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Author: Benjamin B. Olshin Publisher: University of Chicago Press ISBN: 022614982X Category : Biography & Autobiography Languages : en Pages : 197
Book Description
Concerns a collection of maps and associated documents claimed to be from Marco Polo's time or that of his daughters (as many of the maps have the name or one or another of the three daughters on them). Discusses provenance, authenticity, and history of the documents, known to scholars as "the Marco Polo Maps" since 1948, here discussed fully for the first time.
Author: Benjamin B. Olshin Publisher: University of Chicago Press ISBN: 022614982X Category : Biography & Autobiography Languages : en Pages : 197
Book Description
Concerns a collection of maps and associated documents claimed to be from Marco Polo's time or that of his daughters (as many of the maps have the name or one or another of the three daughters on them). Discusses provenance, authenticity, and history of the documents, known to scholars as "the Marco Polo Maps" since 1948, here discussed fully for the first time.
Author: Benjamin B. Olshin Publisher: University of Chicago Press ISBN: 022614996X Category : History Languages : en Pages : 197
Book Description
What’s the truth behind the travels of Marco Polo? “A fascinating tale about maps, history and exploration.”—Times Literary Supplement (UK) In the thirteenth century, Italian merchant and explorer Marco Polo traveled from Venice to the far reaches of Asia, a journey he chronicled in a narrative titled Il Milione, later known as The Travels of Marco Polo. While Polo’s writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Some have argued that Polo never even reached China—while others believe that he came as far as the Americas. Now, there’s new evidence for this historical puzzle: a very curious collection of fourteen little-known maps and related documents said to have belonged to the family of Marco Polo himself. Here, historian of cartography Benjamin B. Olshin offers the first credible book-length analysis of these artifacts, charting their course from obscure origins in the private collection of Italian-American immigrant Marcian Rossi in the 1930s; to investigations of their authenticity by the Library of Congress, J. Edgar Hoover, and the FBI; to the work of the late cartographic scholar Leo Bagrow; to Olshin’s own efforts to track down and study the Rossi maps, all but one of which are in the possession of Rossi’s great-grandson. Are the maps forgeries, facsimiles, or modernized copies? Did Marco Polo’s daughters—whose names appear on several of the artifacts—preserve in them geographic information about Asia first recorded by their father? Or did they inherit maps created by him? Did Marco Polo entrust the maps to an admiral with links to Rossi’s family line? Or, if the maps have no connection to Marco Polo, who made them, when, and why? Regardless of the maps’ provenance, this tale takes us on a fascinating journey, offering insights into Italian history, the age of exploration, and the wonders of cartography. “Olshin’s book tugs powerfully at the imagination of anybody interested in the Polo story, medieval history, old maps, geographical ideas, European voyages of discovery, and early Chinese legends.”—The Wall Street Journal
Author: Publisher: BRILL ISBN: 9004446036 Category : History Languages : en Pages : 247
Book Description
Cartography between Christian Europe and the Arabic-Islamic World offers a timely assessment of interaction between medieval Christian European and Arabic-Islamic geographical thought, making the case for significant but limited cultural transfer across a range of map genres.
Author: Simonetta Moro Publisher: Routledge ISBN: 0429576749 Category : Art Languages : en Pages : 216
Book Description
Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.
Author: Benjamin B. Olshin
Author: Benjamin B. Olshin
Author: Benjamin B. Olshin
Author: Marco Polo
Author: Raleigh Ashlin Skelton
Author: 
Author: Henry Yule
Author: Simonetta Moro
Author: Marco Polo
Author: Gabriel Alington
Author: Edna Kenton