Author: Mary Ellen Miller
Publisher:
ISBN: 9780691040332
Category : Bonampak (Mexico)
Languages : en
Pages : 176
Book Description
The Description for this book, The Murals of Bonampak, will be forthcoming.
The Murals of Bonampak
Author: Mary Ellen Miller
Publisher:
ISBN: 9780691040332
Category : Bonampak (Mexico)
Languages : en
Pages : 176
Book Description
The Description for this book, The Murals of Bonampak, will be forthcoming.
Publisher:
ISBN: 9780691040332
Category : Bonampak (Mexico)
Languages : en
Pages : 176
Book Description
The Description for this book, The Murals of Bonampak, will be forthcoming.
The Spectacle of the Late Maya Court
Author: Mary Miller
Publisher: University of Texas Press
ISBN: 9780292744363
Category : Art
Languages : en
Pages : 0
Book Description
Located within the deep tropical rainforest of Chiapas, Mexico, the Maya site of Bonampak is home to the most complete and magnificent mural program of the ancient Americas. In three rooms, a pageant of rulership opens up, scene by scene, like pages of an ancient Maya book. Painted c. AD 800, the murals of Bonampak reveal a complex and multifaceted view of the ancient Maya at the end of their splendor during the last days of the Classic era. Members of the royal court engage in rituals and perform human sacrifice, dance in extravagant costumes and strip the clothing from fallen captives, acknowledge foreign nobles, and receive abundant tribute. The murals are a powerful and sophisticated reflection on the spectacle of courtly life and the nature of artistic practice, a window onto a world that could not know its doomed future. This major new study of the paintings of Bonampak incorporates insights from decades of art historical, epigraphic, and technical investigation of the murals, framing questions about artistic conception, facture, narrative, performance, and politics. Lavishly illustrated, this book assembles thorough documentation of the Bonampak mural program, from historical photographs of the paintings—some never before published—to new full-color reconstructions by artist Heather Hurst, recipient of a MacArthur award, and Leonard Ashby. The book also includes a catalog of photographs, infrared images, and line drawings of the murals, as well as images of all the glyphic texts, which are published in their entirety for the first time. Written in an engaging style that invites both specialists and general readers alike, this book will stand as the definitive presentation of the paintings for years to come.
Publisher: University of Texas Press
ISBN: 9780292744363
Category : Art
Languages : en
Pages : 0
Book Description
Located within the deep tropical rainforest of Chiapas, Mexico, the Maya site of Bonampak is home to the most complete and magnificent mural program of the ancient Americas. In three rooms, a pageant of rulership opens up, scene by scene, like pages of an ancient Maya book. Painted c. AD 800, the murals of Bonampak reveal a complex and multifaceted view of the ancient Maya at the end of their splendor during the last days of the Classic era. Members of the royal court engage in rituals and perform human sacrifice, dance in extravagant costumes and strip the clothing from fallen captives, acknowledge foreign nobles, and receive abundant tribute. The murals are a powerful and sophisticated reflection on the spectacle of courtly life and the nature of artistic practice, a window onto a world that could not know its doomed future. This major new study of the paintings of Bonampak incorporates insights from decades of art historical, epigraphic, and technical investigation of the murals, framing questions about artistic conception, facture, narrative, performance, and politics. Lavishly illustrated, this book assembles thorough documentation of the Bonampak mural program, from historical photographs of the paintings—some never before published—to new full-color reconstructions by artist Heather Hurst, recipient of a MacArthur award, and Leonard Ashby. The book also includes a catalog of photographs, infrared images, and line drawings of the murals, as well as images of all the glyphic texts, which are published in their entirety for the first time. Written in an engaging style that invites both specialists and general readers alike, this book will stand as the definitive presentation of the paintings for years to come.
Maya Art and Architecture
Author: Mary Ellen Miller
Publisher: National Geographic Books
ISBN: 0500204225
Category : Art
Languages : en
Pages : 0
Book Description
“In addition to serving as an introduction to Maya art, the book communicates enthusiasm for the art’s aesthetic power and grace.” —Choice Rewritten and updated to include the discoveries and new theories from the past decade and a half, this classic guide to the art of the ancient Maya is now illustrated in color throughout. World expert Mary Miller and her co-author Megan O’Neil take the reader through the visual world of the Maya, explaining how and why they created the paintings, sculpture, and monuments that intrigue and compel people the world over. With an array of new material, including the newly found La Corona panels, Waka’ figurines, and the Dz’ibanche’ staircase; studies of the monuments at Palenque, Zotz, and elsewhere; and paintings discovered in recent years; this new edition will be essential reading for students and scholars—and for travelers to the cities of this mysterious civilization.
Publisher: National Geographic Books
ISBN: 0500204225
Category : Art
Languages : en
Pages : 0
Book Description
“In addition to serving as an introduction to Maya art, the book communicates enthusiasm for the art’s aesthetic power and grace.” —Choice Rewritten and updated to include the discoveries and new theories from the past decade and a half, this classic guide to the art of the ancient Maya is now illustrated in color throughout. World expert Mary Miller and her co-author Megan O’Neil take the reader through the visual world of the Maya, explaining how and why they created the paintings, sculpture, and monuments that intrigue and compel people the world over. With an array of new material, including the newly found La Corona panels, Waka’ figurines, and the Dz’ibanche’ staircase; studies of the monuments at Palenque, Zotz, and elsewhere; and paintings discovered in recent years; this new edition will be essential reading for students and scholars—and for travelers to the cities of this mysterious civilization.
The Prophetic Mayan Queen
Author: Leonide Martin
Publisher: Blackstone Publishing
ISBN: 164146318X
Category : Fiction
Languages : en
Pages : 511
Book Description
"Readers are brought along for a journey filled with every imaginable emotion in the course of a heroine’s lifetime. As a result, a world that is stunningly beautiful and complete without ours—but intractably connected—surges through the pages of the book." – Reader Views She was born to serve the Goddess Ix Chel. But K'inuuw Mat is destined to continue the Palenque (Lakam Ha) dynasty by marriage to Tiwol, fourth son of famous ruler Pakal. Trained in prophetic arts, she uses scrying to foresee the face of the man with whom she will bear the dynastic heir—but it is not her husband's image. She is shocked upon arriving at Palenque to recognize that face as her husband's older brother, Kan Bahlam. They are immediately attracted, sharing deep interest in astronomy. Though she resists, the magnetic force of their attraction propels them into forbidden embraces, until Kan Bahlam designs a bold plan that would solve his inability to produce a son—if he can gain his brother's cooperation. Set in the splendor of Lakam Ha's artistic and scientific zenith, royal family conflicts and ambitions play out in a tapestry of brilliant Mayan accomplishments in calendars, astronomy, architecture, arts, and secret language codes that will astound people centuries later. As K'inuuw Mat contends with explosive emotions, she must answer the Goddess' mandate to preserve Mayan culture for future generations. Her passion with Kan Bahlam leads to a pale daughter and bold son who carry this out as their civilization begins the decline and eventual collapse her prophetic vision foresees. One great cycle rolls into the next . . . Contemporary Mexican archeologist Francesca and her partner Charlie, a British linguist, venture into Chiapas jungles to a remote Maya village, seeking to unravel her grandmother's secrets. The hostile village shaman holds the key, but refuses to share with outsiders the scandal that leads to foreign blood and ancient Palenque lineages. Only by re-claiming her own shamanic heritage can Francesca learn the truth of who she is, and bring her dynasty into the present.
Publisher: Blackstone Publishing
ISBN: 164146318X
Category : Fiction
Languages : en
Pages : 511
Book Description
"Readers are brought along for a journey filled with every imaginable emotion in the course of a heroine’s lifetime. As a result, a world that is stunningly beautiful and complete without ours—but intractably connected—surges through the pages of the book." – Reader Views She was born to serve the Goddess Ix Chel. But K'inuuw Mat is destined to continue the Palenque (Lakam Ha) dynasty by marriage to Tiwol, fourth son of famous ruler Pakal. Trained in prophetic arts, she uses scrying to foresee the face of the man with whom she will bear the dynastic heir—but it is not her husband's image. She is shocked upon arriving at Palenque to recognize that face as her husband's older brother, Kan Bahlam. They are immediately attracted, sharing deep interest in astronomy. Though she resists, the magnetic force of their attraction propels them into forbidden embraces, until Kan Bahlam designs a bold plan that would solve his inability to produce a son—if he can gain his brother's cooperation. Set in the splendor of Lakam Ha's artistic and scientific zenith, royal family conflicts and ambitions play out in a tapestry of brilliant Mayan accomplishments in calendars, astronomy, architecture, arts, and secret language codes that will astound people centuries later. As K'inuuw Mat contends with explosive emotions, she must answer the Goddess' mandate to preserve Mayan culture for future generations. Her passion with Kan Bahlam leads to a pale daughter and bold son who carry this out as their civilization begins the decline and eventual collapse her prophetic vision foresees. One great cycle rolls into the next . . . Contemporary Mexican archeologist Francesca and her partner Charlie, a British linguist, venture into Chiapas jungles to a remote Maya village, seeking to unravel her grandmother's secrets. The hostile village shaman holds the key, but refuses to share with outsiders the scandal that leads to foreign blood and ancient Palenque lineages. Only by re-claiming her own shamanic heritage can Francesca learn the truth of who she is, and bring her dynasty into the present.
To Be Like Gods
Author: Matthew G. Looper
Publisher: University of Texas Press
ISBN: 029277818X
Category : Social Science
Languages : en
Pages : 295
Book Description
Winner, Association for Latin American Art Book Award, 2010 The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity. Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.
Publisher: University of Texas Press
ISBN: 029277818X
Category : Social Science
Languages : en
Pages : 295
Book Description
Winner, Association for Latin American Art Book Award, 2010 The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity. Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.
Landscapes of the Itza
Author: Linnea Wren
Publisher: University Press of Florida
ISBN: 0813052033
Category : Social Science
Languages : en
Pages : 319
Book Description
"An insightful collection, rich in new data and insights; at once the harvest of a generation of fieldwork and the foundation for work to come."--Mary E. Miller, coauthor of The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak "Reminds us that there are always new things to learn about iconic places like Chichen Itza and that we can fall in love with them all over again."--Jennifer P. Mathews, coeditor of Lifeways in the Northern Maya Lowlands: New Approaches to Archaeology in the Yucatan Peninsula "Long overdue. Brings together new data and interpretations about Chichen Itza through a refreshing mix of art history and archaeology, particularistic interpretation, and cross-cultural modeling."--Scott R. Hutson, author of The Ancient Urban Maya: Neighborhoods, Inequality, and Built Form Chichen Itza, the legendary capital and trading hub of the late Maya civilization, continues to fascinate visitors and researchers with unanswered questions about its people, rulers, rituals, economics, religion, politics, and even chronology. Addressing many of these current debates, contributors to Landscapes of the Itza question when the city's construction was completed, what the purposes of its famous pyramid and other buildings were, whether the city maintained strict territorial borders, and how the city's influence was felt in smaller neighboring settlements such as Popola, Ichmul de Morley, and Ek Balam. Special attention is given to the site's visual culture, including its architecture, epigraphy, ceramics, sculptures, and murals. This volume is a much-needed update on recent archaeological and art historical work being done at Chichen Itza, offering new ways of understanding the site and its role in the Yucatan landscape.
Publisher: University Press of Florida
ISBN: 0813052033
Category : Social Science
Languages : en
Pages : 319
Book Description
"An insightful collection, rich in new data and insights; at once the harvest of a generation of fieldwork and the foundation for work to come."--Mary E. Miller, coauthor of The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak "Reminds us that there are always new things to learn about iconic places like Chichen Itza and that we can fall in love with them all over again."--Jennifer P. Mathews, coeditor of Lifeways in the Northern Maya Lowlands: New Approaches to Archaeology in the Yucatan Peninsula "Long overdue. Brings together new data and interpretations about Chichen Itza through a refreshing mix of art history and archaeology, particularistic interpretation, and cross-cultural modeling."--Scott R. Hutson, author of The Ancient Urban Maya: Neighborhoods, Inequality, and Built Form Chichen Itza, the legendary capital and trading hub of the late Maya civilization, continues to fascinate visitors and researchers with unanswered questions about its people, rulers, rituals, economics, religion, politics, and even chronology. Addressing many of these current debates, contributors to Landscapes of the Itza question when the city's construction was completed, what the purposes of its famous pyramid and other buildings were, whether the city maintained strict territorial borders, and how the city's influence was felt in smaller neighboring settlements such as Popola, Ichmul de Morley, and Ek Balam. Special attention is given to the site's visual culture, including its architecture, epigraphy, ceramics, sculptures, and murals. This volume is a much-needed update on recent archaeological and art historical work being done at Chichen Itza, offering new ways of understanding the site and its role in the Yucatan landscape.
A Maya Universe in Stone
Author: Stephen Houston
Publisher: Getty Publications
ISBN: 1606067451
Category : Art
Languages : en
Pages : 194
Book Description
The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.
Publisher: Getty Publications
ISBN: 1606067451
Category : Art
Languages : en
Pages : 194
Book Description
The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.
Courtly Art of the Ancient Maya
Author: Carla McKinney Brenner
Publisher:
ISBN:
Category : Central America
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Central America
Languages : en
Pages : 20
Book Description
The Memory of Bones
Author: Stephen D. Houston
Publisher: University of Texas Press
ISBN: 0292756186
Category : Social Science
Languages : en
Pages : 758
Book Description
An analysis of the intellectual and emotional life of ancient Mesoamerican people through studies of figural works and inscriptions. All of human experience flows from bodies that feel, express emotion, and think about what such experiences mean. But is it possible for us, embodied as we are in a particular time and place, to know how people of long ago thought about the body and its experiences? In this groundbreaking book, three leading experts on the Classic Maya (ca. AD 250 to 850) marshal a vast array of evidence from Maya iconography and hieroglyphic writing, as well as archaeological findings, to argue that the Classic Maya developed an approach to the human body that we can recover and understand today. Starting with a cartography of the Maya body as depicted in imagery and texts, the authors explore how the body was replicated in portraiture; how it experienced the world through ingestion, the senses, and the emotions; how the body experienced war and sacrifice and the pain and sexuality; how words, often heaven-sent, could be embodied; and how bodies could be blurred through spirit possession. From these investigations, the authors convincingly demonstrate that the Maya conceptualized the body in varying roles, as a metaphor of time, as a gendered, sexualized being, in distinct stages of life, as an instrument of honor and dishonor, as a vehicle for communication and consumption, as an exemplification of beauty and ugliness, and as a dancer and song-maker. Their findings open a new avenue for empathetically understanding the ancient Maya as living human beings who experienced the world as we do, through the body.
Publisher: University of Texas Press
ISBN: 0292756186
Category : Social Science
Languages : en
Pages : 758
Book Description
An analysis of the intellectual and emotional life of ancient Mesoamerican people through studies of figural works and inscriptions. All of human experience flows from bodies that feel, express emotion, and think about what such experiences mean. But is it possible for us, embodied as we are in a particular time and place, to know how people of long ago thought about the body and its experiences? In this groundbreaking book, three leading experts on the Classic Maya (ca. AD 250 to 850) marshal a vast array of evidence from Maya iconography and hieroglyphic writing, as well as archaeological findings, to argue that the Classic Maya developed an approach to the human body that we can recover and understand today. Starting with a cartography of the Maya body as depicted in imagery and texts, the authors explore how the body was replicated in portraiture; how it experienced the world through ingestion, the senses, and the emotions; how the body experienced war and sacrifice and the pain and sexuality; how words, often heaven-sent, could be embodied; and how bodies could be blurred through spirit possession. From these investigations, the authors convincingly demonstrate that the Maya conceptualized the body in varying roles, as a metaphor of time, as a gendered, sexualized being, in distinct stages of life, as an instrument of honor and dishonor, as a vehicle for communication and consumption, as an exemplification of beauty and ugliness, and as a dancer and song-maker. Their findings open a new avenue for empathetically understanding the ancient Maya as living human beings who experienced the world as we do, through the body.
The Murals of Cacaxtla
Author: Claudia Lozoff Brittenham
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
"Between AD 650 and 950, a small city-state in central Mexico produced dazzling murals of gods, historical figures, and supernatural creatures on the walls of its most important sacred and public spaces. This study explores how the Cacaxtla murals constitute a sustained and local painting tradition, in which generations of ancient Mexican artists, patrons, and audiences created a powerful statement of communal identity that still captures the imagination"--
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
"Between AD 650 and 950, a small city-state in central Mexico produced dazzling murals of gods, historical figures, and supernatural creatures on the walls of its most important sacred and public spaces. This study explores how the Cacaxtla murals constitute a sustained and local painting tradition, in which generations of ancient Mexican artists, patrons, and audiences created a powerful statement of communal identity that still captures the imagination"--