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Author: Susan Larson Publisher: ISBN: 9781939113337 Category : Languages : en Pages : 218
Book Description
If you attended the opera in the 18th century, you could buy a program booklet with side-by-side translations of the text and a list of the participants. Think of "The Murder of Figaro" as one such souvenir booklet. Just add music--and imagination: It's 1786, and "The Marriage of Figaro," a new comic opera by Amadé Mozart and Lorenzo Da Ponte, has just begun its first onstage rehearsal when a corpse is discovered in the wings: it's the universally-loathed Imperial Censor. Despite a verdict of suicide, Da Ponte is arrested, and singers accuse each other of murder. In a desperate scramble to save "Figaro," Da Ponte, and their lives, Mozart and his clever wife Constanze set out to solve this deadly mystery. If they fail, "Figaro" will never play in Vienna! Boston diva Susan Larson was a professional concert and operatic soprano for thirty years. She not only sang a string of Mozart's most iconic soprano roles (Cherubino, Donna Anna, Papagena, Fiordiligi, etc.), she has read his collected letters and researched the lives of his contemporaries to create this antic vision of what might have been: Mozart plays Sherlock Holmes "The Marriage of Figaro" started life as a scandalous stage play by Beaumarchais, and became a scandalous opera by Mozart and Da Ponte. The unusual opera libretto format is divided into the classical five acts. Monologues become arias, and dialogs become duets. Since operas of the time often started with multiple overtures, "The Murder of Figaro" has three. The plot follows that of the opera in an extremely loose fashion, with lots of coffee breaks and detours into Shakespeare, other Mozart operas, hot news and scandals of the day, and the American Revolution. Says Larson about her approach to the book: "The original singers in "Figaro" have always fascinated me. They are largely forgotten, but were hard-working international stars in their day. Did they love the music written for them by the brash young upstart Mozart? Did they squabble and throw prima-donna fits? I invented rather messy lives for them, based on the lives of the many opera singers I have known in my life; sometimes behaving nobly sometimes abominably." Regarding Mozart himself, she adds: "I was a professional concert and operatic soprano for thirty years. Mozart was my hero and idol. We were teacher and pupil. I believe we were friends."
Author: Susan Larson Publisher: ISBN: 9781939113337 Category : Languages : en Pages : 218
Book Description
If you attended the opera in the 18th century, you could buy a program booklet with side-by-side translations of the text and a list of the participants. Think of "The Murder of Figaro" as one such souvenir booklet. Just add music--and imagination: It's 1786, and "The Marriage of Figaro," a new comic opera by Amadé Mozart and Lorenzo Da Ponte, has just begun its first onstage rehearsal when a corpse is discovered in the wings: it's the universally-loathed Imperial Censor. Despite a verdict of suicide, Da Ponte is arrested, and singers accuse each other of murder. In a desperate scramble to save "Figaro," Da Ponte, and their lives, Mozart and his clever wife Constanze set out to solve this deadly mystery. If they fail, "Figaro" will never play in Vienna! Boston diva Susan Larson was a professional concert and operatic soprano for thirty years. She not only sang a string of Mozart's most iconic soprano roles (Cherubino, Donna Anna, Papagena, Fiordiligi, etc.), she has read his collected letters and researched the lives of his contemporaries to create this antic vision of what might have been: Mozart plays Sherlock Holmes "The Marriage of Figaro" started life as a scandalous stage play by Beaumarchais, and became a scandalous opera by Mozart and Da Ponte. The unusual opera libretto format is divided into the classical five acts. Monologues become arias, and dialogs become duets. Since operas of the time often started with multiple overtures, "The Murder of Figaro" has three. The plot follows that of the opera in an extremely loose fashion, with lots of coffee breaks and detours into Shakespeare, other Mozart operas, hot news and scandals of the day, and the American Revolution. Says Larson about her approach to the book: "The original singers in "Figaro" have always fascinated me. They are largely forgotten, but were hard-working international stars in their day. Did they love the music written for them by the brash young upstart Mozart? Did they squabble and throw prima-donna fits? I invented rather messy lives for them, based on the lives of the many opera singers I have known in my life; sometimes behaving nobly sometimes abominably." Regarding Mozart himself, she adds: "I was a professional concert and operatic soprano for thirty years. Mozart was my hero and idol. We were teacher and pupil. I believe we were friends."
Author: Laura Lebow Publisher: Minotaur Books ISBN: 146685619X Category : Fiction Languages : en Pages : 336
Book Description
In 1786 Vienna, Lorenzo Da Ponte is the court librettist for the Italian Theatre during the height of the enlightened reign of Emperor Joseph II. This exalted position doesn't mean he's particularly well paid, or even out of reach of the endless intrigues of the opera world. In fact, far from it. One morning, Da Ponte stops off at his barber, only to find the man being taken away to debtor's prison. Da Ponte impetuously agrees to carry a message to his barber's fiancée and try to help her set him free, even though he's facing pressures of his own. He's got one week to finish the libretto for The Marriage of Figaro for Mozart before the opera is premiered for the Emperor himself. Da Ponte visits the house where the barber's fiancée works—the home of a nobleman, high in the Vienna's diplomatic circles—and then returns to his own apartments, only to be dragged from his rooms in the middle of the night. It seems the young protégé of the diplomat was killed right about the time Da Ponte was visiting, and he happens to be their main suspect. Now he's given a choice—go undercover into the household and uncover the murderer, or be hanged for the crime himself. Brilliantly recreating the cultural world of late 18th century Vienna, the epicenter of the Enlightenment, Lebow brings to life some of the most famous figures of music, theatre, and politics.
Author: Claude Izner Publisher: Minotaur Books ISBN: 142995311X Category : Fiction Languages : en Pages : 325
Book Description
Murder on the Eiffel Tower is painstakingly researched, an effortless evocation of the glorious City of Light, and an exciting opening to a promising series featuring Victor Legris. The brand-new, shiny Eiffel Tower is the pride and glory of the 1889 World Exposition. But one sunny afternoon, as visitors are crowding the viewing platforms, a woman collapses and dies on this great Paris landmark. Can a bee sting really be the cause of death? Or is there a more sinister explanation? Enter young bookseller Victor Legris. Present on the tower at the time of the incident, and appalled by the media coverage of the occurrence, he is determined to find out what actually happened. In this dazzling evocation of late nineteenth-century Paris, we follow Victor as his investigation takes him all over the city and he suspects an ever-changing list of possible perpetrators. Could mysterious Kenji Mori, his surrogate father and business partner at the bookstore Legris operates, be involved in the crime? Why are beautiful Russian illustrator Tasha and her colleagues at the newly launched sensationalist newspaper Passepartout always up-to-date in their reporting? And what will Legris do when the deaths begin to multiply and he is caught in a race against time? Winner of the prestigious Michel Lebrun French Thriller Prize
Author: Antoine Compagnon Publisher: Columbia University Press ISBN: 0231558864 Category : Literary Criticism Languages : en Pages : 212
Book Description
Marcel Proust once wrote, “There is no longer anybody, not even myself, since I cannot leave my bed, who will go along the Rue du Repos to visit the little Jewish cemetery where my grandfather, following a custom that he never understood, went for so many years to lay a stone on his parents’ grave.” Investigating the origin and significance of this statement, Antoine Compagnon offers new insight into the great author’s underappreciated Jewish side. Compagnon traces Proust’s ties to the French Jewish community, examining his relations with his mother’s successful and assimilated family, the Weils. He explores how French Jews read and responded to Proust’s masterpiece In Search of Lost Time in the 1920s and 1930s. Challenging contemporary critics who perceive self-hatred or even antisemitism in Proust’s work, Compagnon shows that many Jewish intellectuals and young Zionists admired and vigorously debated the novel, some seeing it as a source for pride in their Jewish identity. He also considers Proust’s portrayal of homosexuality and how it relates to notions of Jewishness. A work of remarkable erudition and deep research, Proust, a Jewish Way brings to light the vanished world of Proust’s first Jewish readers and shows how it can illuminate our reading of the great novelist today.
Author: Lucien Gregoire Publisher: Author House ISBN: 1449023045 Category : Papacy Languages : en Pages : 419
Book Description
"Driven by Paul VI's edicts 'Populorum Progressio' and 'Liberation Theology, ' there were two fronts on which the CIA was confronted by communism as a democratic society - Italy and Central America. If Italy fell to communism, all of Europe would surely follow. If Central America fell to communism, all of Latin America would surely follow. It was in these parts of the world communism was raising its head as the will of the people that was so dangerous to the United States and its capitalistic allies. Henry Kissinger sounded the alarm, "Domination by Moscow is not the issue. Communist control of Italy and Central America is the issue. It would have terrible consequences for the United States and it is the number one threat to its national security." On the afternoon of March 13, 1978, fifteen men sat around a table in a sidewalk caf̌ in a remote mountain village in northern Italy. In casual clothes, they went unnoticed, though one was the reigning Pontiff, and another Aldo Moro, and the others ranking cardinals of poverty stricken countries who comprised the leadership of the Marxist movement in the Church and the western world. They left at four o'clock. Aldo reserved the table "for this time next year." On March 13, 1979, Cardinals Benelli and Felici decided not to travel to Vittorio Veneto that day. After all, all the others were dead. They, themselves, unaware of their impending doom, were, too, as good as dead."--Publisher website.
Author: Charles Dickens Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 8610
Book Description
THE OBVIOUS CLUE - Ultimate Murder Mystery Collection stands as a monumental anthology that spans the breadth and depth of the mystery genre. Featuring a blend of works by legendary authors such as Charles Dickens and Agatha Christie, to pioneering figures like Anna Katharine Green and Edgar Allan Poe, this collection heralds the diversity and richness of narrative styles and plot complexities that have come to define the genre. Amidst its pages, readers will encounter a wide range of literary styles, from the detective story's early formation to its crystallization into a genre of its own, highlighting standout pieces that have influenced countless adaptations and have continued to captivate audiences worldwide. The anthology not only celebrates the intricacies of the mystery narrative but also pays homage to the genre's evolution over time. The contributing authors, hailing from the 19th to early 20th centuries, represent a critical period in literature when the mystery genre was burgeoning and finding its footing amidst other literary movements. Collectively, their backgroundsspanning different geographies, cultures, and professionsenrich the collection, providing a panoramic view of the societal attitudes and literary trends of their times. These authors together underscore the universal appeal of the mystery genre, influenced by, and in turn influencing, major cultural and literary movements such as Romanticism, Realism, and the Golden Age of detective fiction. THE OBVIOUS CLUE - Ultimate Murder Mystery Collection offers an unparalleled journey through the evolution of the murder mystery narrative, inviting readers to delve into the cunning, the mysterious, and the ingeniously crafted plots that have stood the test of time. This anthology serves not only as a treasure trove for aficionados of the genre but also as a comprehensive study resource for those keen to explore the origins and developments of literary mystery. Its collective exploration of human psychology, societal dynamics, and the perennial quest for justice makes it an essential addition to any literary collection, promising insights and intrigue for scholars, students, and mystery enthusiasts alike.
Author: Laura Lebow Publisher: Macmillan ISBN: 125005351X Category : Fiction Languages : en Pages : 336
Book Description
In 1786 Vienna, Lorenzo Da Ponte is the court librettist for the Italian Theatre during the height of the enlightened reign of Emperor Joseph II. This exalted position doesn't mean he's particularly well paid, or even out of reach of the endless intrigues of the opera world. In fact, far from it. One morning, Da Ponte stops off at his barber, only to find the man being taken away to debtor's prison. Da Ponte impetuously agrees to carry a message to his barber's fiancée and try to help her set him free, even though he's facing pressures of his own. He's got one week to finish the libretto for The Marriage of Figaro for Mozart before the opera is premiered for the Emperor himself. Da Ponte visits the house where the barber's fiancée works—the home of a nobleman, high in the Vienna's diplomatic circles—and then returns to his own apartments, only to be dragged from his rooms in the middle of the night. It seems the young protégé of the diplomat was killed right about the time Da Ponte was visiting, and he happens to be their main suspect. Now he's given a choice—go undercover into the household and uncover the murderer, or be hanged for the crime himself. Brilliantly recreating the cultural world of late 18th century Vienna, the epicenter of the Enlightenment, Lebow brings to life some of the most famous figures of music, theatre, and politics.
Author: Susan Larson
Author: Susan Larson
Author: Laura Lebow
Author: Claude Izner
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Author: Laura Lebow