Author: Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 308
Book Description
The Minnesota Quarterly
Author: A Guide to Starting a Business in Minnesota
Author: Charles A. SchafferPublisher:
ISBN: 9781888404920
Category : Business enterprises
Languages : en
Pages : 0
Book Description
Minnesota Sales and Use Tax Quarterly Report
Author: How to Start a Business in Minnesota
Author: Entrepreneur PressPublisher:
ISBN: 9781932156577
Category : Commercial law
Languages : en
Pages : 0
Book Description
This series covers the federal, state, and local regulations imposed on small businesses, with concise, friendly and up-to-the-minute advice on each critical step of starting your own business.
The Minnesota Quarterly
Author: Quarterly Representing the Minnesota Educational, Philanthropic, Correctional and Penal Institutions
Author: Minnesota. State Board of ControlPublisher:
ISBN:
Category :
Languages : en
Pages : 736
Book Description
Unemployment Insurance Statistics
Author: United States. Bureau of Employment SecurityPublisher:
ISBN:
Category : Unemployed
Languages : en
Pages : 36
Book Description
Quarterly Report of State Auditor of Minnesota for the Period Ended
Author: Minnesota. State AuditorPublisher:
ISBN:
Category : Finance, Public
Languages : en
Pages : 312
Book Description
Augustissimo Hispaniarum principi recens nato Balthasari Carolo Dominico
Author: Diogo Gomes de LoureiroPublisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
The Future History of Contemporary Chinese Art
Author: Peggy WangPublisher: U of Minnesota Press
ISBN: 1452963347
Category : Art
Languages : en
Pages : 325
Book Description
A revelatory reclaiming of five iconic Chinese artists and their place in art history During the 1980s and 1990s, a group of Chinese artists (Zhang Xiaogang, Wang Guangyi, Sui Jianguo, Zhang Peili, and Lin Tianmiao) ascended to new heights of international renown. Even as their fame increased, they came to be circumscribed by simplistic Western interpretations of their artworks as social and political critiques, a perspective that privileged stories of dissidence over deep engagement with the art itself. Through in-depth case studies of these five artists, Peggy Wang offers a corrective to previous appraisals, demonstrating how their works address fundamental questions about the forms, meanings, and possibilities of art. By the end of the 1980s, Chinese artists were scrutinizing earlier waves of Western influence and turning instead to their own heritage and culture to forge their own future histories. As the national trauma of the 1989 Tiananmen Square massacre converged with the mounting expansion of the global art world, these artists turned to art as a profoundly generative site for grappling with their place in the world. Wang demonstrates how they consciously and energetically sought to make their own ideas about art and art history visible in contemporary art. Wang’s argument is informed by extensive primary research, including close examination of the artworks, analysis of Chinese language documents and archives, and deeply personal interviews with the artists. Their words uncover layers of meaning previously obscured by the popular and often recycled assessments that many of these works have received until now. Beyond Wang’s reinterpretation of these individual artists, she contributes to an urgent conversation on the future direction of art history: how do we map engagements between art from different parts of the world that are embedded within different art histories? What does it mean for histories of contemporary art—and art history more generally—to be inclusive? The new understandings offered in this book can and should be engaged when considering current hierarchies in histories of Chinese art, the global art world, and the intersections between them.