The Mixtape Manifesto: A Pop Culture Confessional PDF Download

Author: SW Hammond
Publisher: Surf Star Media
ISBN: 0996285423
Category : Literary Collections
Languages : en
Pages : 91

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Book Description
A coffee table book about a Lost Boy in search of Winnie Cooper, with a helping of tongue-in-cheek wit and sarcasm. An unparalleled view of pop-culture and relationships, filled with rich photography. From music industry professional SW Hammond comes a collection of provocative essays woven to create the misguided anti-love story of a young man learning about relationships through Axl Rose, Paris Hilton, and Taylor Swift. Raised on rock n’ roll, Hammond blends an unparalleled view of pop culture and philosophy that plagues his irrational sense of women and what they want. From childhood viewings of Full House leading to his lifelong hatred of John Stamos, his introduction to the Riot Grrrl movement and Kathleen Hanna, to a questionable infatuation with The O.C.’s Summer Roberts—all of your insatiable favorites are mixed with a reflective-Kevin-Arnold-like inner monolog and a bottle of Jack Daniels. The Mixtape Manifesto: A Pop Culture Confessional is filled with rich photography captured during Hammond’s days on the road while working for Sony Music and Warped Tour, as well as bringing to life the music, movies, and television that has perpetuated his laughable neurotic angst. If you’re ready to take a little mind trip, join in, you just may learn something about your life while reading about his.

Author: Jehnie I. Burns
Publisher: Rowman & Littlefield
ISBN: 1793616809
Category : Music
Languages : en
Pages : 279

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Book Description
Mixtape Nostalgia: Culture, Memory, and Representation tells the story of the mixtape from its history in 1970s bootlegging to its resurgence as an icon of nostalgic analog technology. Burns looks at the history of the mixtape from the early 1980s and the rise of the cassette as a fundamental aspect of the music industry. Stories from music fans collecting hip hop mixtapes in the Bronx or recording songs off the radio permeate the book. She discusses the continued contemporary appeal of the mixtape as musicians, novelists, memoirists, playwrights, and even podcasters have used it as a metaphor for connection and identity. From Rob Sheffield’s Love is a Mix Tape to Questlove’s Mixtape Potluck Cookbook, Burns analyzes how the mixtape can function as a plot point, a stand-in for emotional connection, or an organizing structure. The book shows how creators use the iconography of the mixtape cassette to create ephemera, from coffee subscriptions to board games, which speaks to the appreciation of the tangible and the analog. The desire to find connection through sharing a physical artifact permeates the various creative uses of the mixtape. From blockbuster films like Guardians of the Galaxy to mixtape throw pillows, Burns highlights the mixtape as a site of collective memory tied to youth culture, community identity, and sharing music.

Author: Jared A. Ball
Publisher: AK Press
ISBN: 1849350582
Category : Music
Languages : en
Pages : 242

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Book Description
I Mix What I Like is a study of the hip-hop mixtape as a tool of emancipatory journalism. Looking at colonialism, the media, education, intellectual property, and popular culture Jared Ball examines the ways in which the grassroots history of the rap music mixtape can encourage new forms of political organization and struggle.

Author: SW Hammond
Publisher: Surf Star Media
ISBN: 0996285466
Category : Fiction
Languages : en
Pages : 238

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Book Description
Multi-cultural, multi-historical, and spanning man's faith across time, The Final Book is a controversial and blasphemous last chapter of humanity. In the beginning there was love. The Goddess of Life in an elated romance with a beloved mortal. Her sister killed him. Their combined actions ripping a hole in destiny and plaguing mankind with an age of unprecedented corruption, vicious holy wars, and religious absolution. Though long forgotten by the mortals they serve, Zeus and his Pantheon continue to foster and protect mankind which is tearing itself apart—but even God isn't infallible. After failed diplomacy, the King of the Gods is left with no choice but to take the persona of a modern man—the famed genetic scientist Dr. Hork. In an effort to preserve the future by reshaping the past, Dr. Hork uses Project Genesis—the transfer of consciousness—to send subjects back in time. However, not without devastating failures. Subjects of the experiment wreak havoc upon humanity until a familiar character is reborn to correct the course. Reincarnated and ready to fulfill his true destiny, Joshua Bach is the catalyst the Gods have been waiting for—and Dr. Hork’s final beacon of salvation. Ferociously idealistic, the free-spirited young man struggles to come-of-age in a time and society ruled by money and corruption. Under the wing of the Gods, Josh rediscovers his purpose, along with a love that can only be considered timeless. Set in three periods—modern day, the 1960s, and ancient Mesopotamia—this epic blends human history, ruthless mythology, science fiction, and the supernatural to tell a love story of the future.

Author: Simon Reynolds
Publisher: Macmillan + ORM
ISBN: 1429968583
Category : Music
Languages : en
Pages : 498

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Book Description
One of The Telegraph's Best Music Books 2011 We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

Author: Ryan O'Connell
Publisher: Simon and Schuster
ISBN: 1476700400
Category : Biography & Autobiography
Languages : en
Pages : 208

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Book Description
NOW a NETFLIX series entitled Special from Executive Producer JIM PARSONS starring RYAN O‘CONNELL as himself. From the beloved blogger turned voice of an online generation, an unforgettable and hilarious memoir-meets-manifesto exploring what it means to be a millennial gay man living with cerebral palsy, which VICE calls “a younger, gay version of Mary Karr's Lit.” People are obsessed with Ryan O’Connell’s blogs. With tens of thousands reading his pieces on Thought Catalog and Vice, watching his videos on YouTube, and hanging on to each and every #dark tweet, Ryan has established himself as a unique young voice who’s not afraid to dole out some real talk. He’s that candid, snarky friend you consult when you fear you’re spending too much time falling down virtual k-holes stalking your ex on Facebook or when you’ve made the all-too-common mistake of befriending a psycho while wasted at last night’s party and need to find a way to get rid of them the next morning. But Ryan didn’t always have the answers to these modern-day dilemmas. Growing up gay and disabled with cerebral palsy, he constantly felt like he was one step behind everybody else. Then the rude curveball known as your twenties happened and things got even more confusing. Ryan spent years as a Millennial cliché: he had dead-end internships; dabbled in unemployment; worked in his pajamas as a blogger; communicated mostly via text; looked for love online; spent hundreds on “necessary” items, like candles, while claiming to have no money; and even descended into aimless pill-popping. But through extensive trial and error, Ryan eventually figured out how to take his life from bleak to chic and began limping towards adulthood. Sharp and entertaining, I’m Special will educate twentysomethings (or other adolescents-at-heart) on what NOT to do if they ever want to become happy fully functioning grown-ups with a 401k and a dog.

Author: Ruben Guevara
Publisher: Univ of California Press
ISBN: 0520297229
Category : Biography & Autobiography
Languages : en
Pages : 374

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Book Description
Prologue -- La Veinte: a Santa Monica barrio -- Rubén Ladrón de Guevara Sr., 1914-2006 -- 1742 22nd Street, Barrio La Veinte, Santa Monica -- Palm Springs / Cathedral City / Las Vegas -- Binnie -- La Gatita -- Las Vegas : breakup of the family -- Sue Dean -- Beverly -- Shindig! with Tina Turner and Bo Diddley, 1965 -- The Sunset Strip riots -- The southern belle -- LACC / The New Revelations Gospel Choir -- Miss Santa Barbara -- Frank Zappa / Ruben And The Jets / Rock 'n' Roll Angels / 1972-1974 -- Miss Pamela & the G.T.O.'s (Girls Together Outrageously) -- Miss Claremont -- Miss Chino -- The mutiny -- The movie star and Miss Blue Eyes -- We open for Zappa at Winterland, San Francisco, April, 1973 -- Con Safos the album -- Mexico / Hollywood / The Whisky / Eastside Revue / Zyanya Records -- La gypsy -- The Star Spangled Banner / America the Beautiful -- The Whisky / Con Safos the band, 1980 -- Miss Aztlán -- Gotcha -- Zyanya Records -- Cristina / Día de Los Muertos / Chicano Heaven -- Born in East L.A.--the movie -- HBO/Cinemax special -- Performance art : Mexico and France -- La quemada -- La rebel -- Jammin' with Johnny -- Arts 4 City Youth -- UCLA -- Journey to New Aztlán -- Miss San Francisco : the enchantress -- Miss Mongolia -- Metropolitan State Hospital -- Trinity Elementary School -- Teaching at UCLA -- Miss Tokyo -- Mexamérica the CD -- The Eastside Revue : a musical homage to Boyle Heights, 1922-2002 -- Boyle Heights, LA Times -- Collaborations with Josh Kun -- The Iraq war -- Collaborations with Nobuko Miyamoto / Great Leap / NCRR / MPAC -- Manzanar pilgrimage -- Yellow Pearl remix -- Minutemen protest in Baldwin Park -- Rock 'n' rights : rockin' for the mentally disabled -- Resistance & respect : Los Angeles muralism & graff art -- Miss Bogotá -- Word up! a performance and theater summit at the Ford, 2006 -- Meeting my Okanagan brothers from Westbank First Nation, B.C. Canada -- Epiphany at Joshua Tree -- Miss Altar in the sky -- Rubén Guevara & the Eastside Luvers -- The Tao of Funkahuatl -- The Tao of Funkahuatl the CD -- Mex/LA -- Opening for Los Lobos at the House of Dues -- Fifty years in show biz / The Madeleine Brand Show, NPR, 2011 -- Miss Beijing -- Miss Monterey Park -- End of ten year sex drought -- My 70th birthday party -- Platonic homegirls -- Joseph Trotter -- A Boyle Heights cultural treasure -- The new face of Boyle Heights -- ¡Angelin@s presente! -- Sara Guevara -- Confessions of a radical Chicano Doo Wop singer : the solo, multi-media theater piece -- The fall -- Reflections on L.A

Author: Kelefa Sanneh
Publisher: Penguin
ISBN: 0525559604
Category : Music
Languages : en
Pages : 497

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Book Description
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.

Author: Ytasha L. Womack
Publisher: Chicago Review Press
ISBN: 1613747993
Category : Social Science
Languages : en
Pages : 226

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Book Description
2014 Locus Awards Finalist, Nonfiction Category In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book's topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

Author: Henry Jenkins
Publisher: NYU Press
ISBN: 1479891258
Category : Social Science
Languages : en
Pages : 376

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Book Description
How popular culture is engaged by activists to effect emancipatory political change One cannot change the world unless one can imagine what a better world might look like. Civic imagination is the capacity to conceptualize alternatives to current cultural, social, political, or economic conditions; it also requires the ability to see oneself as a civic agent capable of making change, as a participant in a larger democratic culture. Popular Culture and the Civic Imagination represents a call for greater clarity about what we’re fighting for—not just what we’re fighting against. Across more than thirty examples from social movements around the world, this casebook proposes “civic imagination” as a framework that can help us identify, support, and practice new kinds of communal participation. As the contributors demonstrate, young people, in particular, are turning to popular culture—from Beyoncé to Bollywood, from Smokey Bear to Hamilton, from comic books to VR—for the vernacular through which they can express their discontent with current conditions. A young activist uses YouTube to speak back against J. K. Rowling in the voice of Cho Chang in order to challenge the superficial representation of Asian Americans in children’s literature. Murals in Los Angeles are employed to construct a mythic imagination of Chicano identity. Twitter users have turned to #BlackGirlMagic to highlight the black radical imagination and construct new visions of female empowerment. In each instance, activists demonstrate what happens when the creative energies of fans are infused with deep political commitment, mobilizing new visions of what a better democracy might look like.