Author: Folger Shakespeare Library
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 728
Book Description
Catalog of Printed Books of the Folger Shakespeare Library, Washington, D.C.
Author: Folger Shakespeare Library
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 728
Book Description
Dictionary Catalog and Shelf List of the Spencer Collection of Illustrated Books and Manuscripts and Fine Bindings
Author: New York Public Library. Spencer Collection
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 992
Book Description
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 992
Book Description
European Drawings
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Interactive and Sculptural Printmaking in the Renaissance
Author: Suzanne Kathleen Karr Schmidt
Publisher: Brill's Studies in Intellectua
ISBN: 9789004340138
Category : Art
Languages : en
Pages : 439
Book Description
Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions - part text, part image, and part sculpture - engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself.
Publisher: Brill's Studies in Intellectua
ISBN: 9789004340138
Category : Art
Languages : en
Pages : 439
Book Description
Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions - part text, part image, and part sculpture - engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself.
A Catalog of the Gifts of Lessing J. Rosenwald to the Library of Congress, 1943 to 1975
Author: Library of Congress
Publisher:
ISBN:
Category : Bibliography , Rare books , Catalogs
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Bibliography , Rare books , Catalogs
Languages : en
Pages : 552
Book Description
Art in History/History in Art
Author: David Freedberg
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
The Intellectual Foundation of Information Organization
Author: Elaine Svenonius
Publisher: MIT Press
ISBN: 0262512610
Category : Computers
Languages : en
Pages : 275
Book Description
Integrating the disparate disciplines of descriptive cataloging, subject cataloging, indexing, and classification, the book adopts a conceptual framework that views the process of organizing information as the use of a special language of description called a bibliographic language. Instant electronic access to digital information is the single most distinguishing attribute of the information age. The elaborate retrieval mechanisms that support such access are a product of technology. But technology is not enough. The effectiveness of a system for accessing information is a direct function of the intelligence put into organizing it. Just as the practical field of engineering has theoretical physics as its underlying base, the design of systems for organizing information rests on an intellectual foundation. The subject of this book is the systematized body of knowledge that constitutes this foundation. Integrating the disparate disciplines of descriptive cataloging, subject cataloging, indexing, and classification, the book adopts a conceptual framework that views the process of organizing information as the use of a special language of description called a bibliographic language. The book is divided into two parts. The first part is an analytic discussion of the intellectual foundation of information organization. The second part moves from generalities to particulars, presenting an overview of three bibliographic languages: work languages, document languages, and subject languages. It looks at these languages in terms of their vocabulary, semantics, and syntax. The book is written in an exceptionally clear style, at a level that makes it understandable to those outside the discipline of library and information science.
Publisher: MIT Press
ISBN: 0262512610
Category : Computers
Languages : en
Pages : 275
Book Description
Integrating the disparate disciplines of descriptive cataloging, subject cataloging, indexing, and classification, the book adopts a conceptual framework that views the process of organizing information as the use of a special language of description called a bibliographic language. Instant electronic access to digital information is the single most distinguishing attribute of the information age. The elaborate retrieval mechanisms that support such access are a product of technology. But technology is not enough. The effectiveness of a system for accessing information is a direct function of the intelligence put into organizing it. Just as the practical field of engineering has theoretical physics as its underlying base, the design of systems for organizing information rests on an intellectual foundation. The subject of this book is the systematized body of knowledge that constitutes this foundation. Integrating the disparate disciplines of descriptive cataloging, subject cataloging, indexing, and classification, the book adopts a conceptual framework that views the process of organizing information as the use of a special language of description called a bibliographic language. The book is divided into two parts. The first part is an analytic discussion of the intellectual foundation of information organization. The second part moves from generalities to particulars, presenting an overview of three bibliographic languages: work languages, document languages, and subject languages. It looks at these languages in terms of their vocabulary, semantics, and syntax. The book is written in an exceptionally clear style, at a level that makes it understandable to those outside the discipline of library and information science.
Pieter Bruegel and the Art of Laughter
Author: Walter S. Gibson
Publisher: Univ of California Press
ISBN: 0520245210
Category : Art
Languages : en
Pages : 291
Book Description
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.
Publisher: Univ of California Press
ISBN: 0520245210
Category : Art
Languages : en
Pages : 291
Book Description
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.
Jacopo Strada and Cultural Patronage at the Imperial Court
Author: Dirk Jacob Jansen
Publisher:
ISBN: 9789004355262
Category : Antiquarians
Languages : en
Pages : 0
Book Description
Dirk Jacob Jansen provides an overview of the life and career of the sixteenth-century cosmopolitan courtier, architect and antiquary Jacopo Strada.
Publisher:
ISBN: 9789004355262
Category : Antiquarians
Languages : en
Pages : 0
Book Description
Dirk Jacob Jansen provides an overview of the life and career of the sixteenth-century cosmopolitan courtier, architect and antiquary Jacopo Strada.
Dürer and Beyond
Author: Stijn Alsteens
Publisher: Metropolitan Museum of Art
ISBN: 1588394514
Category : Art
Languages : en
Pages : 274
Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Publisher: Metropolitan Museum of Art
ISBN: 1588394514
Category : Art
Languages : en
Pages : 274
Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.