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Author: Robert de Gretham Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS) ISBN: Category : Foreign Language Study Languages : en Pages : 620
Book Description
An anonymous Middle English translation of Robert's middle-13th-century Anglo-Norman Miroir, or Les Evangiles des Domnees . It is a collection of 60 prose sermons for Sundays and various saints days throughout the liturgical year. Blumreich (English, Grand Valley State U., Michigan) introduces the t
Author: Robert de Gretham Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS) ISBN: Category : Foreign Language Study Languages : en Pages : 620
Book Description
An anonymous Middle English translation of Robert's middle-13th-century Anglo-Norman Miroir, or Les Evangiles des Domnees . It is a collection of 60 prose sermons for Sundays and various saints days throughout the liturgical year. Blumreich (English, Grand Valley State U., Michigan) introduces the t
Author: Barbara W. Tuchman Publisher: Random House Trade Paperbacks ISBN: 0345349571 Category : History Languages : en Pages : 738
Book Description
A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary
Author: Nancy M. Frelick Publisher: Brepols Publishers ISBN: 9782503564548 Category : Mirrors Languages : en Pages : 0
Book Description
Mirrors have always fascinated humankind. They collapse ordinary distinctions, making visible what is normally invisible, and promising access to hidden realities. Yet, these liminal objects also point to the limitations of human perception, knowledge, and wisdom. In this interdisciplinary volume, specialists in medieval and early modern science, cultural and political history, as well as art history, philosophy, and literature come together to explore the intersections between material and metaphysical mirrors in Europe and the Islamic world. During the time periods studied here, various technologies were transforming the looking glass as an optical device, scientific instrument, and aesthetic object, making it clearer and more readily available, though it remained a rare and precious commodity. While technical innovations spawned new discoveries and ways of seeing, belief systems were slower to change, as expressed in the natural sciences, mystical writings, literature, and visual culture. Mirror metaphors based on analogies established in the ancient world still retained significant power and authority, perhaps especially when related to Aristotelian science, the medieval speculum tradition, religious iconography, secular imagery, Renaissance Neoplatonism, or spectacular Baroque engineering, artistry, and self-fashioning. Mirror effects created through myths, metaphors, rhetorical strategies, or other devices could invite self-contemplation and evoke abstract or paradoxical concepts. Whether faithful or deforming, specular reflections often turn out to be ambivalent and contradictory: sometimes sources of illusion, sometimes reflections of divine truth, mirrors compel us to question the very nature of representation.
Author: Rosemarie McGerr Publisher: Indiana University Press ISBN: 0253356415 Category : History Languages : en Pages : 312
Book Description
The Yale New statutes manuscript and medieval English statute books : similarities and differences -- Royal portraits and royal arms : the iconography of the Yale New statutes manuscript -- The Queen and the Lancastrian cause : the Yale New statutes manuscript and Margaret of Anjou -- Educating the prince : the Yale New statutes manuscript and Lancastrian mirrors for princes -- "Grace be our guide" : the cultural significance of a medieval law book.
Author: Adam Roberts Publisher: Open Book Publishers ISBN: 1800641613 Category : Literary Criticism Languages : en Pages : 144
Book Description
In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel – both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch.
Author: Adrian Wilson Publisher: ISBN: 9780520051942 Category : Architecture Languages : en Pages : 229
Book Description
The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene. The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene.
Author: Kathryn Starkey Publisher: ISBN: 9780268041441 Category : Courts and courtiers in literature Languages : en Pages : 0
Book Description
A Courtier's Mirror establishes the unique importance of Thomasin von Zerclaere's Welscher Gast as a document of social practices and concerns in medieval German-speaking court society. This epic-length illustrated didactic poem enjoyed immense popularity in the Middle Ages, resulting in twenty-five redactions produced over two hundred and fifty years. Through a detailed study of word and image, Kathryn Starkey argues that this poem offered instruction, affirmation, and an evolving image cycle in which courtly behaviors were effectively conveyed. As the first book-length study in English, A Courtier's Mirror not only provides a framework for understanding the Welscher Gast and its images, but further explores the rich manuscript reception of the poem and the careful cultivation of a distinct elite identity. Throughout its continued popularity, Starkey argues that the illustrated poem participates in the construction of elite secular identity for an audience that was concerned with distinguishing itself socially and emancipating itself from clerical society. As its audience shifts from rural ministerial family to urban burgher, so the staging of the poem also changes. Starkey selects redactions to show that while the text received only minor revisions over the years, the extensive illumination program and the poem's formatting changed significantly and with deliberate intent. She identifies the 1340 Gotha redaction as the most striking example of a redesigned and expanded image cycle intended to convey models of courtly behavior. Starkey places this manuscript, in particular, in its historical context and convincingly argues for its special place within the reception of Der Welsche Gast. Supported by extensive appendices and a full set of color illustrations of the Gotha manuscript, as well as select illustrations from other manuscripts, A Courtier's Mirror presents vital new research on the complexity of the interrelation of text and image. As such, it will be of interest to scholars of medieval studies, art history, manuscript illustration, and the history of the book. "Focusing on the visual program of the Welscher Gast in its manuscript transmissions, Starkey's superb research of previously unexplored materials offers fascinating new insights not only into the construction of aristocratic courtly identity, self-fashioning, and self-representation. In her analysis of medieval and late medieval versions of the texts she also gives us an entirely new understanding of audiences, ranging from aristocratic circles to urban burghers and ecclesiastical courts. Thus, this excellent and beautifully written book throws a truly new light on medieval courtly ideals, didactic and courtly literature, and its reception." --Niklaus Largier, University of California, Berkeley "A Courtier's Mirror outlines and explains the rich manuscript reception of the thirteenth-century didactic poem Der Welscher Gast. Kathryn Starkey shows how, while the text received only minor redactions over the years, the illumination program changes in significant and interesting ways. The images take on a new iconographic impact and a narrativizing style that is rooted not in ideas about religious virtue but in courtly virtue as outlined in twelfth- and thirteenth-century courtly literature." --Sara S. Poor, Princeton University "In A Courtier's Mirror, Kathryn Starkey has given us an original perspective on a medieval text little known among American scholars beyond specialists in German medieval literature. But her chosen text, with its twenty-five preserved manuscripts over two centuries, its extensive and relatively constant illustration cycle, and its tight fit into a well-known genre of didactic material, is a subject of considerable current interest--one begging for a thoroughgoing and updated treatment. Starkey gives us just that; she asks challenging questi
Author: Sara Lipton Publisher: Macmillan ISBN: 0805079106 Category : Art Languages : en Pages : 416
Book Description
In Dark Mirror, Sara Lipton offers a fascinating examination of the emergence of anti-Semitic iconography in the Middle Ages The straggly beard, the hooked nose, the bag of coins, and gaudy apparel—the religious artists of medieval Christendom had no shortage of virulent symbols for identifying Jews. Yet, hateful as these depictions were, the story they tell is not as simple as it first appears. Drawing on a wide range of primary sources, Lipton argues that these visual stereotypes were neither an inevitable outgrowth of Christian theology nor a simple reflection of medieval prejudices. Instead, she maps out the complex relationship between medieval Christians' religious ideas, social experience, and developing artistic practices that drove their depiction of Jews from benign, if exoticized, figures connoting ancient wisdom to increasingly vicious portrayals inspired by (and designed to provoke) fear and hostility. At the heart of this lushly illustrated and meticulously researched work are questions that have occupied scholars for ages—why did Jews becomes such powerful and poisonous symbols in medieval art? Why were Jews associated with certain objects, symbols, actions, and deficiencies? And what were the effects of such portrayals—not only in medieval society, but throughout Western history? What we find is that the image of the Jew in medieval art was not a portrait of actual neighbors or even imagined others, but a cloudy glass into which Christendom gazed to find a distorted, phantasmagoric rendering of itself.
Author: Christine (de Pisan) Publisher: Persea Books ISBN: 9780892551354 Category : History Languages : en Pages : 266
Book Description
A fifteenth-century instruction book for women provides an inside look at life in medieval France and discusses the role of women on each economic level
Author: Robert de Gretham
Author: Robert de Gretham
Author: Barbara W. Tuchman
Author: Herbert Grabes
Author: Nancy M. Frelick
Author: Rosemarie McGerr
Author: Adam Roberts
Author: Adrian Wilson
Author: Kathryn Starkey
Author: Sara Lipton
Author: Christine (de Pisan)