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Author: Douglas B. Craig Publisher: JHU Press ISBN: 0801875129 Category : Political Science Languages : en Pages : 380
Book Description
An “impressively researched and useful study” of the golden age of radio and its role in American democracy (Journal of American History). In Fireside Politics, Douglas B. Craig provides the first detailed and complete examination of radio’s changing role in American political culture between 1920 and 1940—the medium’s golden age, when it commanded huge national audiences without competition from television. Craig follows the evolution of radio into a commercialized, networked, and regulated industry, and ultimately into an essential tool for winning political campaigns and shaping American identity in the interwar period. Finally, he draws thoughtful comparisons of the American experience of radio broadcasting and political culture with those of Australia, Britain, and Canada. “The best general study yet published on the development of radio broadcasting during this crucial period when key institutional and social patterns were established.” ?Technology and Culture
Author: Douglas B. Craig Publisher: JHU Press ISBN: 0801875129 Category : Political Science Languages : en Pages : 380
Book Description
An “impressively researched and useful study” of the golden age of radio and its role in American democracy (Journal of American History). In Fireside Politics, Douglas B. Craig provides the first detailed and complete examination of radio’s changing role in American political culture between 1920 and 1940—the medium’s golden age, when it commanded huge national audiences without competition from television. Craig follows the evolution of radio into a commercialized, networked, and regulated industry, and ultimately into an essential tool for winning political campaigns and shaping American identity in the interwar period. Finally, he draws thoughtful comparisons of the American experience of radio broadcasting and political culture with those of Australia, Britain, and Canada. “The best general study yet published on the development of radio broadcasting during this crucial period when key institutional and social patterns were established.” ?Technology and Culture
Author: Mary Vipond Publisher: McGill-Queen's Press - MQUP ISBN: 0773563482 Category : Social Science Languages : en Pages : 399
Book Description
Mary Vipond's approach is based on the idea that the development of radio broadcasting was a process that involved equipment manufacturers, broadcasters, and "audiences/customers." She charts the expansion of these three groups, surveys the development of advertising and networking as methods of financing, and analyses the evolution of programming. From 1922 to 1932, radio administration was the responsibility of the Radio Branch of the federal Department of Marine and Fisheries. Vipond discusses the regulatory policies of the branch. She completes her study with an analysis of the period from the formation of the Aird Royal Commission on Radio Broadcasting in 1928 to the passage of the Radio Broadcasting Act of 1932. Between 1922 and 1932, virtually all Canadian broadcasting was in the private sector. The campaign in the early 1930s to institute a broadcasting system oriented more toward public service and the promotion of a national identity was partially successful. Vipond reveals, however, that the act that in 1932 set up the Canadian Radio Broadcasting Commission, now the CBC, was much weaker than has generally been recognized. She argues that this weakness was a consequence of the fact that, over the course of the 1920s, broadcasters, listeners, and politicians alike had built up certain expectations of radio which could not easily be disregarded.
Author: Vance Tartar Publisher: Elsevier ISBN: 148316456X Category : Science Languages : en Pages : 426
Book Description
The Biology of Stentor summarizes all that has been learned about the biology of a certain group of ciliate protozoa: the stentors. Topics covered range from form and function in Stentor to behavior, fine structure, growth and division, and reorganization. Regeneration is also discussed, along with polarity, metabolism, genetics, and primordium development. This volume is comprised of 20 chapters and begins with a characterization of Stentor, with emphasis on its particular advantages in addressing general problems of biology. The reader is then introduced to form and function in Stentor, particularly S. coeruleus. The following chapters focus on the behavior (food selection, swimming, response to light, etc.) of stentors and the fine points of structure in terms of which this behavior is to be explained and which demonstrate the highly complex and precise achievements of morphogenesis. The remaining chapters explore growth and division in Stentor as well as the course of reorganization and regeneration; development of the oral primordium and how it is activated and inhibited; rate of regeneration in relation to the polar axis; fusion masses of whole stentors; and reconstitution in disarranged stentors. Various species of Stentor are also described, together with the techniques used to study them. The final chapter deals with hypotheses concerning the morphogenesis of ciliates. This book will be of interest to students and practitioners of biology and physiology.
Author: Tracey E. W. Laird Publisher: Oxford University Press ISBN: 0195167511 Category : History Languages : en Pages : 221
Book Description
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman.Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine."Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
Author: Christopher H. Sterling Publisher: Routledge ISBN: 1135456496 Category : Reference Languages : en Pages : 2848
Book Description
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.
Author: Neil Verma Publisher: University of Chicago Press ISBN: 0226853500 Category : History Languages : en Pages : 305
Book Description
In this work, Neil Verma applies an array of critical methods to more than 6000 recordings to produce an account of radio drama from the Depression to the Cold War.
Author: Justin Lewis Publisher: John Wiley & Sons ISBN: 0470779829 Category : Social Science Languages : en Pages : 372
Book Description
Critical Cultural Policy Studies: A Reader brings together classic statements and contemporary views that illustrate how everyday culture is as much a product of policy and economic determinants as it is of creative and consumer impulses.
Author: Susan J. Douglas Publisher: U of Minnesota Press ISBN: 1452907048 Category : History Languages : en Pages : 707
Book Description
Few inventions evoke such nostalgia, such deeply personal and vivid memories as radio—from Amos ’n’ Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. Listening In is the first in-depth history of how radio culture and content have kneaded and expanded the American psyche. But Listening In is more than a history. It is also a reconsideration of what listening to radio has done to American culture in the twentieth century and how it has brought a completely new auditory dimension to our lives. Susan Douglas explores how listening has altered our day-to-day experiences and our own generational identities, cultivating different modes of listening in different eras; how radio has shaped our views of race, gender roles, ethnic barriers, family dynamics, leadership, and the generation gap. With her trademark wit, Douglas has created an eminently readable cultural history of radio.
Author: Douglas B. Craig
Author: Douglas B. Craig
Author: Lake Forest University
Author: Mary Vipond
Author: David Ockham
Author: Vance Tartar
Author: Tracey E. W. Laird
Author: Christopher H. Sterling
Author: Neil Verma
Author: Justin Lewis
Author: Susan J. Douglas