The Musicians of Auschwitz PDF Download

Author: Fania Fénelon
Publisher: Michael Joseph
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280

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Author: Susan Eischeid
Publisher: Springer
ISBN: 3319310380
Category : History
Languages : en
Pages : 157

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Book Description
This book explores how the women’s orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon’s memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore investigates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women’s history, and questions how we remember the Holocaust today.

Author: Jaci Byrne
Publisher: Simon and Schuster
ISBN: 1922387835
Category : History
Languages : en
Pages : 324

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The inspirational true story of an Allied POW appointed Kapellmeister to the Nazis in Auschwitz. When called up to fight in yet another World War, Drum Major Jackson promised his beloved wife Mabel that he would return to lead his band and play for her once more. In May 1940, he was captured at Dunkirk and interned in several German forced labour camps throughout Poland. Two years later he was transferred to Auschwitz IV, part of the notorious concentration camp complex where it is not widely known held Allied POWs. When his captors appointed Jackson their ‘Kapellmeister’ (man in charge of music), he seized the opportunity to provide entertainment for his fellow prisoners at rehearsals, and cover for escapees during concerts. Finally liberated in May 1945, malnourished and gravely ill, Jackson carried his secret war diary—an incredible exposé on five years of life and death in Nazi concentration camps. THE MUSIC MAKER OF AUSCHWITZ IV, based on Jackson’s diary, is written by his granddaughter. It is a thrilling testament to the resilience one man found in the darkest of times through his two greatest loves—music and the woman who waited for him.

Author: Richard Newman
Publisher: Hal Leonard Corporation
ISBN: 9781574670851
Category : Performing Arts
Languages : en
Pages : 436

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Presents the story of a woman who saved the lives of many Jews who were members in her orchestra in Auschwitz.

Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505

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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

Author: Jean-Jacques Felstein
Publisher: Pen and Sword History
ISBN: 1399002821
Category : Biography & Autobiography
Languages : en
Pages : 203

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A son chronicles his Jewish mother’s real-life efforts to save as many young women as possible from the Auschwitz gas chambers during World War II. Arrested in 1943 and deported to Auschwitz, Elsa survived because she had the “opportunity” to join the women’s orchestra. But Elsa kept her story a secret, even from her own family. Indeed, her son would only discover what had happened to his mother many years later, after gradually unearthing her unbelievable story following her premature death, without ever having revealed her secret to anyone . . . Jean-Jacques Felstein was determined to reconstruct Elsa’s life in Birkenau, and would go in search of other orchestra survivors in Germany, Belgium, Poland, Israel, and the United States. The recollections of Hélène, first violin, Violette, third violin, Anita, a cellist, and other musicians, allowed him to rediscover his twenty-year-old mother, lost in the heart of hell. The story unfolds in two intersecting stages: one, contemporary, is that of the investigation, the other is that of Auschwitz and its unimaginable daily life, as told by the musicians. They describe the recitals on which their very survival depended, the incessant rehearsals, the departure in the mornings for the forced labourers to the rhythm of the instruments, the Sunday concerts, and how Mengele pointed out the pieces in the repertoire he wished to listen to in between “selections.” In this remarkable book, Jean-Jacques Felstein follows in his mother’s footsteps and by telling her story, attempts to free her, and himself, from the pain that had been hidden in their family for so long.

Author: Fania Fénelon
Publisher: Syracuse University Press
ISBN: 9780815604945
Category : Biography & Autobiography
Languages : en
Pages : 276

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Book Description
In 1943, Fania Fénelon was a Paris cabaret singer, a secret member of the Resistance, and a Jew. Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of "the orchestra girls"; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.

Author: Jaci Byrne
Publisher: Simon and Schuster
ISBN: 1925675491
Category : History
Languages : en
Pages : 299

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Book Description
On May 8 1945, forty-six-year-old Drum Major Jackson staggered towards his American liberators. Emaciated, dressed in rags, his decayed boots held together with string, he’d been force-marched for twenty days over the Austrian Alps after five heinous years as a POW in Nazi labour camps. He collapsed into his liberators’ arms, clinging to his only meaningful possession—his war diary. Having already experienced the horrific nature of battle in the First World War, Jackson had now survived another War—unlike hundreds of his mates, who’d succumbed to disease, insanity, or had been killed in action. Men far younger than he. But he could never have imagined what awaited him on the home front. A captivating testament to human endurance, Jackson’s diary and photos, one of the last such memoirs to be published, is the inspiration for The Music Maker. An unforgettable and gripping true story about the life and times.

Author: Szymon Laks
Publisher: Northwestern University Press
ISBN: 9780810118027
Category : Biography & Autobiography
Languages : en
Pages : 156

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Book Description
Translated from the 1948 French edition. A remarkable memoir of the Polish composer Szymon Laks. While interned at the Auschwitz extermination camp, Laks became kappelmeister of the Auschwitz band. With wit and self-detachment, he records the grotesque phenomena of music among the crematoria. Paper edition (unseen), $10.95. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Shirli Gilbert
Publisher: Oxford University Press
ISBN: 0199277974
Category : History
Languages : en
Pages : 262

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Book Description
In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring theways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism.Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.