Author: Henry T. FinckPublisher: BoD – Books on Demand
ISBN: 3752347740
Category : Fiction
Languages : en
Pages : 46
Book Description
Reproduction of the original: The Mentor, the Ring of the Nibelung by Henry T. Finck
The Mentor, the Ring of the Nibelung
Author: Henry T. FinckPublisher: BoD – Books on Demand
ISBN: 3752347740
Category : Fiction
Languages : en
Pages : 46
Book Description
Reproduction of the original: The Mentor, the Ring of the Nibelung by Henry T. Finck
The Mentor, the Ring of the Nibelung
Author: Henry T. FinckPublisher: BoD – Books on Demand
ISBN: 3752402083
Category : Fiction
Languages : en
Pages : 46
Book Description
Reproduction of the original: The Mentor, the Ring of the Nibelung by Henry T. Finck
The Mentor: The Ring of the Nibelung, Vol. 3, Num. 24, Serial No. 100, February 1, 1916
Author: Henry T. FinckThe Ring of the Nibelung
Author: Henry Theophilus FinckPublisher:
ISBN:
Category :
Languages : en
Pages : 11
Book Description
The Mentor
Author: The Mentor-world Traveler
Author: The Mentor
Author: Wagner's Ring of the Nibelung, and the Conditions of Ideal Manhood
Author: David IrvinePublisher:
ISBN:
Category : Character
Languages : en
Pages : 296
Book Description
Wagner's Ring of the Nibelung: A Companion
Author: Barry MillingtonPublisher: Thames & Hudson
ISBN: 0500771464
Category : Music
Languages : en
Pages : 509
Book Description
"Scrupulous . . . planned and executed with quite unusual care." —Opera There has long been a need for a modern English translation of Wagner's Ring—a version that is reliable and readable yet at the same time is a true reflection of the literary quality of the German libretto. This acclaimed translation, which follows the verse form of the original exactly, fills that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep background knowledge. The translation is accompanied by Stewart Spencer's introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee and Warren Darcy that discuss the cycle's musical structure, philosophical implications, medieval sources and Wagner's own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, the book is an essential complement to Wagner's great epic.
The Mentor: Photography
Author: Paul L. AndersonPublisher: anboco
ISBN: 3736412665
Category : Fiction
Languages : en
Pages : 60
Book Description
Louis Jacques Mande Daguerre (born 1789, died 1851), was a great French scene-painter who experimented for many years trying to find some way of rendering permanent the image projected by a lens. J. Nicéphore Niépce was engaged in the same research, and from 1829 until the death of Niépce in 1833 the two worked together, but it was not until some years after the latter date that Daguerre discovered the process that bears his name. This process may be briefly described as follows: a highly polished and perfectly clean silver plate is rendered sensitive to light by the formation of a deposit of silver iodide on the surface, this being accomplished by exposing the plate—of course in the dark—for some minutes to the vapor of iodine. When the plate has assumed a uniform golden-brown color it is placed in the camera and the exposure is made, the light projected by the lens causing a chemical change to take place in the silver iodide. The image thus obtained is very weak, and in order to strengthen it the plate is exposed for some minutes to the vapor of mercury. It is subsequently fixed, or rendered permanent, by bathing with a solution of sodium thiosulphate (ordinarily known to photographers as "hypo"). This dissolves the silver compounds that were not affected by light. In some cases the picture is still further strengthened by treating it with chloride of gold. This not only increases the vigor of the image but at the same time improves its stability, so that it is less likely to fade as the result of atmospheric action or exposure to light. The effect of the chloride of gold is literally to gold-plate the image. As the surface of the completed daguerreotype is very sensitive to any mechanical action, it must be protected by glass. A mere touch of the finger leaves an irremediable scratch. The daguerreotype was at one time very popular for portraiture, but the process has certain drawbacks that have caused it to be superseded by improved methods.