Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Early Medieval Art
Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Art & Nature
Author: Laura Cleaver
Publisher:
ISBN:
Category : Architecture, Medieval
Languages : en
Pages : 188
Book Description
A collection of papers by Research students and emerging scholars presented at Leeds International Medieval Congress in 2008.
Publisher:
ISBN:
Category : Architecture, Medieval
Languages : en
Pages : 188
Book Description
A collection of papers by Research students and emerging scholars presented at Leeds International Medieval Congress in 2008.
Eric Gill
Author: Malcolm Yorke
Publisher: New York : Universe Books
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Eric Gill is perhaps the greatest English artist-craftsman of the twentieth century. His most celebrated achievements were sculptures in stone and wood ("Prospero and Ariel" on Broadcasting House; the "Stations of the Cross" in Westminster Cathedral). Malcolm Yorke reassesses this cranky, eccentric but vulnerable and modest man and illustrates his life and work with over 100 examples of Gill's engravings, sculptures and erotic drawings.
Publisher: New York : Universe Books
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Eric Gill is perhaps the greatest English artist-craftsman of the twentieth century. His most celebrated achievements were sculptures in stone and wood ("Prospero and Ariel" on Broadcasting House; the "Stations of the Cross" in Westminster Cathedral). Malcolm Yorke reassesses this cranky, eccentric but vulnerable and modest man and illustrates his life and work with over 100 examples of Gill's engravings, sculptures and erotic drawings.
Vision, Devotion, and Self-Representation in Late Medieval Art
Author: Alexa Sand
Publisher: Cambridge University Press
ISBN: 1107032229
Category : Art
Languages : en
Pages : 433
Book Description
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
Publisher: Cambridge University Press
ISBN: 1107032229
Category : Art
Languages : en
Pages : 433
Book Description
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
Dictionary Catalog of the University Library, 1919-1962
Author: University of California, Los Angeles. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1062
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1062
Book Description
Medieval Modern
Author: Alexander Nagel
Publisher: Thames and Hudson
ISBN: 9780500238974
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
Rich collisions and fresh perspectives illuminate the profound continuities of thought and practice that have marked Western art through the ages This groundbreaking study offers a radical new reading of art since the Middle Ages. Moving across the familiar period lines set out in conventional histories, Alexander Nagel explores the deep connections between modern and premodern art to reveal the underlying patterns and ideas traversing centuries of artistic practice. In a series of episodic chapters, he reconsiders from an innovative double perspective a number of key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism – serial production, site-specificity, collage, the readymade, and the questioning of the nature of art and authorship – were all features of earlier times before modernity, revived by recent generations. Nagel examines, among other things, the importance of medieval cathedrals to the 1920s Bauhaus movement, the parallels between Renaissance altarpieces and modern preoccupations with surface and structure; the relevance of Byzantine models to Minimalist artists; the affinities between ancient holy sites and early earthworks; and the similarities between the sacred relic and the modern readymade. Alongside the work of leading 20th-century medievalist writes such as Walter Benjamin, Marshall McLuhan, Leo Steinberg, and Duchamp, Kurt Schwitters, Robert Smithson, and Damien Hirst. The effect of these encounters goes in two directions at once: each age offers new insights into the other, deepening our understanding of both past and present, and providing a new set of reference points that reframe the history of art itself.
Publisher: Thames and Hudson
ISBN: 9780500238974
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
Rich collisions and fresh perspectives illuminate the profound continuities of thought and practice that have marked Western art through the ages This groundbreaking study offers a radical new reading of art since the Middle Ages. Moving across the familiar period lines set out in conventional histories, Alexander Nagel explores the deep connections between modern and premodern art to reveal the underlying patterns and ideas traversing centuries of artistic practice. In a series of episodic chapters, he reconsiders from an innovative double perspective a number of key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism – serial production, site-specificity, collage, the readymade, and the questioning of the nature of art and authorship – were all features of earlier times before modernity, revived by recent generations. Nagel examines, among other things, the importance of medieval cathedrals to the 1920s Bauhaus movement, the parallels between Renaissance altarpieces and modern preoccupations with surface and structure; the relevance of Byzantine models to Minimalist artists; the affinities between ancient holy sites and early earthworks; and the similarities between the sacred relic and the modern readymade. Alongside the work of leading 20th-century medievalist writes such as Walter Benjamin, Marshall McLuhan, Leo Steinberg, and Duchamp, Kurt Schwitters, Robert Smithson, and Damien Hirst. The effect of these encounters goes in two directions at once: each age offers new insights into the other, deepening our understanding of both past and present, and providing a new set of reference points that reframe the history of art itself.
The Bronze Object in the Middle Ages
Author: Ittai Weinryb
Publisher: Cambridge University Press
ISBN: 1316539024
Category : Art
Languages : en
Pages : 319
Book Description
This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
Publisher: Cambridge University Press
ISBN: 1316539024
Category : Art
Languages : en
Pages : 319
Book Description
This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
Medieval Iconography
Author: John B. Friedman
Publisher: Routledge
ISBN: 1000525104
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
Publisher: Routledge
ISBN: 1000525104
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
Visualizing Women in the Middle Ages
Author: Madeline Harrison Caviness
Publisher: University of Pennsylvania Press
ISBN: 9780812235999
Category : Art
Languages : en
Pages : 260
Book Description
For Caviness, an awareness of historical context places pressure upon contemporary theories like that of the "male gaze," changing their shapes and creating even richer dialogues with the past."--BOOK JACKET.
Publisher: University of Pennsylvania Press
ISBN: 9780812235999
Category : Art
Languages : en
Pages : 260
Book Description
For Caviness, an awareness of historical context places pressure upon contemporary theories like that of the "male gaze," changing their shapes and creating even richer dialogues with the past."--BOOK JACKET.
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 672
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 672
Book Description