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Author: Tibor Schatteles Publisher: Archway Publishing ISBN: 1480805521 Category : Literary Criticism Languages : en Pages : 491
Book Description
Offering a testimony to his love of reading and the goal of sharing it with others, author Tibor Schatteles presents a collection of twelve essays that study a wide range of works of literature, including works of Philostratos of Lemnos, Sophocles, Cervantes (Don Quixote), Gogol, Chekhov, Balzac (Gobseck), Hermann Broch, Robert Musil, James Joyce, Franz Kafka, Marcel Proust and Aristotle's Poetics. In these essays, he presents the simple exercises of a reader reaching out to communicate with other readers, building on notes he made during first readings and gathered following his retirement from the Canadian Federal Civil Service. Taking a cue from Montaigne's essay on reading books, he asks nothing of his books but "the pleasure of an honest entertainment" and yet he also seeks to share his ideas with others and engage in discussion and analysis. In The Mirror of Socrates, Schatteles examines the seminal works of literature in scholarly details, sharing his thoughts, ideas, and interpretations of each author's writing and purpose.
Author: Tibor Schatteles Publisher: Archway Publishing ISBN: 148080553X Category : Social Science Languages : en Pages : 488
Book Description
Offering a testimony to his love of reading and the goal of sharing it with others, author Tibor Schatteles presents a collection of twelve essays that study a wide range of works of literature, including works of Philostratos of Lemnos, Sophocles, Cervantes (Don Quixote), Gogol, Chekhov, Balzac (Gobseck), Hermann Broch, Robert Musil, James Joyce, Franz Kafka, Marcel Proust and Aristotles Poetics. In these essays, he presents the simple exercises of a reader reaching out to communicate with other readers, building on notes he made during first readings and gathered following his retirement from the Canadian Federal Civil Service. Taking a cue from Montaignes essay on reading books, he asks nothing of his books but the pleasure of an honest entertainmentand yet he also seeks to share his ideas with others and engage in discussion and analysis. In The Mirror of Socrates, Schatteles examines the seminal works of literature in scholarly details, sharing his thoughts, ideas, and interpretations of each authors writing and purpose.
Author: Sabine Melchoir-Bonnet Publisher: Routledge ISBN: 1136687602 Category : History Languages : en Pages : 336
Book Description
This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.
Author: Simone Luzzatto Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110557606 Category : History Languages : en Pages : 580
Book Description
Socrates, Or On Human Knowledge, published in Venice in 1651, is the only work written by a Jew that contains so far the promise of a genuinely sceptical investigation into the validity of human certainties. Simone Luzzatto masterly developed this book as a pièce of theatre where Socrates, as main actor, has the task to demonstrate the limits and weaknesses of the human capacity to acquire knowledge without being guided by revelation. He achieved this goal by offering an overview of the various and contradictory gnosiological opinions disseminated since ancient times: the divergence of views, to which he addressed the most attention, prevented him from giving a fixed definition of the nature of the cognitive process. This obliged him to come to the audacious conclusion of neither affirming nor denying anything concerning human knowledge, and finally of suspending his judgement altogether. This work unfortunately had little success in Luzzatto’s lifetime, and was subsequently almost forgotten. The absence of substantial evidence from his contemporaries and that of his epistolary have thus increased the difficulty of tracing not only its legacy in the history of philosophical though, but also of understanding the circumstances surrounding the writing of his Socrates. The present edition will be a preliminary study aiming to shed some light on the philosophical and historical value of this work’s translation, indeed it will provide a broader readership with the opportunity to access this immensely complicated work and also to grasp some aspects of the composite intellectual framework and admirable modernity of Venetian Jewish culture in the ghetto.
Author: Shadi Bartsch Publisher: University of Chicago Press ISBN: 0226038351 Category : History Languages : en Pages : 334
Book Description
People in the ancient world thought of vision as both an ethical tool and a tactile sense, akin to touch. Gazing upon someone—or oneself—was treated as a path to philosophical self-knowledge, but the question of tactility introduced an erotic element as well. In The Mirror of the Self, Shadi Bartsch asserts that these links among vision, sexuality, and self-knowledge are key to the classical understanding of the self. Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato’s Greece to Seneca’s Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher’s body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, The Mirror of the Self illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception. Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics—and offers fresh insights about seminal works. At once sexy and philosophical, The Mirror of the Self will be required reading for classicists, philosophers, and anthropologists alike.
Author: Shadi Bartsch Publisher: University of Chicago Press ISBN: 022637730X Category : History Languages : en Pages : 334
Book Description
People in the ancient world thought of vision as both an ethical tool and a tactile sense, akin to touch. Gazing upon someone—or oneself—was treated as a path to philosophical self-knowledge, but the question of tactility introduced an erotic element as well. In The Mirror of the Self, Shadi Bartsch asserts that these links among vision, sexuality, and self-knowledge are key to the classical understanding of the self. Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato’s Greece to Seneca’s Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher’s body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, The Mirror of the Self illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception. Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics—and offers fresh insights about seminal works. At once sexy and philosophical, The Mirror of the Self will be required reading for classicists, philosophers, and anthropologists alike.
Author: Ramona Naddaff Publisher: University of Chicago Press ISBN: 0226567273 Category : Literary Criticism Languages : en Pages : 205
Book Description
The question of why Plato censored poetry in his Republic has bedeviled scholars for centuries. In Exiling the Poets, Ramona A. Naddaff offers a strikingly original interpretation of this ancient quarrel between poetry and philosophy. Underscoring not only the repressive but also the productive dimension of literary censorship, Naddaff brings to light Plato's fundamental ambivalence about the value of poetic discourse in philosophical investigation. Censorship, Nadaff argues, is not merely a mechanism of silencing but also provokes new ways of speaking about controversial and crucial cultural and artistic events. It functions philosophically in the Republic to subvert Plato's most crucial arguments about politics, epistemology, metaphysics, and ethics. Naddaff develops this stunning argument through an extraordinary reading of Plato's work. In books 2 and 3, the first censorship of poetry, she finds that Plato constitutes the poet as a rival with whom the philosopher must vie agonistically. In other words, philosophy does not replace poetry, as most commentators have suggested; rather, the philosopher becomes a worthy and ultimately victorious poetic competitor. In book 10's second censorship, Plato exiles the poets as a mode of self-subversion, rethinking and revising his theory of mimesis, of the immortality of the soul, and, most important, the first censorship of poetry. Finally, in a subtle and sophisticated analysis of the myth of Er, Naddaff explains how Plato himself censors his own censorships of poetry, thus producing the unexpected result of a poetically animated and open-ended dialectical philosophy.
Author: Paul J. Diduch Publisher: Palgrave Macmillan ISBN: 9783319768304 Category : Political Science Languages : en Pages : 0
Book Description
This book addresses the problem of fully explaining Socrates’ motives for philosophic interlocution in Plato’s dialogues. Why, for instance, does Socrates talk to many philosophically immature and seemingly incapable interlocutors? Are his motives in these cases moral, prudential, erotic, pedagogic, or intellectual? In any one case, can Socrates’ reasons for engaging an unlikely interlocutor be explained fully on the grounds of intellectual self-interest (i.e., the promise of advancing his own wisdom)? Or does his activity, including his self-presentation and staging of his death, require additional motives for adequate explanation? Finally, how, if at all, does our conception of Socrates’ motives help illuminate our understanding of the life of reason as Plato presents it? By inviting a multitude of authors to contribute their thoughts on these question—all of whom share a commitment to close reading, but by no means agree on the meaning of Plato’s dialogues—this book provides the reader with an excellent map of the terrain of these problems and aims to help the student of Plato clarify the tensions involved, showing especially how each major stance on Socrates entails problematic assumptions that prompt further critical reflection.
Author: Reuben Percy Publisher: ISBN: Category : English periodicals Languages : en Pages : 460
Book Description
Containing original essays; historical narratives, biographical memoirs, sketches of society, topographical descriptions, novels and tales, anecdotes, select extracts from new and expensive works, the spirit of the public journals, discoveries in the arts and sciences, useful domestic hints, etc. etc. etc.
Author: Tibor Schatteles
Author: Tibor Schatteles
Author: Sabine Melchoir-Bonnet
Author: Christopher Moore
Author: Richard Rorty
Author: Simone Luzzatto
Author: Shadi Bartsch
Author: Shadi Bartsch
Author: Ramona Naddaff
Author: Paul J. Diduch
Author: Reuben Percy