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Author: Cyril Ehrlich Publisher: Oxford University Press, USA ISBN: Category : Business & Economics Languages : en Pages : 294
Book Description
This book explains the vigorous expansion of the music profession in the 19th and early 20th centuries, as the widespread demand for lessons and the revolution in commercialized entertainment created new employment opportunities, and follows the profession through to its subsequent decline as changing leisure patterns, "talkies", and relentless improvements in recording technologies displaced both teachers and performers.
Author: Cyril Ehrlich Publisher: Oxford University Press, USA ISBN: Category : Business & Economics Languages : en Pages : 294
Book Description
This book explains the vigorous expansion of the music profession in the 19th and early 20th centuries, as the widespread demand for lessons and the revolution in commercialized entertainment created new employment opportunities, and follows the profession through to its subsequent decline as changing leisure patterns, "talkies", and relentless improvements in recording technologies displaced both teachers and performers.
Author: Rosemary Golding Publisher: Routledge ISBN: 1351965743 Category : Music Languages : en Pages : 293
Book Description
Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
Author: Cyril Ehrlich Publisher: Oxford University Press, USA ISBN: Category : Business & Economics Languages : en Pages : 296
Book Description
This book explains the vigorous expansion of the music profession in the 19th and early 20th centuries, as the widespread demand for lessons and the revolution in commercialized entertainment created new employment opportunities, and follows the profession through to its subsequent decline as changing leisure patterns, "talkies", and relentless improvements in recording technologies displaced both teachers and performers.
Author: DavidWyn Jones Publisher: Routledge ISBN: 1351557408 Category : Music Languages : en Pages : 299
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Author: Matthew Gardner Publisher: Cambridge University Press ISBN: 1108492932 Category : Music Languages : en Pages : 303
Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Author: Leslie Ritchie Publisher: Routledge ISBN: 1351536613 Category : Literary Criticism Languages : en Pages : 288
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Author: Publisher: Routledge ISBN: 1351556770 Category : Music Languages : en Pages : 256
Book Description
The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.
Author: Cheryll Duncan Publisher: Taylor & Francis ISBN: 1000732827 Category : Music Languages : en Pages : 102
Book Description
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini’s influence on British musical life through his multifaceted career as performer, teacher, composer, concert promoter and opera impresario. The crux of the study is a detailed account of Giardini’s partnership with the music seller/publisher John Cox during the 1750s, presented using new biographical information which contextualizes their business dealings and subsequent disaccord. The resulting litigation, the details of which have only recently come to light, is explored here via a complex set of archival materials. The findings offer new information about the economics of professional music culture at the time, including detailed figures for performers’ fees, the printing and binding of music scores, the charges arising from the administration of concerts and operas, the sale, hire and repair of various instruments and the cost of what today we would call intellectual property rights. This is a fascinating study for musicologists and followers of Giardini, as well as for readers with an interest in classical music, social history and legal history.
Author: Deborah Rohr Publisher: Cambridge University Press ISBN: 1139429302 Category : Music Languages : en Pages : 247
Book Description
The study of the social context of music must consider the day-to-day experiences of its practitioners; their economic, social, professional and artistic goals; and the material and cultural conditions under which these goals were pursued. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. It features working musicians of all types and at all levels - organists, singers, instrumentalists, teachers, composers and entrepreneurs - and explores their educational background, their conditions of employment, their wages, the systems of patronage that supported them, and their individual perceptions. Deborah Rohr focuses not only on social and economic pressures but also on a range of negative cultural beliefs faced by the musicians. Also considered are the implications of such conditions for their social and professional status, and for their musical aspirations.
Author: Cyril Ehrlich
Author: Cyril Ehrlich
Author: Rosemary Golding
Author: Cyril Ehrlich
Author: DavidWyn Jones
Author: Matthew Gardner
Author: Rosemary Golding
Author: Leslie Ritchie
Author: 
Author: Cheryll Duncan
Author: Deborah Rohr