Author: Damon Krukowski
Publisher:
ISBN: 9781620971970
Category : Music
Languages : en
Pages : 0
Book Description
An NPR Best Book of 2017 "This is not a book about why vinyl sounds better; it's way more interesting than that . . . it] is full of things I didn't know, like why people yell into cellphones . . . Ultimately, it's about how we consume sound as a society - which is, increasingly, on an individual basis." --NPR "If you're a devoted music fan who's dubious about both rosy nostalgia and futuristic utopianism, Damon Krukowski's The New Analog is for you." --The New York Times Book Review "A pointedly passionate look at what's been lost in the digital era." --Los Angeles Times What John Berger did to ways of seeing, well-known indie musician Damon Krukowski does to ways of listening in this lively guide to the transition from analog to digital culture Having made his name in the late 1980s as a member of the indie band Galaxie 500, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered the transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Do streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineer's distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog era--the disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of time--as a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out.
The New Analog
The Revenge of Analog
Author: David Sax
Publisher: PublicAffairs
ISBN: 1610395727
Category : Business & Economics
Languages : en
Pages : 306
Book Description
One of Michiko Kakutani's (New York Times) top ten books of 2016 A funny thing happened on the way to the digital utopia. We've begun to fall back in love with the very analog goods and ideas the tech gurus insisted that we no longer needed. Businesses that once looked outdated, from film photography to brick-and-mortar retail, are now springing with new life. Notebooks, records, and stationery have become cool again. Behold the Revenge of Analog. David Sax has uncovered story after story of entrepreneurs, small business owners, and even big corporations who've found a market selling not apps or virtual solutions but real, tangible things. As e-books are supposedly remaking reading, independent bookstores have sprouted up across the country. As music allegedly migrates to the cloud, vinyl record sales have grown more than ten times over the past decade. Even the offices of tech giants like Google and Facebook increasingly rely on pen and paper to drive their brightest ideas. Sax's work reveals a deep truth about how humans shop, interact, and even think. Blending psychology and observant wit with first-rate reportage, Sax shows the limited appeal of the purely digital life-and the robust future of the real world outside it.
Publisher: PublicAffairs
ISBN: 1610395727
Category : Business & Economics
Languages : en
Pages : 306
Book Description
One of Michiko Kakutani's (New York Times) top ten books of 2016 A funny thing happened on the way to the digital utopia. We've begun to fall back in love with the very analog goods and ideas the tech gurus insisted that we no longer needed. Businesses that once looked outdated, from film photography to brick-and-mortar retail, are now springing with new life. Notebooks, records, and stationery have become cool again. Behold the Revenge of Analog. David Sax has uncovered story after story of entrepreneurs, small business owners, and even big corporations who've found a market selling not apps or virtual solutions but real, tangible things. As e-books are supposedly remaking reading, independent bookstores have sprouted up across the country. As music allegedly migrates to the cloud, vinyl record sales have grown more than ten times over the past decade. Even the offices of tech giants like Google and Facebook increasingly rely on pen and paper to drive their brightest ideas. Sax's work reveals a deep truth about how humans shop, interact, and even think. Blending psychology and observant wit with first-rate reportage, Sax shows the limited appeal of the purely digital life-and the robust future of the real world outside it.
Ways of Hearing
Author: Damon Krukowski
Publisher: MIT Press
ISBN: 0262039648
Category : Music
Languages : en
Pages : 140
Book Description
A writer-musician examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. Our voices carry farther than ever before, thanks to digital media. But how are they being heard? In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In Ways of Hearing—modeled on Ways of Seeing, John Berger's influential 1972 book on visual culture—Krukowski offers readers a set of tools for critical listening in the digital age. Just as Ways of Seeing began as a BBC television series, Ways of Hearing is based on a six-part podcast produced for the groundbreaking public radio podcast network Radiotopia. Inventive uses of text and design help bring the message beyond the range of earbuds. Each chapter of Ways of Hearing explores a different aspect of listening in the digital age: time, space, love, money, and power. Digital time, for example, is designed for machines. When we trade broadcast for podcast, or analog for digital in the recording studio, we give up the opportunity to perceive time together through our media. On the street, we experience public space privately, as our headphones allow us to avoid “ear contact” with the city. Heard on a cell phone, our loved ones' voices are compressed, stripped of context by digital technology. Music has been dematerialized, no longer an object to be bought and sold. With recommendation algorithms and playlists, digital corporations have created a media universe that adapts to us, eliminating the pleasures of brick-and-mortar browsing. Krukowski lays out a choice: do we want a world enriched by the messiness of noise, or one that strives toward the purity of signal only?
Publisher: MIT Press
ISBN: 0262039648
Category : Music
Languages : en
Pages : 140
Book Description
A writer-musician examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. Our voices carry farther than ever before, thanks to digital media. But how are they being heard? In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In Ways of Hearing—modeled on Ways of Seeing, John Berger's influential 1972 book on visual culture—Krukowski offers readers a set of tools for critical listening in the digital age. Just as Ways of Seeing began as a BBC television series, Ways of Hearing is based on a six-part podcast produced for the groundbreaking public radio podcast network Radiotopia. Inventive uses of text and design help bring the message beyond the range of earbuds. Each chapter of Ways of Hearing explores a different aspect of listening in the digital age: time, space, love, money, and power. Digital time, for example, is designed for machines. When we trade broadcast for podcast, or analog for digital in the recording studio, we give up the opportunity to perceive time together through our media. On the street, we experience public space privately, as our headphones allow us to avoid “ear contact” with the city. Heard on a cell phone, our loved ones' voices are compressed, stripped of context by digital technology. Music has been dematerialized, no longer an object to be bought and sold. With recommendation algorithms and playlists, digital corporations have created a media universe that adapts to us, eliminating the pleasures of brick-and-mortar browsing. Krukowski lays out a choice: do we want a world enriched by the messiness of noise, or one that strives toward the purity of signal only?
The New Analog
Author: Damon Krukowski
Publisher: New Press/ORIM
ISBN: 1620971984
Category : Science
Languages : en
Pages : 183
Book Description
An NPR Best Book of the Year: “A pointedly passionate look at what’s been lost in the digital era.” —Los Angeles Times A longtime musician and former member of the indie band Galaxie 500 who has also taught at Harvard, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered that transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Does streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineer’s distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog era—the disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of time—as a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out. “This is not a book about why vinyl sounds better; it’s way more interesting than that . . . [It] is full of things I didn’t know, like why people yell into cellphones . . . Ultimately, it’s about how we consume sound as a society—which is, increasingly, on an individual basis.” —NPR “If you’re a devoted music fan who’s dubious about both rosy nostalgia and futuristic utopianism, Damon Krukowski’s The New Analog is for you.” —The New York Times Book Review
Publisher: New Press/ORIM
ISBN: 1620971984
Category : Science
Languages : en
Pages : 183
Book Description
An NPR Best Book of the Year: “A pointedly passionate look at what’s been lost in the digital era.” —Los Angeles Times A longtime musician and former member of the indie band Galaxie 500 who has also taught at Harvard, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered that transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Does streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineer’s distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog era—the disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of time—as a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out. “This is not a book about why vinyl sounds better; it’s way more interesting than that . . . [It] is full of things I didn’t know, like why people yell into cellphones . . . Ultimately, it’s about how we consume sound as a society—which is, increasingly, on an individual basis.” —NPR “If you’re a devoted music fan who’s dubious about both rosy nostalgia and futuristic utopianism, Damon Krukowski’s The New Analog is for you.” —The New York Times Book Review
Analog Days
Author: T. J PINCH
Publisher: Harvard University Press
ISBN: 0674042166
Category : Music
Languages : en
Pages : 385
Book Description
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in 'Switched-on Bach', this text conveys the consequences of a technology that would provide the soundtrack for a chapter in cultural history.
Publisher: Harvard University Press
ISBN: 0674042166
Category : Music
Languages : en
Pages : 385
Book Description
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in 'Switched-on Bach', this text conveys the consequences of a technology that would provide the soundtrack for a chapter in cultural history.
Analog
Author: Robert Hassan
Publisher: MIT Press
ISBN: 0262371820
Category : Technology & Engineering
Languages : en
Pages : 274
Book Description
Why, surrounded by screens and smart devices, we feel a deep connection to the analog—vinyl records, fountain pens, Kodak film, and other nondigital tools. We’re surrounded by screens; our music comes in the form of digital files; we tap words into a notes app. Why do we still crave the “realness” of analog, seeking out vinyl records, fountain pens, cameras with film? In this volume in the MIT Press Essential Knowledge series, Robert Hassan explores our deep connection to analog technology. Our analog urge, he explains, is about what we’ve lost from our technological past, something that’s not there in our digital present. We’re nostalgic for what we remember indistinctly as somehow more real, more human. Surveying some of the major developments of analog technology, Hassan shows us what’s been lost with the digital. Along the way, he discusses the appeal of the 2011 silent, black-and-white Oscar-winning film The Artist; the revival of the non-e-book book; the early mechanical clocks that enforced prayer and worship times; and the programmable loom. He describes the effect of the typewriter on Nietzsche’s productivity, the pivotal invention of the telegraph, and the popularity of the first televisions despite their iffy picture quality. The transition to digital is marked by the downgrading of human participation in the human-technology relationship. We have unwittingly unmoored ourselves, Hassan warns, from the anchors of analog technology and the natural world. Our analog nostalgia is for those ancient aspects of who and what we are.
Publisher: MIT Press
ISBN: 0262371820
Category : Technology & Engineering
Languages : en
Pages : 274
Book Description
Why, surrounded by screens and smart devices, we feel a deep connection to the analog—vinyl records, fountain pens, Kodak film, and other nondigital tools. We’re surrounded by screens; our music comes in the form of digital files; we tap words into a notes app. Why do we still crave the “realness” of analog, seeking out vinyl records, fountain pens, cameras with film? In this volume in the MIT Press Essential Knowledge series, Robert Hassan explores our deep connection to analog technology. Our analog urge, he explains, is about what we’ve lost from our technological past, something that’s not there in our digital present. We’re nostalgic for what we remember indistinctly as somehow more real, more human. Surveying some of the major developments of analog technology, Hassan shows us what’s been lost with the digital. Along the way, he discusses the appeal of the 2011 silent, black-and-white Oscar-winning film The Artist; the revival of the non-e-book book; the early mechanical clocks that enforced prayer and worship times; and the programmable loom. He describes the effect of the typewriter on Nietzsche’s productivity, the pivotal invention of the telegraph, and the popularity of the first televisions despite their iffy picture quality. The transition to digital is marked by the downgrading of human participation in the human-technology relationship. We have unwittingly unmoored ourselves, Hassan warns, from the anchors of analog technology and the natural world. Our analog nostalgia is for those ancient aspects of who and what we are.
Analog Recording
Author: David Simons
Publisher: Hal Leonard Corporation
ISBN: 9780879308643
Category : Music
Languages : en
Pages : 152
Book Description
'Analog Recording' takes readers through the process of setting up a radio and working with the tape recorders, mixers, outboard gear, monitors and microphones in the 50s, 60s and 70s. It also teaches how to recognise bargains and how to maintain them.
Publisher: Hal Leonard Corporation
ISBN: 9780879308643
Category : Music
Languages : en
Pages : 152
Book Description
'Analog Recording' takes readers through the process of setting up a radio and working with the tape recorders, mixers, outboard gear, monitors and microphones in the 50s, 60s and 70s. It also teaches how to recognise bargains and how to maintain them.
Analog Church
Author: Jay Y. Kim
Publisher: InterVarsity Press
ISBN: 0830841989
Category : Religion
Languages : en
Pages : 223
Book Description
As our culture begins to reckon with the limits of a digital world, it's time for the church to do the same. In our efforts to stay relevant in our digital age, have we begun to move away from transcendence? Pastor Jay Kim grapples with the ramifications of a digital church, from worship and Christian community to how we engage Scripture.
Publisher: InterVarsity Press
ISBN: 0830841989
Category : Religion
Languages : en
Pages : 223
Book Description
As our culture begins to reckon with the limits of a digital world, it's time for the church to do the same. In our efforts to stay relevant in our digital age, have we begun to move away from transcendence? Pastor Jay Kim grapples with the ramifications of a digital church, from worship and Christian community to how we engage Scripture.
Digital Compensation for Analog Front-Ends
Author: Prof François Horlin
Publisher: John Wiley & Sons
ISBN: 0470759038
Category : Technology & Engineering
Languages : en
Pages : 256
Book Description
The desire to build lower cost analog front-ends has triggered interest in a new domain of research. Consequently the joint design of the analog front-end and of the digital baseband algorithms has become an important field of research. It enables the wireless systems and chip designers to more effectively trade the communication performance with the production cost. Digital Compensation for Analog Front-Ends provides a systematic approach to designing a digital communication system. It covers in detail the digital compensation of many non-idealities, for a wide class of emerging broadband standards and with a system approach in the design of the receiver algorithms. In particular, system strategies for joint estimation of synchronization and front-end non-ideality parameters are emphasized. The book is organized to allow the reader to gradually absorb the important information and vast quantity of material on this subject. The first chapter is a comprehensive introduction to the emerging wireless standards which is followed by a detailed description of the front-end non-idealities in chapter two. Chapter three then uses this information to explore what happens when the topics introduced in the first two chapters are merged. The book concludes with two chapters providing an in-depth coverage of the estimation and compensation algorithms. This book is a valuable reference for wireless system architects and chip designers as well as engineers or managers in system design and development. It will also be of interest to researchers in industry and academia, graduate students and wireless network operators. Presents a global, systematic approach to the joint design of the analog front-end compensation, channel estimation, synchronization and of the digital baseband algorithms Describes in depth the main front-end non-idealities such as phase noise, IQ imbalance, non-linearity, clipping, quantization, carrier frequency offset, sampling clock offset and their impact on the modulation Explains how the non-idealities introduced by the analog front-end elements can be compensated digitally Methodologies are applied to the emerging Wireless Local Area Network and outdoor Cellular communication systems, hence covering OFDM(A), SC-FDE and MIMO Written by authors with in-depth expertise developed in the wireless research group of IMEC and projects covering the main broadband wireless standards
Publisher: John Wiley & Sons
ISBN: 0470759038
Category : Technology & Engineering
Languages : en
Pages : 256
Book Description
The desire to build lower cost analog front-ends has triggered interest in a new domain of research. Consequently the joint design of the analog front-end and of the digital baseband algorithms has become an important field of research. It enables the wireless systems and chip designers to more effectively trade the communication performance with the production cost. Digital Compensation for Analog Front-Ends provides a systematic approach to designing a digital communication system. It covers in detail the digital compensation of many non-idealities, for a wide class of emerging broadband standards and with a system approach in the design of the receiver algorithms. In particular, system strategies for joint estimation of synchronization and front-end non-ideality parameters are emphasized. The book is organized to allow the reader to gradually absorb the important information and vast quantity of material on this subject. The first chapter is a comprehensive introduction to the emerging wireless standards which is followed by a detailed description of the front-end non-idealities in chapter two. Chapter three then uses this information to explore what happens when the topics introduced in the first two chapters are merged. The book concludes with two chapters providing an in-depth coverage of the estimation and compensation algorithms. This book is a valuable reference for wireless system architects and chip designers as well as engineers or managers in system design and development. It will also be of interest to researchers in industry and academia, graduate students and wireless network operators. Presents a global, systematic approach to the joint design of the analog front-end compensation, channel estimation, synchronization and of the digital baseband algorithms Describes in depth the main front-end non-idealities such as phase noise, IQ imbalance, non-linearity, clipping, quantization, carrier frequency offset, sampling clock offset and their impact on the modulation Explains how the non-idealities introduced by the analog front-end elements can be compensated digitally Methodologies are applied to the emerging Wireless Local Area Network and outdoor Cellular communication systems, hence covering OFDM(A), SC-FDE and MIMO Written by authors with in-depth expertise developed in the wireless research group of IMEC and projects covering the main broadband wireless standards
I, Justine
Author: Justine Ezarik
Publisher: Simon and Schuster
ISBN: 147679152X
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
NEW YORK TIMES BESTSELLER A one-woman media phenomenon and a leading YouTube influencer takes readers behind the camera, and deep inside her world. Justine Ezarik has been tech-obsessed since unboxing her family’s first Apple computer. By sixth grade she had built her first website. A decade later, she became one of the Internet’s first—and most popular—“lifecasters,” inviting people around the world to watch her every move, twenty-four hours a day, seven days a week. But it was a one-minute video about an itemized AT&T bill that gave Justine her first taste of viral success: Within ten days of release, her “300-page iPhone bill” had garnered more than 3 million views and international media attention. These days, iJustine is a one-woman new media phenomenon: The popular techie, gamer, vlogger, and digital influencer has an army of nearly 3.5 million subscribers across multiple YouTube channels, with total views approaching half a billion. Now, Justine is giving friends and fans a look behind the scenes, sharing never-before-told stories about the hilarious (and sometimes heartbreaking) reality of sharing your life online. With her trademark wit and delightfully weird sense of humor, Justine delivers an inspirational message in support of creativity, entrepreneurship, and the power of staying true to yourself, while reminding readers that the Internet is a very small world—you just never know who you’re going to meet.
Publisher: Simon and Schuster
ISBN: 147679152X
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
NEW YORK TIMES BESTSELLER A one-woman media phenomenon and a leading YouTube influencer takes readers behind the camera, and deep inside her world. Justine Ezarik has been tech-obsessed since unboxing her family’s first Apple computer. By sixth grade she had built her first website. A decade later, she became one of the Internet’s first—and most popular—“lifecasters,” inviting people around the world to watch her every move, twenty-four hours a day, seven days a week. But it was a one-minute video about an itemized AT&T bill that gave Justine her first taste of viral success: Within ten days of release, her “300-page iPhone bill” had garnered more than 3 million views and international media attention. These days, iJustine is a one-woman new media phenomenon: The popular techie, gamer, vlogger, and digital influencer has an army of nearly 3.5 million subscribers across multiple YouTube channels, with total views approaching half a billion. Now, Justine is giving friends and fans a look behind the scenes, sharing never-before-told stories about the hilarious (and sometimes heartbreaking) reality of sharing your life online. With her trademark wit and delightfully weird sense of humor, Justine delivers an inspirational message in support of creativity, entrepreneurship, and the power of staying true to yourself, while reminding readers that the Internet is a very small world—you just never know who you’re going to meet.