Author: Walter Damrosch
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 272
Book Description
The Universal School Music Series: Teachers' Book
Author: Walter Damrosch
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 272
Book Description
Universal School Music Series
Author: Walter Damrosch
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description
Accompaniments Bks. II-III
Author: Walter Damrosch
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description
The New Universal School Music Series
Author: Walter Damrosch
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 172
Book Description
Universal School Music Series: For the children; material for grades III and IV
Author: Walter Damrosch
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
School Music
The Musician
Supplementary Sight Singing Exercises
Author: Walter Damrosch
Publisher:
ISBN:
Category : Sight-singing
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category : Sight-singing
Languages : en
Pages : 296
Book Description
Training the Composer
Author: Barrett Ashley Johnson
Publisher: Cambridge Scholars Publishing
ISBN: 1443826189
Category : Music
Languages : en
Pages : 235
Book Description
While many teachers of music composition have influenced both the aesthetic and eventual success of their students, few have equaled the contributions of Arnold Schoenberg and Nadia Boulanger in the twentieth-century. A larger volume of a more comprehensive collection including all music composition teachers of the era would serve a certain purpose. However, the unique aspect of the current text examines, in detail, and herein presented for the first time in print, many of the teaching materials and approaches of these two famed musicians. Selection of these two teachers for comparison was made owing to the musical position so famously attributed to each: Schoenberg’s predilection to the German School; Boulanger’s favoritism to the French/Stravinsky aesthetic. In making the case for both Schoenberg and Boulanger, the Author has chosen two differing philosophies of music education practice of the late twentieth-century and early twenty-first century: those of Bennett Reimer and David Elliott. The Author examines the materials and methods of each Schoenberg and Boulanger in light of each Reimer’s and Elliott’s case for music education philosophy. Among the subjects discussed: the nature of musical creativity, the process and methods of teaching creativity/music, and the teacher/student dynamic, to name a few. In closing, the Author has presented his own suggestions for teachers, or would-be teachers, of music composition in a seven-step process leading to an effective pedagogy of the subject.
Publisher: Cambridge Scholars Publishing
ISBN: 1443826189
Category : Music
Languages : en
Pages : 235
Book Description
While many teachers of music composition have influenced both the aesthetic and eventual success of their students, few have equaled the contributions of Arnold Schoenberg and Nadia Boulanger in the twentieth-century. A larger volume of a more comprehensive collection including all music composition teachers of the era would serve a certain purpose. However, the unique aspect of the current text examines, in detail, and herein presented for the first time in print, many of the teaching materials and approaches of these two famed musicians. Selection of these two teachers for comparison was made owing to the musical position so famously attributed to each: Schoenberg’s predilection to the German School; Boulanger’s favoritism to the French/Stravinsky aesthetic. In making the case for both Schoenberg and Boulanger, the Author has chosen two differing philosophies of music education practice of the late twentieth-century and early twenty-first century: those of Bennett Reimer and David Elliott. The Author examines the materials and methods of each Schoenberg and Boulanger in light of each Reimer’s and Elliott’s case for music education philosophy. Among the subjects discussed: the nature of musical creativity, the process and methods of teaching creativity/music, and the teacher/student dynamic, to name a few. In closing, the Author has presented his own suggestions for teachers, or would-be teachers, of music composition in a seven-step process leading to an effective pedagogy of the subject.
The Universal School Music Series
Author: Walter Damrosch
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
Book Description