The Meridian Anthology of Restoration and Eighteenth-Century Plays by Women PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Meridian Anthology of Restoration and Eighteenth-Century Plays by Women PDF full book. Access full book title The Meridian Anthology of Restoration and Eighteenth-Century Plays by Women by Katharine M. Rogers. Download full books in PDF and EPUB format.
Author: Katharine M. Rogers Publisher: Plume ISBN: Category : Drama Languages : en Pages : 568
Book Description
This extraordinary edition includes seven full-length plays from the era, including an unproduced play by Frances Burney, unavailable for centuries. Women playwrights of the Restoration and eighteenth century were bawdy and proper, apologetic and defiant, often derided and occasionally praised. The seven women represented in this groundbreaking anthology—the only collection of Restoration and eighteenth-century plays devoted exclusively to women—had but one thing in common: the desire to ignore convention and write for the stage. In 1660, when theatres in England reopened after years of Puritan repression, women trod the boards as actors for the very first time. By the end of the century they had stormed and breached another bastion of the male domain and become dramatists as well. Most available collections of plays from the period exclude them; traditional criticism overlooks or diminishes them. But their works, as seen here, hold their own against the most popular productions for the theater from 1678 to 1787, and do it with a distinctively female spirit. Each of these women—Aphra Behn, Frances Burney, Susanna Centlivre, Hannah Cowley, Elizabeth Inchbald, Mary Griffith Pix, and Mercy Otis Warren—legitimized the profession of playwright for their sex. They were the genre's prolific women pioneers whose body of work has remained unmatched until the twentieth century.
Author: Katharine M. Rogers Publisher: Plume ISBN: Category : Drama Languages : en Pages : 568
Book Description
This extraordinary edition includes seven full-length plays from the era, including an unproduced play by Frances Burney, unavailable for centuries. Women playwrights of the Restoration and eighteenth century were bawdy and proper, apologetic and defiant, often derided and occasionally praised. The seven women represented in this groundbreaking anthology—the only collection of Restoration and eighteenth-century plays devoted exclusively to women—had but one thing in common: the desire to ignore convention and write for the stage. In 1660, when theatres in England reopened after years of Puritan repression, women trod the boards as actors for the very first time. By the end of the century they had stormed and breached another bastion of the male domain and become dramatists as well. Most available collections of plays from the period exclude them; traditional criticism overlooks or diminishes them. But their works, as seen here, hold their own against the most popular productions for the theater from 1678 to 1787, and do it with a distinctively female spirit. Each of these women—Aphra Behn, Frances Burney, Susanna Centlivre, Hannah Cowley, Elizabeth Inchbald, Mary Griffith Pix, and Mercy Otis Warren—legitimized the profession of playwright for their sex. They were the genre's prolific women pioneers whose body of work has remained unmatched until the twentieth century.
Author: Diana Solomon Publisher: Broadview Press ISBN: 1037700015 Category : Literary Collections Languages : en Pages : 952
Book Description
This exciting second edition provides an exceptional range of plays edited by leading scholars of Restoration and eighteenth-century theatre. In addition to fifteen plays from the first edition are four new plays and one new afterpiece: Nathaniel Lee’s The Rival Queens, John Vanbrugh’s The Provoked Wife, David Garrick’s Miss in Her Teens, Richard Cumberland’s The West Indian, and Elizabeth Inchbald’s Such Things Are. Every play now features an engaging headnote and a fully edited dramatis personae, prologue, and epilogue. The innovative introduction plunges its readers into the experience of playgoing in London, and the edition features supplementary texts, including select actor and actress biographies and theatrical documents that provide a vivid cultural context.
Author: Derek Hughes Publisher: Taylor & Francis ISBN: 1040288170 Category : Literary Criticism Languages : en Pages : 253
Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.
Author: Margarete Rubik Publisher: Bloomsbury Publishing ISBN: 1349262757 Category : Social Science Languages : en Pages : 232
Book Description
A comprehensive survey of women's drama between the Renaissance and the end of the eighteenth century, assessing the plays' characteristic features and the ruptures in the text indicating the writers' precarious social and artistic position and ambiguous stances to their own creativity and sex. Chapters are devoted to individual writers as well as to general developments in specific periods. The most significant plays are analysed in detail and related to the male literary canon of the time in order to stress both their originality and the existence of an, albeit tentative, female literary tradition.
Author: Jeanne Moskal Publisher: Peter Lang ISBN: 9780820469270 Category : Education Languages : en Pages : 254
Book Description
The exuberant recovery from obscurity of scores of British women writers has prompted professors and publishers to revisit publication of women's writings. New curricular inclusion of these sometimes quirky, often passionate writers profoundly disrupts traditional pedagogical assumptions about what constitutes «literature». This book addresses this radically changed educational landscape, offering practical, proven teaching strategies for newly «recovered» writers, both in special-topics courses and in traditional teaching environments. Moreover, it addresses the institutional issues confronting feminist scholars who teach women writers in a variety of settings and the kinds of career-altering effects the decision to teach this material can have on junior and senior scholars alike. Collectively, these essays argue that teaching noncanonical women writers invigorates the curriculum as a whole, not only by introducing the voices of women writers, but by incorporating new genres, by asking new questions about readers' assumptions and aesthetic values, and by altering the power relations between teacher and student for the better.
Author: Keir Elam Publisher: Routledge ISBN: 1351871188 Category : Literary Criticism Languages : en Pages : 409
Book Description
As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
Author: Denise L. Montgomery Publisher: Scarecrow Press ISBN: 081087721X Category : Performing Arts Languages : en Pages : 834
Book Description
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Author: Alexander Leggatt Publisher: Routledge ISBN: 1134657897 Category : Literary Criticism Languages : en Pages : 196
Book Description
First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.
Author: Francesca Saggini Publisher: University of Virginia Press ISBN: 0813932548 Category : Literary Criticism Languages : en Pages : 516
Book Description
"Saggini traces the unique interplay between fiction and theatre in the eighteenth century through an examination of the work of the English novelist, diarist, and playwright Frances Burney" -- Dust jacket.
Author: Alison Findlay Publisher: Routledge ISBN: 1317882326 Category : Literary Criticism Languages : en Pages : 239
Book Description
There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
Author: Katharine M. Rogers
Author: Katharine M. Rogers
Author: Diana Solomon
Author: Derek Hughes
Author: Margarete Rubik
Author: Jeanne Moskal
Author: Keir Elam
Author: Denise L. Montgomery
Author: Alexander Leggatt
Author: Francesca Saggini
Author: Alison Findlay