Author: Zdenek Skoumal
Publisher: Boydell & Brewer
ISBN: 1580469949
Category : Biography & Autobiography
Languages : en
Pages : 305
Book Description
The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.
The Music of Leos Janácek
Author: Zdenek Skoumal
Publisher: Boydell & Brewer
ISBN: 1580469949
Category : Biography & Autobiography
Languages : en
Pages : 305
Book Description
The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.
Publisher: Boydell & Brewer
ISBN: 1580469949
Category : Biography & Autobiography
Languages : en
Pages : 305
Book Description
The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.
The Operas of Leoš Janáček
Author: Erik Chisholm
Publisher: Pergamon
ISBN:
Category : Music
Languages : en
Pages : 444
Book Description
Publisher: Pergamon
ISBN:
Category : Music
Languages : en
Pages : 444
Book Description
The Symphonic Works of Leoš Janáček
Author: John K. Novak
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631670712
Category : Orchestral music
Languages : en
Pages : 0
Book Description
The book investigates the spectrum of meaning inherent in six orchestral works by Leos Janáček. It codifies his compositional style, demonstrating its development from features of Moravian folk song. The analyses investigate the affective and programmatic association of the works, and employ semiologic code techniques to unveil extramusical meaning.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631670712
Category : Orchestral music
Languages : en
Pages : 0
Book Description
The book investigates the spectrum of meaning inherent in six orchestral works by Leos Janáček. It codifies his compositional style, demonstrating its development from features of Moravian folk song. The analyses investigate the affective and programmatic association of the works, and employ semiologic code techniques to unveil extramusical meaning.
Intimate Letters
Author: Leos Janácek
Publisher: Princeton University Press
ISBN: 1400863686
Category : Music
Languages : en
Pages : 432
Book Description
These are the letters of a great love story. In 1917, the Czech composer Leos Janáçek met Kamila Stösslová while on holiday at Luhaçovice, a spa resort in Moravia. He was sixty-three and locked in a loveless marriage; she was twenty-six, the wife of an antique dealer frequently away from home. After the holiday, Janáçek began writing to Stösslová. Undeterred by her lack of interest in his work and her spasmodic replies, he continued to send her letters until his death eleven years later. An extraordinarily self-revealing portrait emerges of an isolated artist at the height of his creative powers and the beginning of his international fame. It is also a portrait of a lonely man who, as the years went by, came to fantasize about Stösslová as his true "wife"--the inspiration for many of the works of his old age. Most of these letters were suppressed until changing conditions in Czechoslovakia allowed their full publication in 1990. John Tyrrell has edited and translated a comprehensive selection, concentrating on the almost daily letters of the final eighteen months. Supported by a diary of meetings between Janáçek and Stösslová, a decoding of the erotic references in the letters, and a selection of mostly unknown photographs, this remarkable book breathes life into the story one of the greatest of operatic composers and provides vital clues to the nature of his creative genius. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400863686
Category : Music
Languages : en
Pages : 432
Book Description
These are the letters of a great love story. In 1917, the Czech composer Leos Janáçek met Kamila Stösslová while on holiday at Luhaçovice, a spa resort in Moravia. He was sixty-three and locked in a loveless marriage; she was twenty-six, the wife of an antique dealer frequently away from home. After the holiday, Janáçek began writing to Stösslová. Undeterred by her lack of interest in his work and her spasmodic replies, he continued to send her letters until his death eleven years later. An extraordinarily self-revealing portrait emerges of an isolated artist at the height of his creative powers and the beginning of his international fame. It is also a portrait of a lonely man who, as the years went by, came to fantasize about Stösslová as his true "wife"--the inspiration for many of the works of his old age. Most of these letters were suppressed until changing conditions in Czechoslovakia allowed their full publication in 1990. John Tyrrell has edited and translated a comprehensive selection, concentrating on the almost daily letters of the final eighteen months. Supported by a diary of meetings between Janáçek and Stösslová, a decoding of the erotic references in the letters, and a selection of mostly unknown photographs, this remarkable book breathes life into the story one of the greatest of operatic composers and provides vital clues to the nature of his creative genius. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Janacek and His World
Author: Michael Brim Beckerman
Publisher: Princeton University Press
ISBN: 0691116768
Category : Biography & Autobiography
Languages : en
Pages : 330
Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Publisher: Princeton University Press
ISBN: 0691116768
Category : Biography & Autobiography
Languages : en
Pages : 330
Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Leoš Janáček
Author: Jaroslav Vogel
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 466
Book Description
Janacek
Author: Mirka Zemanová
Publisher: UPNE
ISBN: 9781555535490
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
A compelling portrait of this enigmatic musical genius within the context of the cultural and political currents of his time
Publisher: UPNE
ISBN: 9781555535490
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
A compelling portrait of this enigmatic musical genius within the context of the cultural and political currents of his time
Diary of One Who Vanished
Author: Ozef Kalda
Publisher: Farrar, Straus and Giroux
ISBN: 1466855649
Category : Poetry
Languages : en
Pages : 52
Book Description
A Cycle of Love Songs Translated by the Nobel Laureate "Dappled woodland light, Spring well chill and bright, Eyes like stars at night, Open knees so white. Four things death itself won't cover, Unforgettable forever." In 1917, while reading his local newspaper, the Czech composer Leos Janacek discovered the poems that he was to set to music in his song cycle Diary of One Who Vanished. Written by Ozef Kalda and published anonymously, they tell the story of a farmer's boy who abandons his home because he has fallen in love with a Gypsy. These new English versions by Seamus Heaney were commissioned by the English National Opera for a series of international performances, which opened in Dublin in October 1999.
Publisher: Farrar, Straus and Giroux
ISBN: 1466855649
Category : Poetry
Languages : en
Pages : 52
Book Description
A Cycle of Love Songs Translated by the Nobel Laureate "Dappled woodland light, Spring well chill and bright, Eyes like stars at night, Open knees so white. Four things death itself won't cover, Unforgettable forever." In 1917, while reading his local newspaper, the Czech composer Leos Janacek discovered the poems that he was to set to music in his song cycle Diary of One Who Vanished. Written by Ozef Kalda and published anonymously, they tell the story of a farmer's boy who abandons his home because he has fallen in love with a Gypsy. These new English versions by Seamus Heaney were commissioned by the English National Opera for a series of international performances, which opened in Dublin in October 1999.
Jenufa/Katya Kabanova
Author: Leos Janacek
Publisher: Alma Books
ISBN: 0714545104
Category : Music
Languages : en
Pages : 131
Book Description
This double volume contains two masterpieces of the Czech composer Leos Janacek. Jenufa was the opera which finally brought him international recognition - and, with it, fame at home. Based on Ostrovsky's The Storm, Katya Kabanova contains wonderful music inspired by the composer's love for a much younger woman. The scores are discussed by Arnold Whittall, and the background sources are variously introduced by social and literary historians. John Tyrell comments on an important letter about the genesis of Katya; Sir Charles Mackerras describes his work as an interpreter and advocate of this brilliantly original and dramatic music.Contents: A National Composer Jaroslav Krejci; Drama into Libretto, Karel Brusak; The Challenge from Within: Janacek's Musico-dramatic Mastery, Arnold Whittall; Janacek and Czech Realism, Jan Smaczny; JenAfa: Libretto by Leos Janacek; JenAfa: English translation by Otakar Kraus and Edward Downes; A Russian Heart of Darkness, Alex de Jonge; Janacek's forgotten commentary on 'Katya Kabanova', John Tyrrell; Katya Kabanova: Libretto by Leos Janacek; Katya Kabanova: English translation by Norman Tucker; Janacek's Operas - Preparation and Performance, Charles Mackerras
Publisher: Alma Books
ISBN: 0714545104
Category : Music
Languages : en
Pages : 131
Book Description
This double volume contains two masterpieces of the Czech composer Leos Janacek. Jenufa was the opera which finally brought him international recognition - and, with it, fame at home. Based on Ostrovsky's The Storm, Katya Kabanova contains wonderful music inspired by the composer's love for a much younger woman. The scores are discussed by Arnold Whittall, and the background sources are variously introduced by social and literary historians. John Tyrell comments on an important letter about the genesis of Katya; Sir Charles Mackerras describes his work as an interpreter and advocate of this brilliantly original and dramatic music.Contents: A National Composer Jaroslav Krejci; Drama into Libretto, Karel Brusak; The Challenge from Within: Janacek's Musico-dramatic Mastery, Arnold Whittall; Janacek and Czech Realism, Jan Smaczny; JenAfa: Libretto by Leos Janacek; JenAfa: English translation by Otakar Kraus and Edward Downes; A Russian Heart of Darkness, Alex de Jonge; Janacek's forgotten commentary on 'Katya Kabanova', John Tyrrell; Katya Kabanova: Libretto by Leos Janacek; Katya Kabanova: English translation by Norman Tucker; Janacek's Operas - Preparation and Performance, Charles Mackerras
The Music of Pavel Haas
Author: Martin Čurda
Publisher: Routledge
ISBN: 0429781733
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
The Czech composer Pavel Haas (1899–1944) is commonly positioned in the history of twentieth-century music as a representative of Leoš Janáček’s compositional school and as one of the Jewish composers imprisoned by the Nazis in the concentration camp of Terezín (Theresienstadt). However, the nature of Janáček’s influence remains largely unexplained and the focus on the context of the Holocaust tends to yield a one-sided view of Haas’s oeuvre. The existing scholarship offers limited insight into Haas’s compositional idiom and does not sufficiently explain the composer’s position with respect to broader aesthetic trends and artistic networks in inter-war Czechoslovakia and beyond. This book is the first attempt to provide a comprehensive (albeit necessarily selective) discussion of Haas’s music since the publication of Lubomír Peduzzi’s ‘life and work’ monograph in 1993. It provides the reader with an enhanced understanding of Haas’s music through analytical and hermeneutical interpretation as well as cultural and aesthetic contextualisation, and thus reveal the rich nuances of Haas’s multi-faceted work which have not been sufficiently recognised so far.
Publisher: Routledge
ISBN: 0429781733
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
The Czech composer Pavel Haas (1899–1944) is commonly positioned in the history of twentieth-century music as a representative of Leoš Janáček’s compositional school and as one of the Jewish composers imprisoned by the Nazis in the concentration camp of Terezín (Theresienstadt). However, the nature of Janáček’s influence remains largely unexplained and the focus on the context of the Holocaust tends to yield a one-sided view of Haas’s oeuvre. The existing scholarship offers limited insight into Haas’s compositional idiom and does not sufficiently explain the composer’s position with respect to broader aesthetic trends and artistic networks in inter-war Czechoslovakia and beyond. This book is the first attempt to provide a comprehensive (albeit necessarily selective) discussion of Haas’s music since the publication of Lubomír Peduzzi’s ‘life and work’ monograph in 1993. It provides the reader with an enhanced understanding of Haas’s music through analytical and hermeneutical interpretation as well as cultural and aesthetic contextualisation, and thus reveal the rich nuances of Haas’s multi-faceted work which have not been sufficiently recognised so far.