Author: Huntly Carter
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 392
Book Description
The New Spirit in Drama & Art
The New Spirit
Author: Havelock Ellis
Publisher: BoD – Books on Demand
ISBN: 3752352566
Category : Fiction
Languages : en
Pages : 126
Book Description
Reproduction of the original: The New Spirit by Havelock Ellis
Publisher: BoD – Books on Demand
ISBN: 3752352566
Category : Fiction
Languages : en
Pages : 126
Book Description
Reproduction of the original: The New Spirit by Havelock Ellis
Among Our Books
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 674
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 674
Book Description
Perfecting the Art of Mime and Drama
Author: Christopher Bailey
Publisher: Createspace Independent Publishing Platform
ISBN: 9781494250324
Category :
Languages : en
Pages : 70
Book Description
Greetings!!! It is indeed an honor and pleasure for me to share with you valuable information that will elevate your mime and drama ministry to a new dimension of worship. By the end of this handbook my prayer is that you will be equipped to minister to the masses like never before. As you read and begin to implement the wisdom that flows within, please keep this thought in the forefront of your mind: (Your growth in ministry depends heavily on your willingness to never stop learning and to never stop worshiping the Lord) God is a forward moving God. So in other words, stop using the plans and utensils from yesterday for your today. Implement the plan that God is currently using (Present) not what He used (Past). What He USED was necessary to get you to where you are now. It serves as your reminder, your testimony for others. "One of the key elements to creativity is the ability to embrace its openness. The positive power and energy that exudes from the arts cannot be contained in a box mentality." Such thinking chokes the life out of creativity causing it to become stale, boring, and ineffective. Therefore my goal is to instill fresh, innovative, creative ideas along with proper instructions to mime and performing arts ministries, by introducing the marriage of mime and drama - (Mime-O-Drama). I encourage you to align your lifestyle, your creativity with the anointing of the Holy Spirit and become one. This unity creates an atmosphere where true ministry takes place. Miracles, signs and wonders become the norm. Broken hearts are mended, the chains of bondage are broken, the vital breath of healing, deliverance and salvation flow into the lives of both the believer and non-believer. (Isaiah 61:1 - 3) says: "The Spirit of the Lord GOD is upon me; because the LORD hath anointed me to preach good tidings unto the meek; he hath sent me to bind up the brokenhearted, to proclaim liberty to the captives, and the opening of the prison to them that are bound; To proclaim the acceptable year of the LORD, and the day of vengeance of our God; to comfort all that mourn; To appoint unto them that mourn in Zion, to give unto them beauty for ashes, the oil of joy for mourning, the garment of praise for the spirit of heaviness; that they might be called trees of righteousness, the planting of the LORD, that he might be glorified." "Understanding your Holy calling equips you to live a lifestyle befitting of the call to be effective in ministry of mime and drama." The principle that sustains this handbook can be found in: (2nd Timothy 2: 15) says: "Study to show thyself approved unto God, a workman that needeth not be ashamed rightly dividing the word of truth." "It is my earnest prayer that God will impart a fresh fire anointing upon your ministry. We as ministers of the performing arts have the ultimate responsibility to uplift the name of Jesus to the nations at all times. The lifestyle we live before our peers should serve as a light on a hill which would lead those searching, to find Christ." So let us lay aside the spirit of competition, entertainment, and personal gratification for the greater good. Let us therefore center our attention on Jesus Christ and illustrate HIS truth which is entrenched in the Word of God. - Minister Christopher Bailey, Sr.-
Publisher: Createspace Independent Publishing Platform
ISBN: 9781494250324
Category :
Languages : en
Pages : 70
Book Description
Greetings!!! It is indeed an honor and pleasure for me to share with you valuable information that will elevate your mime and drama ministry to a new dimension of worship. By the end of this handbook my prayer is that you will be equipped to minister to the masses like never before. As you read and begin to implement the wisdom that flows within, please keep this thought in the forefront of your mind: (Your growth in ministry depends heavily on your willingness to never stop learning and to never stop worshiping the Lord) God is a forward moving God. So in other words, stop using the plans and utensils from yesterday for your today. Implement the plan that God is currently using (Present) not what He used (Past). What He USED was necessary to get you to where you are now. It serves as your reminder, your testimony for others. "One of the key elements to creativity is the ability to embrace its openness. The positive power and energy that exudes from the arts cannot be contained in a box mentality." Such thinking chokes the life out of creativity causing it to become stale, boring, and ineffective. Therefore my goal is to instill fresh, innovative, creative ideas along with proper instructions to mime and performing arts ministries, by introducing the marriage of mime and drama - (Mime-O-Drama). I encourage you to align your lifestyle, your creativity with the anointing of the Holy Spirit and become one. This unity creates an atmosphere where true ministry takes place. Miracles, signs and wonders become the norm. Broken hearts are mended, the chains of bondage are broken, the vital breath of healing, deliverance and salvation flow into the lives of both the believer and non-believer. (Isaiah 61:1 - 3) says: "The Spirit of the Lord GOD is upon me; because the LORD hath anointed me to preach good tidings unto the meek; he hath sent me to bind up the brokenhearted, to proclaim liberty to the captives, and the opening of the prison to them that are bound; To proclaim the acceptable year of the LORD, and the day of vengeance of our God; to comfort all that mourn; To appoint unto them that mourn in Zion, to give unto them beauty for ashes, the oil of joy for mourning, the garment of praise for the spirit of heaviness; that they might be called trees of righteousness, the planting of the LORD, that he might be glorified." "Understanding your Holy calling equips you to live a lifestyle befitting of the call to be effective in ministry of mime and drama." The principle that sustains this handbook can be found in: (2nd Timothy 2: 15) says: "Study to show thyself approved unto God, a workman that needeth not be ashamed rightly dividing the word of truth." "It is my earnest prayer that God will impart a fresh fire anointing upon your ministry. We as ministers of the performing arts have the ultimate responsibility to uplift the name of Jesus to the nations at all times. The lifestyle we live before our peers should serve as a light on a hill which would lead those searching, to find Christ." So let us lay aside the spirit of competition, entertainment, and personal gratification for the greater good. Let us therefore center our attention on Jesus Christ and illustrate HIS truth which is entrenched in the Word of God. - Minister Christopher Bailey, Sr.-
Russomania
Author: Rebecca Beasley
Publisher: Oxford University Press
ISBN: 0192522477
Category : Literary Criticism
Languages : en
Pages : 550
Book Description
Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class—the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.
Publisher: Oxford University Press
ISBN: 0192522477
Category : Literary Criticism
Languages : en
Pages : 550
Book Description
Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class—the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.
The Art Spirit
Classified Catalogue of the Carnegie Library of Pittsburgh
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 842
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 842
Book Description
The New Spirit in the European Theatre, 1914-1924
Author: Huntly Carter
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 352
Book Description
Rhythmical Subjects
Author: Marcus
Publisher: Oxford University Press
ISBN: 0192883887
Category : Literary Criticism
Languages : en
Pages : 417
Book Description
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
Publisher: Oxford University Press
ISBN: 0192883887
Category : Literary Criticism
Languages : en
Pages : 417
Book Description
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
The English Review
Author:
Publisher:
ISBN:
Category : Modernism (Literature)
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Modernism (Literature)
Languages : en
Pages : 694
Book Description