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Author: Bryan Senn Publisher: McFarland ISBN: 1476613575 Category : Performing Arts Languages : en Pages : 297
Book Description
People hunting people for sport--an idea both shocking and fascinating. In 1924 Richard Connell published a short story that introduced this concept to the world, where it has remained ever since--as evidenced by the many big- and small-screen adaptations and inspirations. Since its publication, Connell's award-winning "The Most Dangerous Game" has been continuously anthologized and studied in classrooms throughout America. Raising questions about the nature of violence and cruelty, and the ethics of hunting for sport, the thrilling story spawned a new cinematic subgenre, beginning with RKO's 1932 production of The Most Dangerous Game, and continuing right up to today. This book examines in-depth all the cinematic adaptations of the iconic short story. Each film chapter has a synopsis, a "How Dangerous Is It?" critique, an overall analysis, a production history, and credits. Five additional chapters address direct to video, television, game shows, and almost "dangerous" productions. Photographs, extensive notes, bibliography and index are included.
Author: Bryan Senn Publisher: McFarland ISBN: 1476613575 Category : Performing Arts Languages : en Pages : 297
Book Description
People hunting people for sport--an idea both shocking and fascinating. In 1924 Richard Connell published a short story that introduced this concept to the world, where it has remained ever since--as evidenced by the many big- and small-screen adaptations and inspirations. Since its publication, Connell's award-winning "The Most Dangerous Game" has been continuously anthologized and studied in classrooms throughout America. Raising questions about the nature of violence and cruelty, and the ethics of hunting for sport, the thrilling story spawned a new cinematic subgenre, beginning with RKO's 1932 production of The Most Dangerous Game, and continuing right up to today. This book examines in-depth all the cinematic adaptations of the iconic short story. Each film chapter has a synopsis, a "How Dangerous Is It?" critique, an overall analysis, a production history, and credits. Five additional chapters address direct to video, television, game shows, and almost "dangerous" productions. Photographs, extensive notes, bibliography and index are included.
Author: Richard Connell Publisher: Lindhardt og Ringhof ISBN: 8728187490 Category : Fiction Languages : en Pages : 28
Book Description
Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".
Author: Michael Price Publisher: ISBN: 9781493684687 Category : Languages : en Pages : 252
Book Description
This Rondo Awards-nominated study describes how Richard Connell's famous story of 1924, "The Most Dangerous Game," has persisted into the New Century as an indelible influence. Michael H. Price and the late George E. Turner began tracing that influence as early as the 1960s, while interviewing the filmmakers responsible for the first adaptation, 1932's THE MOST DANGEROUS GAME. The research has continued apace, and it all comes together in THE HOUNDS OF ZAROFF. The book compiles kindred films, remakes, knockoffs, ripoffs, and toss-offs into a 250-page survey -- from the original film, through such famous titles as PREDATOR and THE TEXAS CHAIN SAW MASSACRE, through rank obscurities like WALK THE DARK STREET and CONFESSIONS OF A PSYCHO CAT. The coverage extends into the present day, with the HUNGER GAMES pictures of 2012-2013 providing a coda. A coda, yes, but never a cul-de-sac for one of the most often-filmed stories ever to see the light of cold print.
Author: Jon Towlson Publisher: McFarland ISBN: 0786494743 Category : Performing Arts Languages : en Pages : 241
Book Description
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.
Author: Christopher Frayling Publisher: ISBN: 9781861892850 Category : Performing Arts Languages : en Pages : 239
Book Description
Since its origin cinema has had an uneasy relationship with science and technology: scientists are almost always impossibly mad or impossibly saintly, and technology is nearly always very bad for you. In Mad, Bad and Dangerous?, Christopher Frayling explores the genealogy of the film scientist in films made in Western Europe, and especially in Hollywood after the 1930s, showing how in film the scientist has often been used to represent the prevailing phobias of the time. In the 1950s, for example, films were dominated by the fear of botched atomic research, and were a showcase of mutated, outsized creatures and radioactive zombies. Since Hitchcock’s The Birds, however, the role of the scientist has been less straightforward, and by the 1970s damage to the environment and the spread of diseases were the predominant consequences of science gone wrong. Scientists – and the corporations that controlled them – became the ‘baddies’. The author also examines in parallel the portrayal of real-life scientists in the movies, noting how they are in the main depicted as misfits, immersed in their work, sacrificing any normal life to the interests of science, yet distrusted by the scientific establishment. Interestingly, the cinematic portrayal of fictional and real-life scientists follow very similar dramatic conventions, and Frayling concludes that the mad scientist and the saintly one are two sides of the same Hollywood coin.
Author: Kristofer Todd Upjohn Publisher: Stark House Press ISBN: 9781944520601 Category : Performing Arts Languages : en Pages : 194
Book Description
Jess Franco was a Spanish director, cinematographer, writer, composer, editor, producer and actor in more than 150 fiercely independent films he made from 1959 to 2013. Kristofer Upjohn celebrates Franco in a collection of essays that examines his individual movies for the first time.
Author: Scott McGee Publisher: Running Press Adult ISBN: 9780762474844 Category : Motion pictures Languages : en Pages : 288
Book Description
"An entertaining, action-packed addition to the TCM program that celebrates an essential, but often overlooked or disregarded part of the film industry: stunts. Offering readers a unique perspective as well as history of the impact and evolution of stunt work, and behind-the-scenes stories from the stunt professionals who risked life and limb to make the magic happen"--
Author: Brian Patrick Duggan Publisher: McFarland ISBN: 1476649480 Category : Performing Arts Languages : en Pages : 275
Book Description
How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore."
Author: Steven Rybin Publisher: Suny Press ISBN: Category : Performing Arts Languages : en Pages : 324
Book Description
The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director's place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray's most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray's lesser-known and underappreciated films, and devotes attention to the highly experimental We Can't Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.
Author: Brad Sykes Publisher: McFarland ISBN: 1476631328 Category : Performing Arts Languages : en Pages : 313
Book Description
Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
Author: Bryan Senn
Author: Bryan Senn
Author: Richard Connell
Author: Michael Price
Author: Jon Towlson
Author: Christopher Frayling
Author: Kristofer Todd Upjohn
Author: Scott McGee
Author: Brian Patrick Duggan
Author: Steven Rybin
Author: Brad Sykes