The Nature of Tragedy in the Novels of Thomas Hardy PDF Download

Author: Diane Lee Halstead
Publisher:
ISBN:
Category : Tragic, The, in literature
Languages : en
Pages : 144

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Author: Dale Kramer
Publisher: Springer
ISBN: 134902743X
Category : Literary Criticism
Languages : en
Pages : 189

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Author: Rıza Öztürk
Publisher: Cambridge Scholars Publishing
ISBN: 1443845035
Category : Art
Languages : en
Pages : 115

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“Dr Rıza Öztürk’s new book, The Origin of Hardy’s Tragic Vision, is a lucid explanation of the most important aspect of novelist Thomas Hardy’s worldview – the destruction of self. Dr Öztürk gets to the core of Hardy’s ‘tragic vision’ – evident in the novelist’s interpretation of the dramatic interplay between character and circumstance. To what degree either element of character or circumstance weighs in the tragic equation is the subject of discourse in Öztürk’s book, a significant acquisition for students and scholars of Hardy, Victorian literature and culture, or the history of the English novel. This study of Hardy tackles the novelist’s formulation of tragedy as an individual’s ‘natural aim or desire’ – and attempts to answer the important question concerning who or what is responsible for such appetite. The Origin of Hardy’s Tragic Vision can serve as a handbook in the study of tragedy, from the ancient Greek notions to manifestations in late nineteenth century novelists (with reference to modern novelists and dramatists, such as D. H. Lawrence and Henrik Ibsen). Öztürk’s analysis, from the impulse of character in The Mayor of Casterbridge, through the envelope of circumstance in Tess of the D’Urbervilles, culminates comprehensively in his discussion of the depletion of life in Jude the Obscure. As a novelist familiar with the ideas of Schopenhauer and Darwin, Hardy’s tragic vision encompasses a brutally stark statement about the reality of life itself, and this assessment is captured brilliantly in Rıza Öztürk’s important book. Regarding tragedy from the technical elements to the thematic, to its special attention in terms of feminism and illustrations of the absurd in Jude the Obscure, there is no question that The Origin of Hardy’s Tragic Vision fills the need for newer interpretations of a vital figure in English literature who straddles both the Victorian and modern eras.” – Gregory F. Tague, PhD, Professor of English, St. Francis College, New York; author of Character and Consciousness (2005) and Ethos and Behavior (2008); editor of the ASEBL Journal

Author: Amy Staehr
Publisher:
ISBN:
Category :
Languages : en
Pages : 190

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Author: Jeannette King
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200

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How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.

Author: Thomas Hardy
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 183

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DigiCat Publishing presents to you this special edition of "The Well-Beloved: A Sketch of a Temperament" by Thomas Hardy. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Author: Thomas Hardy
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 4582

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This carefully crafted ebook collection is formatted for your eReader with a functional and detailed table of contents: Under the Greenwood Tree Far from the Madding Crowd The Return of the Native The Mayor of Casterbridge The Woodlanders Tess of the d'Urbervilles Jude the Obscure A Pair of Blue Eyes The Trumpet-Major Two on a Tower The Romantic Adventures of a Milkmaid The Well-Beloved Desperate Remedies The Hand of Ethelberta A Laodicean The Complete Novels of Thomas Hardy contains all 15 classics of this great Victorian author. His novels mainly concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex, based on the medieval Anglo-Saxon kingdom. Thomas Hardy (1840-1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England. His most famous novels include Tess of the d'Urbervilles, Far from the Madding Crowd and Jude the Obscure.

Author: Suman Prabha Prasad
Publisher: New Delhi : Arnold-Heinemann Publishers (India)
ISBN:
Category : English fiction
Languages : en
Pages : 246

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Author: Martin Mares
Publisher: GRIN Verlag
ISBN: 3346121410
Category : Literary Collections
Languages : en
Pages : 49

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Academic Paper from the year 2013 in the subject Literature - Modern Literature, Masaryk University , language: English, abstract: The aim of this paper is to analyse the character of Jocelyn Pierston as a tragic hero. The paper focuses on two novels - "The Pursuit of the Well-Beloved" and "The Well- Beloved" - and is divided into two main chapters, while the latter novel is preferred. The first half of the work is dedicated to the Aristotelian concept of the tragic hero, its usage and the conditions for a protagonist to be labeled as such. In addition, some of Thomas Hardy’s opinions on humanity, fate and nature will be shown and discussed with several sources, as well as his attitude towards tragic heroes. In the second half the main protagonist is thoroughly examined in both novels in order to find his tragic flaw and understand his character.By the analysis of various tragic effects depicted in the source texts the thesis tries to argue whether Pierston fulfills those conditions and is a tragic hero or whether he simply lacks the needed qualities.

Author: Bernard J. Paris
Publisher: Routledge
ISBN: 1351535501
Category : Literary Criticism
Languages : en
Pages : 155

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This motivational analysis of the protagonists in Thomas Hardy's three most widely read novels--Tess of the d'Urbervilles, The Mayor of Casterbridge, and Jude the Obscure--highlights an often-overlooked aspect of his art. Bernard J. Paris shows Hardy's genius in creating imagined human beings. He demonstrates that while Hardy tends to blame external conditions for his characters' painful fates, their downfalls are due to a very complex combination of cosmic, social, and psychological factors. Hardy's characters are usually discussed primarily in thematic terms. The characters are are so richly portrayed, Paris argues, that they can be better understood independent of Hardy's interpretations, in motivational terms and he utilizes the psychologist Karen Horney's theories to recover Hardy's intuitions. The characters are full of inner conflicts that make them difficult to fathom, but the approach Paris employs explains their contradictions and illuminates their troubled relationships--shedding light on these expertly crafted imagined human beings. This psychological approach to Hardy's characters enables us to understand his characters and gain insight into the implied authors of the works. In addition, the approach shows Hardy's authorial personality. We can see that Hardy treats some defensive strategies more sympathetically than others. Given his view of life as a general drama of pain, resignation, like that of Hardy's character Elizabeth-Jane, is the strategy he prefers.