The New Curator: Exhibiting Architecture and Design PDF Download

Author: Fleur Watson
Publisher: Routledge
ISBN: 1351029819
Category : Architecture
Languages : en
Pages : 302

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Book Description
The New Curator: Exhibiting Architecture and Design examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento. Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.

Author: Fleur Watson
Publisher:
ISBN: 9781320420754
Category : Architecture
Languages : en
Pages :

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Book Description
Architecture and design exhibitions have predominantly focused on displaying finished outcomes (in the case of design) or communicating a work by representation (in the case of architecture's 'absence'). This research is situated within the context of the challenges inherent in exhibiting architecture and design ideas. It addresses the need for a specialised curatorial practice that focuses on embedding inter-disciplinary collaboration in the conceptual stages of the curatorial process. The PhD is a scholarly reflection upon my practice over the past decade as an architectural and design curator. Through the process of examining my collective projects in relation to my community of practice, I have located my work within the context of 'performative curation' where experimental mediation methods for encountering design ideas and process are tested, as distinct from exhibiting finished works or artefacts. I have identified that performative curation is implicitly linked to the notion of 'rapid curation' - i.e., projects developed outside of the convention of the long lead-times within the traditional museum context. Through reflection, I have discovered that a key factor in the process of curating design ideas is an ability to embrace compressed timeframes and risk and, at times, to accept the possibility of failure within the exhibition environment. The research acknowledges that terms such as 'performative', 'process' and 'participatory' have a particular tension within current visual arts discourse but it actively seeks to re-focus the terms within the explicit context of mediating the ideas of architecture and design to audiences. Here, the curatorial role is not in the didactic model of curator as 'custodian' or 'expert' and is aligned with the notion of curatorial dramaturgy with the intent to create a shared space of encounter with audiences and, in doing so, reveal the value of design ideas to the society to which it is responding. In this context, the curator is 'tuned to' the relationship with the outside world and frames the content within the wider cultural and socio-political realm.The research has defined and examined six key curatorial moves identified as being integral to this collective body of work: Design as Exhibit (Curator as Space-Maker); The Prosthetic (Curator as Interloper); The Non-Representational (Curator as Commissioner); The Mediator (Curator as Translator of Process); The Advocate/Activist (Curator as Agent), and Event as Performance (Curator as Dramaturge).The contribution to knowledge is articulated through the proposition of performative curatorial practice as it explicitly relates to the curation of architecture and design ideas. Additionally, the contribution is demonstrated through the reflective examination of the six identified curatorial moves. Here, my intention is to reveal the experimental mediation frameworks for further examination and exchange within my curatorial community. As such there is an important opportunity for a more considered and progressive model for the education of specialised curators of architecture and design - a model that lies outside the traditional museum, is not focused on the visual arts, and is not simply an 'expanded practice' stream embedded within architectural and design education.

Author: Eeva-Liisa Pelkonen
Publisher:
ISBN: 9781940291598
Category : Architecture
Languages : en
Pages : 0

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Book Description
Lectures, paper presentations, and panel dicussions given as part of a symposium at the Yale School of Architecture, October 3-5, 2013. The symposium focused on how architects use exhibitions as laboratories for architectural ideas.

Author: Ellen Lupton
Publisher: Cooper Hewitt
ISBN: 9780910503822
Category : Design
Languages : en
Pages : 221

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Book Description
How Posters Work is more than a standard exhibition catalogue. Conceived as a useful and illuminating primer in visual thinking, it explores principles of design through a range of historical and contemporary works, uncovering ideas relevant not just to the design of posters but to 2D design more generally. How Posters Work has a unique focus on visual language. Rather than provide a history of the genre or a compilation of collectibles, the book is organized around active design principles. Concepts such as "Simplify," "Focus the eye," "Exploit the diagonal," "Reverse expectations," and "Say two things at once" are illustrated with a diverse range of posters, from avant-garde classics and rarely seen international works to contemporary pieces by today's leading graphic designers. Illustrated with over 150 works from the collection of Cooper Hewitt, Smithsonian Design Museum, How Posters Work provides a stunning education in seeing and making, demonstrating how some of the world's most creative designers have mobilized principles of layout, composition, psychology, and rhetoric to produce powerful acts of visual communication

Author: Thomas S. Hines
Publisher: Getty Publications
ISBN: 1606065815
Category : Architecture
Languages : en
Pages : 210

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Book Description
A comprehensive and fascinating look at the history of the Museum of Modern Art’s Architecture and Design Department under the leadership of the influential curator Arthur Drexler. Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986—the longest curatorship in the museum’s history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA’s founding director, Alfred Barr, and the department’s first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler’s tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects—from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden—Drexler’s boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department’s public and educational programs projected a culture of popular accessibility, offsetting MoMA’s reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines’s firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.

Author: Andres Lepik
Publisher: The Museum of Modern Art
ISBN: 0870707841
Category : Architecture
Languages : en
Pages : 141

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Book Description
Published to accompany the exhibition held at the Museum of Modern Art, New York, 28 Sept. 2010-3 Jan. 2011.

Author:
Publisher: The Museum of Modern Art
ISBN: 0870708694
Category :
Languages : en
Pages : 114

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Author: Eeva-Liisa Pelkonen
Publisher: Phaidon Press
ISBN: 9780714875170
Category : Architecture
Languages : en
Pages : 0

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Book Description
The first book to explore the world's most significant architectural exhibitions of the 20th century How do you exhibit a building, a locality, a city? Exhibit A reveals how architecture has pushed the boundaries of exhibition as a medium and how, in turn, exhibitions have shaped the discipline of architecture. Focusing on 80 landmark architecture exhibitions mounted in countries around the world between 1948 and 2000, and featuring 300 images, this groundbreaking overview is both a vital reference and a visually compelling study of the way we look at built work.

Author: Steen Eiler Rasmussen
Publisher: MIT Press
ISBN: 9780262680028
Category : Architecture
Languages : en
Pages : 260

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Book Description
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”

Author: Donna Loveday
Publisher: Bloomsbury Publishing
ISBN: 1350162795
Category : Travel
Languages : en
Pages : 261

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Book Description
Illustrated with contemporary case studies, Curating Design provides a history of and introduction to design curatorial practice both within and outside the museum. Donna Loveday begins by tracing the history of the collecting and display of designed objects in museums and exhibitions from the 19th century 'cabinet of curiosities' to the present day design museum. She then explores the changing role of the curator since the 1980s, with curators becoming much more than just 'keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space of learning for its visitors. Curating as a practice now describes the production of a number of cultural and creative outputs, ranging from exhibitions to art festivals; shopping environments to health centres; conferences to film programming as well as museums and galleries. Loveday explores how design has come to the fore in curatorial practice, with new design museums opening around the world as well as blockbusting exhibitions of fashion and popular culture. Interviews with leading practitioners from international design and arts museums provide a spotlight on contemporary challenges and best practice in design curatorship.