The Middle Ages - Sketches and Fragments PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Middle Ages - Sketches and Fragments PDF full book. Access full book title The Middle Ages - Sketches and Fragments by Thomas J. Shahan. Download full books in PDF and EPUB format.
Author: Thomas J. Shahan Publisher: Jazzybee Verlag ISBN: 3849664031 Category : History Languages : en Pages : 219
Book Description
The historical sketches and fragments that are here submitted to the reader deal only with a few phases of the rich and varied life of the period known as the Middle Ages and are intended to arouse a wider interest in that thousand years of Christian history that opens with Clovis and closes with the discovery of the New World. Both in Church and State the life of today is rooted in those ten marvelous centuries of transition, during which the Catholic Church was mother and nurse to the infant nations of the West, a prop and consolation to the Christians of the Orient. Our modern institutions and habits of thought, our ideals and the great lines of our history are not intelligible apart from a sufficient understanding of what men thought, hoped, attempted, suffered and founded in the days when there was but one Christian faith from Otranto to Drontheim. The problems that now agitate us and seem to threaten our inherited social order were problems for the medieval man. The conflicts and difficulties that make up the sum of political history for the last five centuries are only the last chapters of a story of surpassing interest that opens with the formal establishment of Christian thought as the basis and norm of social existence and development. The titles of the essays are : "Gregory the Great and the Barbarian World", "Justinian the Great", "The Religion of Islam", "Catholicism in the Middle Ages", "The Christians of St. Thomas", "The Medieval Teacher", "The Book of a Medieval Mother", "German Schools in the Sixteenth Century", "Baths and Bathing in the Middle Ages", "Clergy and People in Medieval England", "The Cathedral Builders of Mediæval Europe", "The Results of the Crusades on the Italian Renaissance."
Author: Thomas J. Shahan Publisher: Jazzybee Verlag ISBN: 3849664031 Category : History Languages : en Pages : 219
Book Description
The historical sketches and fragments that are here submitted to the reader deal only with a few phases of the rich and varied life of the period known as the Middle Ages and are intended to arouse a wider interest in that thousand years of Christian history that opens with Clovis and closes with the discovery of the New World. Both in Church and State the life of today is rooted in those ten marvelous centuries of transition, during which the Catholic Church was mother and nurse to the infant nations of the West, a prop and consolation to the Christians of the Orient. Our modern institutions and habits of thought, our ideals and the great lines of our history are not intelligible apart from a sufficient understanding of what men thought, hoped, attempted, suffered and founded in the days when there was but one Christian faith from Otranto to Drontheim. The problems that now agitate us and seem to threaten our inherited social order were problems for the medieval man. The conflicts and difficulties that make up the sum of political history for the last five centuries are only the last chapters of a story of surpassing interest that opens with the formal establishment of Christian thought as the basis and norm of social existence and development. The titles of the essays are : "Gregory the Great and the Barbarian World", "Justinian the Great", "The Religion of Islam", "Catholicism in the Middle Ages", "The Christians of St. Thomas", "The Medieval Teacher", "The Book of a Medieval Mother", "German Schools in the Sixteenth Century", "Baths and Bathing in the Middle Ages", "Clergy and People in Medieval England", "The Cathedral Builders of Mediæval Europe", "The Results of the Crusades on the Italian Renaissance."
Author: Melanie Holcomb Publisher: Metropolitan Museum of Art ISBN: 1588393186 Category : Drawing, Medieval Languages : en Pages : 204
Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Author: Kathleen Bickford Berzock Publisher: Princeton University Press ISBN: 069118268X Category : Art Languages : en Pages : 313
Book Description
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
Author: Kathryn M. Rudy Publisher: Open Book Publishers ISBN: 1783742364 Category : Literary Criticism Languages : en Pages : 226
Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Author: Elina Gertsman Publisher: Cambridge University Press ISBN: 1108340814 Category : History Languages : en Pages : 254
Book Description
The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.
Author: Umberto Eco Publisher: Yale University Press ISBN: 9780300093049 Category : Art Languages : en Pages : 160
Book Description
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly
Author: Thomas J. Shahan Publisher: Forgotten Books ISBN: 9781333603618 Category : Religion Languages : en Pages : 458
Book Description
Excerpt from The Middle Ages: Sketches and Fragments The essays and papers included in this volume have appeared elsewhere at intervals. For the cour teous permission to reprint them I desire to express my thanks to the Catholic World, the American Catholic Quarterly Review, the Catholic Times, the Ave Maria and the Catholic University Bulletin. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588391922 Category : Face in art Languages : en Pages : 240
Author: Bryan C. Keene Publisher: Getty Publications ISBN: 160606598X Category : Art Languages : en Pages : 300
Book Description
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
Author: Thomas J. Shahan
Author: Thomas J. Shahan
Author: Melanie Holcomb
Author: Kathleen Bickford Berzock
Author: Thomas Joseph Shahan
Author: Kathryn M. Rudy
Author: Elina Gertsman
Author: Umberto Eco
Author: Thomas J. Shahan
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Bryan C. Keene