Author: Bruce JacksonPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 23
Book Description
The Negro and His Folklore in Nineteenth-century Periodicals
Author: Bruce JacksonPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 23
Book Description
The Negro and His Folklore in Nineteenth-century Periodicals
Author: Bruce Jackson (comp)Publisher:
ISBN:
Category :
Languages : en
Pages : 374
Book Description
The Negro and His Folklore in Nineteenth Century Periodicals. Edited with an Introduction by Bruce Jackson
Author: Bruce JACKSONThe Negro and His Folklore in Nineteenth-Century Periodicals
Author: Bruce JacksonPublisher: University of Texas Press
ISBN: 0292768591
Category : Social Science
Languages : en
Pages : 399
Book Description
In the eyes of many white Americans, North and South, the Negro did not have a culture until the Emancipation Proclamation. With few exceptions, serious collecting of Negro folklore by whites did not begin until the Civil War—and it was to be another four decades before black Americans would begin to appreciate their own cultural heritage. Few of the earlier writers realized that they had observed and recorded not simply a manifestation of a particular way of life but also a product peculiarly American and specifically Negro, a synthesis of African and American styles and traditions. The folksongs, speech, beliefs, customs, and tales of the American Negro are discussed in this anthology, originally published in 1967, of thirty-five articles, letters, and reviews from nineteenth-century periodicals. Published between 1838 and 1900 and written by authors who range from ardent abolitionist to dedicated slaveholder, these articles reflect the authors’ knowledge of, and attitudes toward, the Negro and his folklore. From the vast body of material that appeared on this subject during the nineteenth century, editor Bruce Jackson has culled fresh articles that are basic folklore and represent a wide range of material and attitudes. In addition to his introduction to the volume, Jackson has prefaced each article with a commentary. He has also supplied a supplemental bibliography on Negro folklore. If serious collecting of Negro folklore had begun by the middle of the nineteenth century, so had exploitation of its various aspects, particularly Negro songs. By 1850 minstrelsy was a big business. Although Jackson has considered minstrelsy outside the scope of this collection, he has included several discussions of it to suggest some aspects of its peculiar relation to the traditional. The articles in the anthology—some by such well-known figures as Joel Chandler Harris, George Washington Cable, Thomas Wentworth Higginson, John Mason Brown, and Antonin Dvorak—make fascinating reading for an observer of the American scene. This additional insight into the habits of thought and behavior of a culture in transition—folklore recorded in its own context—cannot but afford the thinking reader further understanding of the turbulent race problems of later times and today.
The Negro and His Folklore in 19th Century Periodicals
Author: Bruce JacksonThe Negro and His Folklore in Ninetee - Century Periodicals
Author: Bruce JacksonThe Annotated African American Folktales (The Annotated Books)
Author: Henry Louis Gates Jr.Publisher: Liveright Publishing
ISBN: 0871407566
Category : Literary Collections
Languages : en
Pages : 1437
Book Description
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
Handbook of American Folklore
Author: Richard M. DorsonPublisher: Indiana University Press
ISBN: 9780253203731
Category : Music
Languages : en
Pages : 614
Book Description
Includes material on interpretation methods and presentation of research.
The Negro Traditions
Author: Thomas Washington TalleyPublisher: Univ. of Tennessee Press
ISBN: 9780870499258
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
This collection of previously unpublished tales is a major contribution to the annals of African-American folk narrative. Ranging from fables to historical narratives, these tales contain a rich variety of information on folk customs, speech, and songs, providing the reader with a deeper understanding of and appreciation for nineteenth-century African-American culture. Negro Traditions offers wonderful descriptions of all manner of rural African-American folk customs, including valuable insights into post-Civil War life in rural Middle Tennessee - from riddles to dances - and how former slaves and their children felt about their lives. At times the movement of these tales toward tragedy is reminiscent of Faulkner; their humor suggests Sut Lovingood; their occasional dark surrealism has overtones of Cormac McCarthy. But the overriding reality of these tales as a representation of a people and their culture gives them a power that moves the reader beyond fiction and into factuality. Here are no banjo-plunking renditions of "Zip-A-Dee-Doo-Dah"; these tales are full of the realities of life: violence, work, the power of the supernatural, family life, racial tension, and an intense burning resentment against slavery.
Black Magic
Author: Yvonne P. ChireauPublisher: Univ of California Press
ISBN: 0520249887
Category : History
Languages : en
Pages : 234
Book Description
Black Magic looks at the origins, meaning, and uses of Conjure—the African American tradition of healing and harming that evolved from African, European, and American elements—from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.