Author: Henry Hall SHERWOODPublisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 190
Book Description
The Motive Power of the Human System, with the Duodynamic Symptoms and Treatment of Chronic Diseases. Eighth Edition
Author: Henry Hall SHERWOODPublisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 190
Book Description
British Museum Catalogue of printed Books
Author: The Motive Power of the Human System
Author: Henry Hall SherwoodPublisher:
ISBN:
Category : Magnetic healing
Languages : en
Pages : 220
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 496
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 496
Book Description
The Naturalists' Leisure Hour and Monthly Bulletin
Author: Bibliography of American Imprints to 1901: Main part
Author: The Chronic Diseases
Author: Dr. Samuel HahnemannPublisher:
ISBN:
Category :
Languages : en
Pages : 203
Book Description
The Vampire Lectures
Author: Laurence A. RickelsPublisher:
ISBN: 9780816633913
Category : Performing Arts
Languages : en
Pages : 358
Book Description
Bela Lugosi may -- as the eighties gothic rock band Bauhaus sang -- be dead, but the vampire lives on. A nightmarish figure dwelling somewhere between genuine terror and high camp, a morbid repository for the psychic projections of diverse cultures, an endlessly recyclable mass-media icon, the vampire is an enduring object of fascination, fear, ridicule, and reverence. In The Vampire Lectures, Laurence A. Rickels sifts through the rich mythology of vampirism, from medieval folklore to Marilyn Manson, to explore the profound and unconscious appeal of the undead. Based on the course Rickels has taught at the University of California, Santa Barbara, for several years (a course that is itself a cult phenomenon on campus), The Vampire Lectures reflects Rickels's unique lecture style and provides a lively history of vampirism in legend, literature, and film. Rickels unearths a trove that includes eyewitness accounts of vampire attacks; burial rituals and sexual taboos devised to keep vampirism at bay; Hungarian countess Elisabeth Bathory's use of girls' blood in her sadistic beauty regimen; Bram Stoker's Dracula, with its turn-of-the-century media technologies; F. W. Murnau's haunting Nosferatu; and crude, though intense, straight-to-video horror films such as Subspecies. He makes intuitive, often unexpected connections among these sometimes wildly disparate sources. More than simply a compilation of vampire lore, however, The Vampire Lectures makes an original and intellectually rigorous contribution to literary and psychoanalytic theory, identifying the subconscious meanings, complex symbolism, and philosophical arguments -- particularly those of Marx, Freud, and Nietzsche -- embeddedin vampirism and gothic literature.
Soul in Seoul
Author: Crystal S. AndersonPublisher: Univ. Press of Mississippi
ISBN: 1496830113
Category : Music
Languages : en
Pages : 172
Book Description
K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: African American Popular Music and K-pop, Crystal S. Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary K-pop references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references. K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip-hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans who function as part of K-pop’s music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary.