The Model of Artifice PDF Download

Author: Kevina Natacha Labonne
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 0226657345
Category : Literary Criticism
Languages : en
Pages : 264

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Explores the intricate relationships of postmodern poetics to the culture of network television, advertising layout, and the computer. Perloff argues that poetry today, like the visual arts and theater, is always "contaminated" by the language of mass media. Among the many poets Perloff discusses are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, Steve McCaffery, and preeminently, John Cage--Publisher.

Author: Dao Strom
Publisher: Catapult
ISBN: 1640092714
Category : Fiction
Languages : en
Pages : 215

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"The book is informed by the Vietnamese immigrations of the nineteen–seventies but is filled with social observation of contemporary middle–class culture and indie sensibility . . . Quietly beautiful, Strom's stories are hip without being ironic." —The New Yorker When The Gentle Order of Girls and Boys was first published in 2006, it was groundbreaking in its depiction of contemporary young Vietnamese women living in the United States, centering their ordinary lives as mothers, lovers, friends, and daughters against the backdrop of immigration and assimilation. Available now for the first time in paperback and featuring an introduction by Isabelle Thuy Pelaud and a new preface by the author, The Gentle Order of Girls and Boys is a beautifully written, psychologically astute foray into the rite of female passage.

Author: Alain Badiou
Publisher: re.press
ISBN: 0980666570
Category : Critical theory
Languages : en
Pages : 182

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In "The Concept of Model" Alain Badiou establishes a new logical 'concept of model'. Translated for the first time into English, the work is accompanied by an exclusive interview with Badiou in which he elaborates on the connections between his early and most recent work--for which the concept of model remains seminal.

Author: Owen D Pomery
Publisher:
ISBN: 9781910395806
Category : Architecture
Languages : en
Pages : 0

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On a summer's day, Ellen returns to the coastal town she grew up in: Victory Point. Revisiting old haunts and people from her past, she feels increasingly disconnected from her previous life, and exhausted by her constant struggle to forge a path ahead. Exploring the town, Ellen searches for some comfort in her own history that could give her the strength to move forward in her own life. Victory Point explores the concept of how we live and choose to be remembered, asking whether we should strive for a higher calling, or if a simple, domestic legacy is the most honest and admirable achievement we can hope for. Set in a town that is itself an architectural experiment, this graphic novel is a poignant and heartfelt search for meaning in life.

Author: Robert Germany
Publisher: Oxford University Press
ISBN: 0198738730
Category : Art
Languages : en
Pages : 211

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This volume considers the phenomenon of mimetic contagion, whereby works of art draw viewers into direct imitation of themselves, and how it operates within specific historical contexts. Terence's Eunuch is used as a case study, situating the motif within the peculiarities of mid-second-century BC Rome and its anxieties about the power of art.

Author: Tristan Murail
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 188

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Author: J.F. Martel
Publisher: North Atlantic Books
ISBN: 1583945784
Category : Philosophy
Languages : en
Pages : 209

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Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.

Author: Marisa Bass
Publisher: Princeton University Press
ISBN: 0691177155
Category : Art
Languages : en
Pages : 313

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How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.

Author: Wendy Steiner
Publisher: University of Chicago Press
ISBN: 0226772195
Category : Art
Languages : en
Pages : 239

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Steiner (English, Univ. of Pennsylvania) delivers a lucidly written elaboration of "interactive aesthetics" first broached in her examination of the revival of beauty in contemporary art, Venus in Exile (2001). Here the focus is the artist's model, broadly conceived as a paradoxical site of reality/artificiality and power/lack of power. Steiner incorporates a wide range of material to explain early history (the Pygmalion myth, Galatea, Eve, and Pandora), the postmodernist turn (Edie Sedgwick, muse of Andy Warhol and Bob Dylan), and recent developments (Second Life, blogging, Wikipedia, bioethics). Concepts (mimesis, spectacle), literature (Kathleen Rooney's Live Nude Girl of 2008, J. M. Coetzee's Diary of a Bad Year of 2007, Milton, Keats, Henrik Ibsen, Virginia Woolf, Vladamir Nabokov, Nathaniel Hawthorne); art (Michelangelo, Picasso, Henri Matisse, Marcel Duchamp, Robert Mapplethorpe, Hannah Wilke, Vanessa Beecroft, Gillian Wearing, Oron Catts, Helena Almeida, Ann Hamilton, Sylvia Plachy, Hiroshi Sugimoto, Frederick Hart, John Kindness, Peter Eisenman, Rachel Whiteread), theory (Michel Foucault, Jacques Derrida, Jacques Lacan, Frederic Jameson, Judith Butler, Rene Girard), and art history (Michael Fried, Sir Kenneth Clark) are woven into a rich tapestry informed by Steiner's favorite semioticians, Roman Jakobson and Jan Mukarovsky. Summing Up: Recommended. Upper-level undergraduates and above; general readers. General Readers; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by E. K. Mix.