Author: Thomas J. J. Altizer
Publisher: East Lansing, Michigan State U. P
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
The New Apocalypse: the Radical Christian Vision of William Blake
Author: Thomas J. J. Altizer
Publisher: East Lansing, Michigan State U. P
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Publisher: East Lansing, Michigan State U. P
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
William Blake's Religious Vision
Author: Jennifer G. Jesse
Publisher: Rowman & Littlefield
ISBN: 0739177907
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
In this innovative study, Jesse challenges the prevailing view of Blake as an antinomian and describes him as a theological moderate who defended an evangelical faith akin to the Methodism of John Wesley. She arrives at this conclusion by contextualizing Blake's works not only within Methodism, but in relation to other religious groups he addressed in his art, including the Established Church, deism, and radical religions. Further, she analyzes his works by sorting out the theological "road signs" he directed to each audience. This approach reveals Blake engaging each faction through its most prized beliefs, manipulating its own doctrines through visual and verbal guide-posts designed to communicate specifically with that group. She argues that, once we collate Blake's messages to his intended audiences--sounding radical to the conservatives and conservative to the radicals--we find him advocating a system that would have been recognized by his contemporaries as Wesleyan in orientation. This thesis also relies on an accurate understanding of eighteenth-century Methodism: Jesse underscores the empirical rationalism pervading Wesley's theology, highlighting differences between Methodism as practiced and as publicly caricatured. Undergirding this project is Jesse's call for more rigorous attention to the dramatic character of Blake's works. She notes that scholars still typically use phrases like "Blake says" or "Blake believes," followed by some claim made by a Blakean character, without negotiating the complex narrative dynamics that might enable us to understand the rhetorical purposes of that statement, as heard by Blake's respective audiences. Jesse maintains we must expect to find reflections in Blake's works of all the theologies he engaged. The question is: what was he doing with them, and why? In order to divine what Blake meant to communicate, we must explore how those he targeted would have perceived his arguments. Jesse concludes that by analyzing the dramatic character of Blake's works theologically through this wide-angled, audience-oriented approach, we see him orchestrating a grand rapprochement of the extreme theologies of his day into a unified vision that integrates faith and reason.
Publisher: Rowman & Littlefield
ISBN: 0739177907
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
In this innovative study, Jesse challenges the prevailing view of Blake as an antinomian and describes him as a theological moderate who defended an evangelical faith akin to the Methodism of John Wesley. She arrives at this conclusion by contextualizing Blake's works not only within Methodism, but in relation to other religious groups he addressed in his art, including the Established Church, deism, and radical religions. Further, she analyzes his works by sorting out the theological "road signs" he directed to each audience. This approach reveals Blake engaging each faction through its most prized beliefs, manipulating its own doctrines through visual and verbal guide-posts designed to communicate specifically with that group. She argues that, once we collate Blake's messages to his intended audiences--sounding radical to the conservatives and conservative to the radicals--we find him advocating a system that would have been recognized by his contemporaries as Wesleyan in orientation. This thesis also relies on an accurate understanding of eighteenth-century Methodism: Jesse underscores the empirical rationalism pervading Wesley's theology, highlighting differences between Methodism as practiced and as publicly caricatured. Undergirding this project is Jesse's call for more rigorous attention to the dramatic character of Blake's works. She notes that scholars still typically use phrases like "Blake says" or "Blake believes," followed by some claim made by a Blakean character, without negotiating the complex narrative dynamics that might enable us to understand the rhetorical purposes of that statement, as heard by Blake's respective audiences. Jesse maintains we must expect to find reflections in Blake's works of all the theologies he engaged. The question is: what was he doing with them, and why? In order to divine what Blake meant to communicate, we must explore how those he targeted would have perceived his arguments. Jesse concludes that by analyzing the dramatic character of Blake's works theologically through this wide-angled, audience-oriented approach, we see him orchestrating a grand rapprochement of the extreme theologies of his day into a unified vision that integrates faith and reason.
Radical Theology and the Death of God
Author: Thomas J. J. Altizer
Publisher:
ISBN:
Category : Death of God theology
Languages : en
Pages : 230
Book Description
Joint author, William Hamilton, is an alumnus of Evanston Township High School, class of 1940.
Publisher:
ISBN:
Category : Death of God theology
Languages : en
Pages : 230
Book Description
Joint author, William Hamilton, is an alumnus of Evanston Township High School, class of 1940.
The Visionary Art of William Blake
Author: Naomi Billingsley
Publisher: Bloomsbury Publishing
ISBN: 1838609660
Category : Art
Languages : en
Pages : 288
Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.
Publisher: Bloomsbury Publishing
ISBN: 1838609660
Category : Art
Languages : en
Pages : 288
Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.
The Apocalyptic Trinity
Author: T. Altizer
Publisher: Springer
ISBN: 1137276223
Category : Religion
Languages : en
Pages : 250
Book Description
This book is a major step forward in radical theology via a sustained and creative challenge to conventional and orthodox thinking on the Trinity. Altizer presents a radical rethinking of the apocalyptic trinity and recovers the apocalyptic Jesus of Hegel, Blake, and Nietzsche.
Publisher: Springer
ISBN: 1137276223
Category : Religion
Languages : en
Pages : 250
Book Description
This book is a major step forward in radical theology via a sustained and creative challenge to conventional and orthodox thinking on the Trinity. Altizer presents a radical rethinking of the apocalyptic trinity and recovers the apocalyptic Jesus of Hegel, Blake, and Nietzsche.
The Social Vision of William Blake
Author: Michael Ferber
Publisher: Princeton University Press
ISBN: 1400857643
Category : Poetry
Languages : en
Pages : 272
Book Description
This fresh look at the social and political themes of Blake's poetry shows that he was a phenomenologist of liberation," who contested the dominant ideology of his time and who still speaks passionately to our fears and hopes. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400857643
Category : Poetry
Languages : en
Pages : 272
Book Description
This fresh look at the social and political themes of Blake's poetry shows that he was a phenomenologist of liberation," who contested the dominant ideology of his time and who still speaks passionately to our fears and hopes. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
After Innocence
Author: Terry Otten
Publisher: University of Pittsburgh Pre
ISBN: 0822976331
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
The fear of falling, the awareness of lost innocence, lost illusions, lost hopes and intentions, of civilization in decline—these are the themes which link literature to theology, both concerned with the shape of human destiny. Otten discusses the continuing viability of the myth of the Fall in literature. He relates a wide variety of romantic and modern works to fundamental issues in modern Christianity.
Publisher: University of Pittsburgh Pre
ISBN: 0822976331
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
The fear of falling, the awareness of lost innocence, lost illusions, lost hopes and intentions, of civilization in decline—these are the themes which link literature to theology, both concerned with the shape of human destiny. Otten discusses the continuing viability of the myth of the Fall in literature. He relates a wide variety of romantic and modern works to fundamental issues in modern Christianity.
War of Titans
Author: Jackie DiSalvo
Publisher: University of Pittsburgh Pre
ISBN: 0822977001
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
In a dramatically original analysis, Jackie DiSalvo explores Blake's reworking of Genesis and Paradise Lost in his prophetic poem The Four Zoas, creating a compelling new reading of both Milton and Blake. With informed argument and provocative insights, DiSalvo shows how Blake's view of history prefigures the revaluation of our own myths of origin prompted by new political, psychological, and feminist perspectives.
Publisher: University of Pittsburgh Pre
ISBN: 0822977001
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
In a dramatically original analysis, Jackie DiSalvo explores Blake's reworking of Genesis and Paradise Lost in his prophetic poem The Four Zoas, creating a compelling new reading of both Milton and Blake. With informed argument and provocative insights, DiSalvo shows how Blake's view of history prefigures the revaluation of our own myths of origin prompted by new political, psychological, and feminist perspectives.
Blake. Wordsworth. Religion.
Author: Jonathan Roberts
Publisher: Bloomsbury Publishing
ISBN: 144116569X
Category : Literary Criticism
Languages : en
Pages : 142
Book Description
A reassessment of Romantic religion and the structure of modern religious debate argued through the history of interpretation of Blake's and Wordsworth's religious visions.
Publisher: Bloomsbury Publishing
ISBN: 144116569X
Category : Literary Criticism
Languages : en
Pages : 142
Book Description
A reassessment of Romantic religion and the structure of modern religious debate argued through the history of interpretation of Blake's and Wordsworth's religious visions.
Symbol and Truth in Blake's Myth
Author: Leopold Damrosch Jr.
Publisher: Princeton University Press
ISBN: 1400853737
Category : Literary Criticism
Languages : en
Pages : 411
Book Description
In a controversial examination of the conceptual bases of Blake's myth, Leopold Damrosch argues that his poems contain fundamental contradictions, but that this fact docs not imply philosophical or artistic failure. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400853737
Category : Literary Criticism
Languages : en
Pages : 411
Book Description
In a controversial examination of the conceptual bases of Blake's myth, Leopold Damrosch argues that his poems contain fundamental contradictions, but that this fact docs not imply philosophical or artistic failure. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.