The Mountains in Art History PDF Download

Author: Peter Mark
Publisher: Wesleyan University Press
ISBN: 0819577308
Category : Art
Languages : en
Pages : 152

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Book Description
The Mountains in Art History is the first English-language work to focus on mountains as subject matter and source of aesthetic and spiritual inspiration for painters. This collection of original essays is written entirely by Wesleyan University students of art history. The essays examine how artistic representation of mountains has varied through the lens of specific depictions in English and American literature, and consider how images of mountains functioned in conjunction with religion, the sublime, and Romanticism. These essays by student authors adeptly ruminate on works by individuals such as William Wordsworth, John Frederick Kensett, Alexander van Humboldt, Emil Nolde, and Arnold Fanck. Includes an introduction by professor Peter Mark and a helpful appendix of the course syllabus and narrative description.

Author: Nachiket Chanchani
Publisher: Global South Asia
ISBN: 9780295744513
Category : Art
Languages : en
Pages : 0

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Book Description
From approximately the third century BCE through the thirteenth century CE, the remote mountainous landscape around the glacial sources of the Ganga (Ganges) River in the Central Himalayas in northern India was transformed into a region encoded with deep meaning, one approached by millions of Hindus as a primary locus of pilgrimage. Nachiket Chanchani?s innovative study explores scores of stone edifices and steles that were erected in this landscape. Through their forms, locations, interactions with the natural environment, and sociopolitical context, these lithic ensembles evoked legendary worlds, embedded historical memories in the topography, changed the mountain range?s appearance, and shifted its semiotic effect. Mountain Temples and Temple Mountains also alters our understanding of the transmission of architectural knowledge and provides new evidence of how an enduring idea of India emerged in the subcontinent. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/mountain-temples-and-temple-mountains

Author: Li-tsui Flora Fu
Publisher: Chinese University Press
ISBN: 9789629963293
Category : Art
Languages : en
Pages : 376

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Book Description
"Treating landscape painting as yet another framing systems, in both the symbolic and material sense, this book examines sixteenth-century paintings of famous mountains by three major artists in the light of a diachronic account of the evolution of famous mountains over time and a synchronic account of the vogue for the grand tour in late Ming society." --Book Jacket.

Author: Marilyn Stokstad
Publisher: Discontinued 3pd
ISBN: 9780131893009
Category : Art
Languages : en
Pages : 0

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Book Description
"Art History gives today's readers cultural and social context for art along with visual explanations of art's special qualities and particular vocabularies. Its narrative tells the many-sided story of art, starting with the earliest prehistoric paintings and sculpture through today's wildly varying works in new mediums." "In addition to offering an outstanding collection of color illustrations. Art History features maps, chronologies, and scores of labeled line drawings and architectural plans. Special essays called "The Object Speaks" offer insights on topics such as authenticity, patronage, and artistic intention." "Thoroughly updated to reflect the latest in scholarship, this revised Second Edition features even more works in color and more newly cleaned or restored works. Many works of art are completely new to the book. More attention has been paid to the art and culture of the Islamic world and specifically the Ottoman Empire."--BOOK JACKET.

Author: Thurman Wilkins
Publisher: University of Oklahoma Press
ISBN: 9780806130408
Category : Biography & Autobiography
Languages : en
Pages : 518

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Book Description
This extensively revised edition of Thurman Wilkins’s masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran’s time, as he became "the Dean of American Painters." The American West was the subject of Thomas Moran’s greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado’s Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden’s geological surveys of the Upper Yellowstone were matched by trips to his native Britain and to Venice, Florida, the Spanish Southwest, and Old Mexico. These scenes inspired memorable landscapes and seascapes, as did the sojourns of the Moran family in Pennsylvania, New Jersey, and East Hampton, Long Island, when they retreated from the demands of the New York art scene. In the 1880s Moran and his artist wife, Mary Nimmo Moran, also threw themselves into the etching craze of the period, creating some of the finest prints produced in the United States. Moran was an artist happy in his work. He wrote, "I have always held that the grandest, most beautiful, or wonderful in nature, would, in capable hands, make the grandest, most beautiful, or wonderful pictures." The New York Times said of the first edition of this unique account of his life, "Moran’s mastery comes through clearly and awesomely and often, pleasurably." Readers will find the new edition equally enjoyable.

Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 0870991353
Category : Hsia-shan-tʻu (Scroll)
Languages : en
Pages : 80

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Book Description
Landscape has been the dominant subject in Chinese painting ever since it emerged as the pre-eminent art form of the Northern Sung period (960-1127). The recent acquisition by the Metropolitan Museum, as a gift of the Dillon Fund, of a superb large Northern Sung handscroll, Summer Mountains, provides the opportunity to consider in some detail the landscape art of this period, together with its antecedents and later permutations. Developing during the war-filled years of the tenth century, Northern Sung landscape painting produced timeless images that were followed and imitated for centuries. This art reached its apogee in the third quarter of the eleventh century. After the fall of the Northern Sung, it continued to be popular in the north, both under the Chin tartar and then the Mongol rule during the twelfth and thirteenth centuries. Meantime the painters of the Southern Sung (1127-1276), south of the Yangtze River, developed a simplified style that described the softer landscapes of the south.

Author: Robert S. Olpin
Publisher: Gibbs Smith
ISBN: 1586858505
Category : Landscape painting, American
Languages : en
Pages : 276

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Book Description
A distinct painting development with regard to the American West's Wasatch Range emerged in the nineteenth century and persists even today. These "painters of the Wasatch" have set many precedents through their artistic interpretations of this mountain subject matter. Painters of the Wasatch Mountains presents for the first time a survey of the gamut of painters who formed and have carried forward an expression of nature's mighty gift to both visitors and residents of Utah. As natural successor to the Hudson River School in the East, the "Wasatch school" persists because of the values we associate with that first of America's art movements-a dedication to place, a careful study, and interpretation of the environment in a spiritual and cultural context. The Painters of the Wasatch are not defined by a particular style or medium but by a physical presence that has unlimited appeal and inspiration. Over 300 artworks are included, from the earliest examples of painting in the nineteenth century to works by Utah's contemporary artists. Also included are brief biographies of each artist, with occasional stylistic analysis. Artists featured in this book include: William Warner Major Frank Ward Kent Dan Weggeland James T. Harwood John W. Clawson Edwin Evans Lee Greene Richards John Tullidge Lawrence Squires Valoy Eaton LeConte Stewart Mahonri Young John H. Stansfield Hal Burrows Waldo Midgley Maynard Dixon Joseph A. F. Everett Francis L. Horspool Alice Merrill Horne Dean Fausett Dennis Phillips Tom Leek Gary E. Smith

Author: Bernard Debarbieux
Publisher: University of Chicago Press
ISBN: 022603125X
Category : History
Languages : en
Pages : 367

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Book Description
In The Mountain, geographers Bernard Debarbieux and Gilles Rudaz trace the origins of the very concept of a mountain, showing how it is not a mere geographic feature but ultimately an idea, one that has evolved over time, influenced by changes in political climates and cultural attitudes. To truly understand mountains, they argue, we must view them not only as material realities but as social constructs, ones that can mean radically different things to different people in different settings. From the Enlightenment to the present day, and using a variety of case studies from all the continents, the authors show us how our ideas of and about mountains have changed with the times and how a wide range of policies, from border delineation to forestry as well as nature protection and social programs, have been shaped according to them. A rich hybrid analysis of geography, history, culture, and politics, the book promises to forever change the way we look at mountains.

Author: Martin Warnke
Publisher: Harvard University Press
ISBN: 9780674686168
Category : Art
Languages : en
Pages : 174

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Book Description
Whether considering the role of landscape in battle depictions; or investigating monumental figures from the Colossus of Rhodes to Mount Rushmore; or asking why gold backgrounds in paintings gave way to mountains topped with castles; Political Landscape reconfigures our idea of landscape, its significance, and its representations.

Author: Soyoung Lee
Publisher: Metropolitan Museum of Art
ISBN: 1588396533
Category : Art
Languages : en
Pages : 166

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Book Description
Mount Geumgang, also known as the Diamond Mountains, is perhaps the most famous and emotionally resonant site on the Korean Peninsula, a magnificent range of rocky peaks, waterfalls, and lagoons, dotted with pavilions and temples. Since ancient times, it has inspired cultural pride, spurred spiritual and artistic pilgrimages, and engendered an outpouring of creative expression. Yet since the partition of Korea in 1945 situated it in the North, Mount Geumgang has remained largely inaccessible to visitors, shrouded in legend, loss, and longing. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Diamond Mountains: Travel and Nostalgia in Korean Art is the first book in English to explore the pictorial representations of this grand and varied landscape. The special exhibition it accompanies, organized by Soyoung Lee, Curator in the Department of Asian Art, examines the evolution of Diamond Mountains imagery from the golden age of Korean true-view painting in the eighteenth century to the present day. Even today, when a profusion of Instagram photos can make the world’s most obscure sites and geographical oddities seem familiar, the Diamond Mountains portrayed here in album leaves, scrolls, and screens will be a revelation to many.