Author: New York daily commercial bulletin
Publisher:
ISBN:
Category : Currency question
Languages : en
Pages : 30
Book Description
The Money Agitation
Author: New York daily commercial bulletin
Publisher:
ISBN:
Category : Currency question
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category : Currency question
Languages : en
Pages : 30
Book Description
Agitation
Author: Alexandrine Ogundimu
Publisher:
ISBN: 9781953559050
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781953559050
Category :
Languages : en
Pages :
Book Description
Bulletin
Author: American Institute of Banking
Publisher:
ISBN:
Category : Banks and banking
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Banks and banking
Languages : en
Pages : 592
Book Description
Agitated
Author: Joni D.
Publisher: AK Press
ISBN: 1849354324
Category : Political Science
Languages : en
Pages : 308
Book Description
In the long shadow of dictatorship, young Spanish rebels fight for a truly free society. The Franco dictatorship in Spain was famously beset by armed revolutionary groups, inheritors of the legacy of Spanish anarchism that Franco had crushed. Less well-known are the Grupos Autónomos (Autonomous Groups) active during Spain’s transition to “democracy,” a transition set in motion and overseen by the powerful elites of the Franco regime and intended to maintain existing social and economic relations. As the country reorganized under a veneer of a parliamentary monarchy, resistance spread in the form of small autonomous bands of armed rebels who sought a more free and egalitarian future for Spain. Agitated is the tale of those groups. It brings alive the young people who comprised them, detailing their struggle against the faux democracy of authoritarian capitalism and the vibrant lives they lived: the counterculture they formed, their relations with workers, life underground, of course, the repression they suffered.
Publisher: AK Press
ISBN: 1849354324
Category : Political Science
Languages : en
Pages : 308
Book Description
In the long shadow of dictatorship, young Spanish rebels fight for a truly free society. The Franco dictatorship in Spain was famously beset by armed revolutionary groups, inheritors of the legacy of Spanish anarchism that Franco had crushed. Less well-known are the Grupos Autónomos (Autonomous Groups) active during Spain’s transition to “democracy,” a transition set in motion and overseen by the powerful elites of the Franco regime and intended to maintain existing social and economic relations. As the country reorganized under a veneer of a parliamentary monarchy, resistance spread in the form of small autonomous bands of armed rebels who sought a more free and egalitarian future for Spain. Agitated is the tale of those groups. It brings alive the young people who comprised them, detailing their struggle against the faux democracy of authoritarian capitalism and the vibrant lives they lived: the counterculture they formed, their relations with workers, life underground, of course, the repression they suffered.
Nineteenth Century and After
Coast Banker
Western Banker
Financial pamphlets
John Heartfield and the Agitated Image
Author: Andrés Mario Zervigón
Publisher: University of Chicago Press
ISBN: 0226981789
Category : Art
Languages : en
Pages : 330
Book Description
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
Publisher: University of Chicago Press
ISBN: 0226981789
Category : Art
Languages : en
Pages : 330
Book Description
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.