgomery
Publisher: Scarecrow Press
ISBN: 081087721X
Category : Performing Arts
Languages : en
Pages : 834

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Book Description
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.

Author: Thomas Otway
Publisher:
ISBN: 9780192834478
Category : Drama
Languages : en
Pages : 516

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Book Description
Marriage and its discontents lie at the heart of Restoration comedy. In all four of the great plays gathered here, a married woman confronts her would-be seducer. Each dramatist, however, totally reinterprets the situation. Thomas Otway's The Soldier's Fortune converts adultery into political revenge. Nathaniel Lee's The Princess of Cleves offers a potent and perplexing portrait of a libertine in action at the sixteenth-century French court. John Dryden's Amphitryon, set in ancient Thebes, retells the story in which Jupiter lures the virtuous Alcmena into cuckolding her husband by a stratagem that throws into doubt the very nature of human identity. Thomas Southerne's The Wives' Excuse reinvents, for the new circumstances of the 1690s, the familiar Restoration plot of a wife spurred towards infidelity by her partner's failings. All of the plays have been newly edited and are presented with modernized spelling and punctuation.

Author: June Hannam
Publisher: Routledge
ISBN: 1000672840
Category : Language Arts & Disciplines
Languages : en
Pages : 137

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Book Description
This volume examines different types of women’s creative writing in support of the demand for the parliamentary vote, including autobiographies, memoirs, letters, diaries, novels, and drama. The women’s suffrage movement became far more visible in the Edwardian period. Large demonstrations and militant actions such as destruction of property were widely reported in the press and reached a wide audience. Eager to get their message across, suffrage campaigners not only took collective action but also used women’s creative talents—whether as artists, musicians, or writers—to win hearts and minds for the cause. Through a close reading of contemporary texts, the chapters in this book reveal the diverse nature of the suffrage movement and its ideas, and the complex relationship between the personal and the political. The contributors also highlight the significance of women’s writing as a means to advance the suffrage cause and as a key element of suffrage propaganda. This book was originally published as a special issue of Women’s Writing.

Author: Anna Farkas
Publisher: Routledge
ISBN: 1315405121
Category : Drama
Languages : en
Pages : 208

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Book Description
The influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.

Author: Ann Heilmann
Publisher: Rowman & Littlefield
ISBN: 1611494338
Category : Literary Criticism
Languages : en
Pages : 312

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Book Description
“Nearly every major figure of his era,” writes his biographer Adrian Frazier, “worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore.” The Anglo-Irish novelist George Moore (1852–1933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moore’s key role—as observer-participant and as satirist—within many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moore’s work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moore’s work and through illustrative case studies of Moore’s collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siècle formation of an international aesthetic community. This book explores the full range of Moore’s collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moore’s reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself.