Author: John Faucit Saville
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
Book Description
The Miller's Maid ...
The Miller's Maid
Phoebe; Or, The Miller's Maid
The miller's maid. To which is added The hermit, by O. Goldsmith
The Miller of Deanhaugh
The Works of Francis Beaumont and John Fletcher: The maid in the mill. The knight of Malta. Loves cure, or The martial maid. Women pleas'd. The night-walker, or The little thief
Schubert, Müller, and Die Schöne Müllerin
Author: Susan Youens
Publisher: Cambridge University Press
ISBN: 9780521563642
Category : Music
Languages : en
Pages : 276
Book Description
The collaboration of Schubert and the poet Wilhelm Müller produced some of the best loved of nineteenth-century lieder - in particular the song cycle Die schöne Müllerin. Professor Youens shows us how this archetypal tale of love and rejection, which has its origins in medieval romance, Minnesong and popular German legend, is reflected in the poet's own experience, the realms of art and life intertwining. Professor Youens considers other poets' explorations of the theme of a miller maid and her suitors, and looks at other musical settings of Müller's mill poems. But above all she examines Müller's permutation of the literary legends as an exploration of erotic obsession, delusion, frenzy, disillusionment and death and the way in which Schubert crucially altered Müller's vision when the poetic cycle became a musical text.
Publisher: Cambridge University Press
ISBN: 9780521563642
Category : Music
Languages : en
Pages : 276
Book Description
The collaboration of Schubert and the poet Wilhelm Müller produced some of the best loved of nineteenth-century lieder - in particular the song cycle Die schöne Müllerin. Professor Youens shows us how this archetypal tale of love and rejection, which has its origins in medieval romance, Minnesong and popular German legend, is reflected in the poet's own experience, the realms of art and life intertwining. Professor Youens considers other poets' explorations of the theme of a miller maid and her suitors, and looks at other musical settings of Müller's mill poems. But above all she examines Müller's permutation of the literary legends as an exploration of erotic obsession, delusion, frenzy, disillusionment and death and the way in which Schubert crucially altered Müller's vision when the poetic cycle became a musical text.
The Miller
Intimacy, Performance, and the Lied in the Early Nineteenth Century
Author: Jennifer Ronyak
Publisher: Indiana University Press
ISBN: 0253035805
Category : Music
Languages : en
Pages : 254
Book Description
The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
Publisher: Indiana University Press
ISBN: 0253035805
Category : Music
Languages : en
Pages : 254
Book Description
The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
Franz Schubert
Author: Lawrence Kramer
Publisher: Cambridge University Press
ISBN: 9780521542166
Category : Music
Languages : en
Pages : 200
Book Description
The first book to examine Schubert's songs as active shaping forces in the culture of their era rather than a mere reflection of it. His songs project a kaleidoscopic array of unexpected human types, all of whom are eligible for a sympathetic response. Kramer shows how Schubert sought to validate these types in his songs.
Publisher: Cambridge University Press
ISBN: 9780521542166
Category : Music
Languages : en
Pages : 200
Book Description
The first book to examine Schubert's songs as active shaping forces in the culture of their era rather than a mere reflection of it. His songs project a kaleidoscopic array of unexpected human types, all of whom are eligible for a sympathetic response. Kramer shows how Schubert sought to validate these types in his songs.