Author: Various
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 76
Book Description
The Modern Scottish Minstrel, Volumes 1-6 is a collection of songs by various Scottish authors, edited by Charles Rogers. It showcases the rich musical heritage of Scotland in the 19th century and celebrates its culture and history.
The Modern Scottish Minstrel, Volumes 1-6
Author: Various
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 76
Book Description
The Modern Scottish Minstrel, Volumes 1-6 is a collection of songs by various Scottish authors, edited by Charles Rogers. It showcases the rich musical heritage of Scotland in the 19th century and celebrates its culture and history.
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 76
Book Description
The Modern Scottish Minstrel, Volumes 1-6 is a collection of songs by various Scottish authors, edited by Charles Rogers. It showcases the rich musical heritage of Scotland in the 19th century and celebrates its culture and history.
The Modern Scottish Minstrel; Or, The Songs of Scotland of the Past Half Century
Author: Charles Rogers
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 350
Book Description
The modern Scottish minstrel; or, The songs of Scotland of the past half century, with memoirs of the poets, and specimens in English verse of modern Gaelic bards, by C. Rogers
The Modern Scottish Minstrel
Author: Charles Rogers
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 350
Book Description
The Cambridge bibliography of English literature. 3. 1800 - 1900
Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 1132
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 1132
Book Description
Closet Stages
Author: Catherine B. Burroughs
Publisher: University of Pennsylvania Press
ISBN: 1512801011
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
Publisher: University of Pennsylvania Press
ISBN: 1512801011
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
Street Literature of the Long Nineteenth Century
Author: David Atkinson
Publisher: Cambridge Scholars Publishing
ISBN: 1527502759
Category : History
Languages : en
Pages : 387
Book Description
For centuries, street literature was the main cheap reading material of the working classes: broadsides, chapbooks, songsters, prints, engravings, and other forms of print produced specifically to suit their taste and cheap enough for even the poor to buy. Starting in the sixteenth century, but at its chaotic and flamboyant peak in the nineteenth, street literature was on sale everywhere – in urban streets and alleyways, at country fairs and markets, at major sporting events and holiday gatherings, and under the gallows at public executions. For this very reason, it was often despised and denigrated by the educated classes, but remained enduringly popular with the ordinary people. Anything and everything was grist to the printers’ mill, if it would sell. A penny could buy you a celebrity scandal, a report of a gruesome murder, the last dying speech of a condemned criminal, wonder tales, riddles and conundrums, a moral tale of religious danger and redemption, a comic tale of drunken husbands and shrewish wives, a temperance tract or an ode to beer, a satire on dandies, an alphabet or “reed-a-ma-daisy” (reading made easy) to teach your children, an illustrated chapbook of nursery rhymes, or the adventures of Robin Hood and Jack the Giant Killer. Street literature long held its own by catering directly for the ordinary people, at a price they could afford, but, by the end of the Victorian era, it was in terminal decline and was rapidly being replaced by a host of new printed materials in the shape of cheap newspapers and magazines, penny dreadful novels, music hall songbooks, and so on, all aimed squarely at the burgeoning mass market. Fascinating today for the unique light it shines on the lives of the ordinary people of the age, street literature has long been neglected as a historical resource, and this collection of essays is the first general book on the trade for over forty years.
Publisher: Cambridge Scholars Publishing
ISBN: 1527502759
Category : History
Languages : en
Pages : 387
Book Description
For centuries, street literature was the main cheap reading material of the working classes: broadsides, chapbooks, songsters, prints, engravings, and other forms of print produced specifically to suit their taste and cheap enough for even the poor to buy. Starting in the sixteenth century, but at its chaotic and flamboyant peak in the nineteenth, street literature was on sale everywhere – in urban streets and alleyways, at country fairs and markets, at major sporting events and holiday gatherings, and under the gallows at public executions. For this very reason, it was often despised and denigrated by the educated classes, but remained enduringly popular with the ordinary people. Anything and everything was grist to the printers’ mill, if it would sell. A penny could buy you a celebrity scandal, a report of a gruesome murder, the last dying speech of a condemned criminal, wonder tales, riddles and conundrums, a moral tale of religious danger and redemption, a comic tale of drunken husbands and shrewish wives, a temperance tract or an ode to beer, a satire on dandies, an alphabet or “reed-a-ma-daisy” (reading made easy) to teach your children, an illustrated chapbook of nursery rhymes, or the adventures of Robin Hood and Jack the Giant Killer. Street literature long held its own by catering directly for the ordinary people, at a price they could afford, but, by the end of the Victorian era, it was in terminal decline and was rapidly being replaced by a host of new printed materials in the shape of cheap newspapers and magazines, penny dreadful novels, music hall songbooks, and so on, all aimed squarely at the burgeoning mass market. Fascinating today for the unique light it shines on the lives of the ordinary people of the age, street literature has long been neglected as a historical resource, and this collection of essays is the first general book on the trade for over forty years.