Author: Johannes Christoffer Hagemann Reinhardt Steenstrup
Publisher:
ISBN:
Category : Ballads, Danish
Languages : en
Pages : 354
Book Description
The Medieval Popular Ballad
Ballads of the North, Medieval to Modern
Author: Sandra Ballif Straubhaar
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110661934
Category : History
Languages : en
Pages : 270
Book Description
This volume is intended as a belated but heartfelt thank-you and Gedenkschrift to the late Larry Syndergaard (1936-2015), long-time professor of English at Western Michigan University and Fellow of the Kommission für Volksdichtung (International Ballad Commission). Larry’s contributions down the decades to ballad studies--particularly Scandinavian and Anglophone--included dozens of papers and articles, as well as his supremely useful book, English Translations of the Scandinavian Medieval Ballads. As David Atkinson and Thomas A. McKean of the Kommission have written (May 2015): “Larry... was a sound scholar with a penetrating mind which he used to support, encourage and befriend others, rather than show off his own knowledge. He will be remembered for his contributions to international balladry, especially for providing a bridge between the English- and Scandinavian-language ballads.” Larry’s particular fascination with the vernacular ballads of the northern medieval world are reflected in this collection; topics here range from plot elements such as demonic whales, otherworldly antagonists, and mer-people to thematic issues of genre, religion and sexual mores. As a tribute to the global influence of Larry’s scholarship and the broad academic interest in medieval ballads, the essays in this volume were contributed by twelve international scholars of narrative song based in Europe, North America and Australia.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110661934
Category : History
Languages : en
Pages : 270
Book Description
This volume is intended as a belated but heartfelt thank-you and Gedenkschrift to the late Larry Syndergaard (1936-2015), long-time professor of English at Western Michigan University and Fellow of the Kommission für Volksdichtung (International Ballad Commission). Larry’s contributions down the decades to ballad studies--particularly Scandinavian and Anglophone--included dozens of papers and articles, as well as his supremely useful book, English Translations of the Scandinavian Medieval Ballads. As David Atkinson and Thomas A. McKean of the Kommission have written (May 2015): “Larry... was a sound scholar with a penetrating mind which he used to support, encourage and befriend others, rather than show off his own knowledge. He will be remembered for his contributions to international balladry, especially for providing a bridge between the English- and Scandinavian-language ballads.” Larry’s particular fascination with the vernacular ballads of the northern medieval world are reflected in this collection; topics here range from plot elements such as demonic whales, otherworldly antagonists, and mer-people to thematic issues of genre, religion and sexual mores. As a tribute to the global influence of Larry’s scholarship and the broad academic interest in medieval ballads, the essays in this volume were contributed by twelve international scholars of narrative song based in Europe, North America and Australia.
Exploring the Middle Ages
Author:
Publisher: Marshall Cavendish
ISBN: 9780761476139
Category : History
Languages : en
Pages : 84
Book Description
Presents a comprehensive, illustrated reference of the period in world history known as the Middle Ages, encompassing both the Eastern and Western hemispheres.
Publisher: Marshall Cavendish
ISBN: 9780761476139
Category : History
Languages : en
Pages : 84
Book Description
Presents a comprehensive, illustrated reference of the period in world history known as the Middle Ages, encompassing both the Eastern and Western hemispheres.
Medieval Song from Aristotle to Opera
Author: Sarah Kay
Publisher: Cornell University Press
ISBN: 150176389X
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "words plus music" but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book—to better understand the sung dimension of medieval song.
Publisher: Cornell University Press
ISBN: 150176389X
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "words plus music" but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book—to better understand the sung dimension of medieval song.
The Ballad of the Lone Medievalist
Author: Kisha G. Tracy
Publisher: punctum books
ISBN: 1947447548
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
Working medievalists are often the only scholar of the Middle Ages in a department, a university, or a hundred-mile radius. While working to build a body of focused scholarly work, the lone medievalist is expected to be a generalist in the classroom and a contributing member of a campus community that rarely offers disciplinary community in return. As a result, overtasked and single medievalists often find it challenging to advocate for their work and field. As other responsibilities and expectations crowd in, we come to feel disconnected from the projects and subjects that sustain our intellectual passion. An insidious isolation even from one another creeps in, and soon, even attending a conference of fellow medievalists can become a lonely experience. Surrounded by scholars with greater institutional support, lower teaching loads, or more robust research agendas, we may feel alienated from our work - the work to which we've dedicated our careers. The Lone Medievalist (the collaborative community and the book) is intended as an antidote to the problem of professional isolation. It is offered in the spirit of common weal that marks the ideals (if not always the realities) of so many of the communities we study - agricultural, professional, national, notional, and of course, monastic. The Ballad of the Lone Medievalist isn't only about scholarship, or teaching, or institutional life, or the pursuit of new learning - it's about all of them. The essays in this volume address all aspects of the professional and intellectual life of medievalists. Though many of us acknowledge and address the challenges in being Lone Medievalists, these essays are not intended as voces clamantium; they are offered to provide strategies, camaraderie, and an occasional bit of inspiration. They are a call to action, a sharing of hard-won wisdom, and a helping hand - and, above all, a reminder that we are not alone.
Publisher: punctum books
ISBN: 1947447548
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
Working medievalists are often the only scholar of the Middle Ages in a department, a university, or a hundred-mile radius. While working to build a body of focused scholarly work, the lone medievalist is expected to be a generalist in the classroom and a contributing member of a campus community that rarely offers disciplinary community in return. As a result, overtasked and single medievalists often find it challenging to advocate for their work and field. As other responsibilities and expectations crowd in, we come to feel disconnected from the projects and subjects that sustain our intellectual passion. An insidious isolation even from one another creeps in, and soon, even attending a conference of fellow medievalists can become a lonely experience. Surrounded by scholars with greater institutional support, lower teaching loads, or more robust research agendas, we may feel alienated from our work - the work to which we've dedicated our careers. The Lone Medievalist (the collaborative community and the book) is intended as an antidote to the problem of professional isolation. It is offered in the spirit of common weal that marks the ideals (if not always the realities) of so many of the communities we study - agricultural, professional, national, notional, and of course, monastic. The Ballad of the Lone Medievalist isn't only about scholarship, or teaching, or institutional life, or the pursuit of new learning - it's about all of them. The essays in this volume address all aspects of the professional and intellectual life of medievalists. Though many of us acknowledge and address the challenges in being Lone Medievalists, these essays are not intended as voces clamantium; they are offered to provide strategies, camaraderie, and an occasional bit of inspiration. They are a call to action, a sharing of hard-won wisdom, and a helping hand - and, above all, a reminder that we are not alone.
Manuscripts and Medieval Song
Author: Helen Deeming
Publisher: Cambridge University Press
ISBN: 1107062632
Category : Language Arts & Disciplines
Languages : en
Pages : 347
Book Description
This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.
Publisher: Cambridge University Press
ISBN: 1107062632
Category : Language Arts & Disciplines
Languages : en
Pages : 347
Book Description
This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.
Singing the News
Author: Jenni Hyde
Publisher: Routledge
ISBN: 1351372998
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
Singing the News is the first study to concentrate on sixteenth-century ballads, when there was no regular and reliable alternative means of finding out news and information. It is a highly readable and accessible account of the important role played by ballads in spreading news during a period when discussing politics was treason. The study provides a new analytical framework for understanding the ways in which balladeers spread their messages to the masses. Jenni Hyde focusses on the melody as much as the words, showing how music helped to shape the understanding of texts. Music provided an emotive soundtrack to words which helped to shape sixteenth-century understandings of gendered monarchy, heresy and the social cohesion of the commonwealth. By combining the study of ballads in manuscript and print with sources such as letters and state records, the study shows that when their topics edged too close to sedition, balladeers were more than capable of using sophisticated methods to disguise their true meaning in order to safeguard themselves and their audience, and above all to ensure that their news hit home.
Publisher: Routledge
ISBN: 1351372998
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
Singing the News is the first study to concentrate on sixteenth-century ballads, when there was no regular and reliable alternative means of finding out news and information. It is a highly readable and accessible account of the important role played by ballads in spreading news during a period when discussing politics was treason. The study provides a new analytical framework for understanding the ways in which balladeers spread their messages to the masses. Jenni Hyde focusses on the melody as much as the words, showing how music helped to shape the understanding of texts. Music provided an emotive soundtrack to words which helped to shape sixteenth-century understandings of gendered monarchy, heresy and the social cohesion of the commonwealth. By combining the study of ballads in manuscript and print with sources such as letters and state records, the study shows that when their topics edged too close to sedition, balladeers were more than capable of using sophisticated methods to disguise their true meaning in order to safeguard themselves and their audience, and above all to ensure that their news hit home.
The Medieval Poet and His World
Author: Peter Dronke
Publisher: Ed. di Storia e Letteratura
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 502
Book Description
Publisher: Ed. di Storia e Letteratura
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 502
Book Description
An English Medieval and Renaissance Song Book
Author: Noah Greenberg
Publisher: Courier Corporation
ISBN: 9780486413747
Category : Music
Languages : en
Pages : 228
Book Description
"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "
Publisher: Courier Corporation
ISBN: 9780486413747
Category : Music
Languages : en
Pages : 228
Book Description
"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "
Devotional Refrains in Medieval Latin Song
Author: Mary Channen Caldwell
Publisher: Cambridge University Press
ISBN: 1316517195
Category : History
Languages : en
Pages : 313
Book Description
This book reveals the importance of sung refrains in the musical lives of religious communities in medieval Europe.
Publisher: Cambridge University Press
ISBN: 1316517195
Category : History
Languages : en
Pages : 313
Book Description
This book reveals the importance of sung refrains in the musical lives of religious communities in medieval Europe.