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Author: Gísli Sigurðsson Publisher: Harvard University Press ISBN: Category : Literary Criticism Languages : en Pages : 422
Book Description
This work explores the role of orality in shaping and evaluating medieval Icelandic literature. Applying field studies of oral cultures in modern times to this distinguished medieval literature, G sli Sigur sson asks how it would alter our reading of medieval Icelandic sagas if it were assumed they had grown out of a tradition of oral storytelling, similar to that observed in living cultures. Sigur sson examines how orally trained lawspeakers regarded the emergent written culture, especially in light of the fact that the writing down of the law in the early twelfth century undermined their social status. Part II considers characters, genealogies, and events common to several sagas from the east of Iceland between which a written link cannot be established. Part III explores the immanent or mental map provided to the listening audience of the location of Vinland by the sagas about the Vinland voyages. Finally, this volume focuses on how accepted foundations for research on medieval texts are affected if an underlying oral tradition (of the kind we know from the modern field work) is assumed as part of their cultural background. This point is emphasized through the examination of parallel passages from two sagas and from mythological overlays in an otherwise secular text.
Author: Gísli Sigurðsson Publisher: Harvard University Press ISBN: Category : Literary Criticism Languages : en Pages : 422
Book Description
This work explores the role of orality in shaping and evaluating medieval Icelandic literature. Applying field studies of oral cultures in modern times to this distinguished medieval literature, G sli Sigur sson asks how it would alter our reading of medieval Icelandic sagas if it were assumed they had grown out of a tradition of oral storytelling, similar to that observed in living cultures. Sigur sson examines how orally trained lawspeakers regarded the emergent written culture, especially in light of the fact that the writing down of the law in the early twelfth century undermined their social status. Part II considers characters, genealogies, and events common to several sagas from the east of Iceland between which a written link cannot be established. Part III explores the immanent or mental map provided to the listening audience of the location of Vinland by the sagas about the Vinland voyages. Finally, this volume focuses on how accepted foundations for research on medieval texts are affected if an underlying oral tradition (of the kind we know from the modern field work) is assumed as part of their cultural background. This point is emphasized through the examination of parallel passages from two sagas and from mythological overlays in an otherwise secular text.
Author: Gísli Sigurðsson Publisher: Harvard University Press ISBN: Category : Literary Criticism Languages : en Pages : 420
Book Description
This work explores the role of orality in shaping and evaluating medieval Icelandic literature. Applying field studies of oral cultures in modern times to this distinguished medieval literature, G sli Sigur sson asks how it would alter our reading of medieval Icelandic sagas if it were assumed they had grown out of a tradition of oral storytelling, similar to that observed in living cultures. Sigur sson examines how orally trained lawspeakers regarded the emergent written culture, especially in light of the fact that the writing down of the law in the early twelfth century undermined their social status. Part II considers characters, genealogies, and events common to several sagas from the east of Iceland between which a written link cannot be established. Part III explores the immanent or mental map provided to the listening audience of the location of Vinland by the sagas about the Vinland voyages. Finally, this volume focuses on how accepted foundations for research on medieval texts are affected if an underlying oral tradition (of the kind we know from the modern field work) is assumed as part of their cultural background. This point is emphasized through the examination of parallel passages from two sagas and from mythological overlays in an otherwise secular text.
Author: Magnus Magnusson Publisher: Penguin ISBN: 9780140442182 Category : History Languages : en Pages : 276
Book Description
Written around 1245 by an unknown author, the Laxdaela Saga is an extraordinary tale of conflicting kinships and passionate love, and one of the most compelling works of Icelandic literature. Covering 150 years in the lives of the inhabitants of the community of Laxriverdale, the saga focuses primarily upon the story of Gudrun Osvif's-daughter: a proud, beautiful, vain and desirable figure, who is forced into an unhappy marriage and destroys the only man she has truly loved – her husband's best friend. A moving tale of murder and sacrifice, romance and regret, the Laxdaela Saga is also a fascinating insight into an era of radical change – a time when the Age of Chivalry was at its fullest flower in continental Europe, and the Christian faith was making its impact felt upon the Viking world.
Author: Theodore Murdock Andersson Publisher: ISBN: 9780935995145 Category : Sagas Languages : en Pages : 0
Book Description
A study of the genesis of Old Icelandic prose literature from its roots in oral tradition to the compilation of key early sagas at the beginning of the thirteenth century.
Author: Carol J. Clover Publisher: Cornell University Press ISBN: 1501741659 Category : History Languages : en Pages : 400
Book Description
The current revival of interest in the rich and varied literature of early Scandinavia has prompted a corresponding interest in its background: its origins, social and historical context, and relationship to other medieval literatures. Even readers with a knowledge of Old Norse and Icelandic have found these subjects difficult to pursue, however, for up-to-date reference works in any language are few and none exist in English. To fill the gap, six distinguished scholars have contributed ambitious new essays to this volume. The contributors summarize and comment on scholarly work in the major branches of the field: Eddie and skaldic poetry, family and kings' sagas, courtly writing, and mythology. Taken together, their judicious and attractively written essays-each with a full bibliography-make up the first book-length survey of Old Norse literature in English and a basic reference work that will stimulate research in these areas and help to open up the field to a wider academic readership.
Author: Rory McTurk Publisher: John Wiley & Sons ISBN: 140513738X Category : Literary Criticism Languages : en Pages : 584
Book Description
This major survey of Old Norse-Icelandic literature and culturedemonstrates the remarkable continuity of Icelandic language andculture from medieval to modern times. Comprises 29 chapters written by leading scholars in thefield Reflects current debates among Old Norse-Icelandicscholars Pays attention to previously neglected areas of study, such asthe sagas of Icelandic bishops and the fantasy sagas Looks at the ways Old Norse-Icelandic literature is used bymodern writers, artists and film directors, both within and outsideScandinavia Sets Old Norse-Icelandic language and literature in its widercultural context
Author: Mark Amodio Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 330
Book Description
"This is a splendid, rewarding book destined to reshape critical thinking about medieval poetry in English. Amodio combines groundbreaking theory with a deep, wide-ranging command of relevant scholarship to offer a uniquely inclusive perspective on an enormous and disparate collection of Old and Middle English poetry." --John Miles Foley, University of Missouri, Columbia "This is a well-conceived, well-structured, and well-written book that fills a significant gap in current scholarly discourse. Amodio is extremely well-informed about current oral theory, and presents a beautifully integrated thesis. This clear-sighted and provocative book both promises and delivers much." --Andy Orchard, University of Toronto Mark Amodio's book focuses on the influence of the oral tradition on written vernacular verse produced in England from the fifth to the fifteenth century. His primary aim is to explore how a living tradition articulated only through the public, performance voices of pre-literate singers came to find expression through the pens of private, literate authors. Amodio argues that the expressive economy of oral poetics survives in written texts because, throughout the Middle Ages, literacy and orality were interdependent, not competing, cultural forces. After delving into the background of the medieval oral-literate matrix, Writing the Oral Tradition develops a model of non-performative oral poetics that is a central, perhaps defining, component of Old English vernacular verse. Following the Norman Conquest, oral poetics lost its central position and became one of many ways to articulate poetry. Contrary to many scholars, Amodio argues that oral poetics did not disappear but survived well into the post-Conquest period. It influenced the composition of Middle English verse texts produced from the twelfth to the fourteenth century because it offered poets an affectively powerful and economical way to articulate traditional meanings. Indeed, fragments of oral poetics are discoverable in contemporary prose, poetics, and film as they continue to faithfully emit their traditional meanings.
Author: Geraldine Barnes Publisher: ISBN: 9788776747916 Category : Icelandic literature Languages : en Pages : 0
Book Description
This book deals with a fascinating, but largely neglected, area of late medieval Icelandic literature: the indigenous prose romances, generally known as riddarasogur (i.e. sagas of knights), a group of some 30 sagas composed in Iceland from the late 13th or early 14th century onwards. These sagas take place in an exotic (non-Scandinavian), vaguely chivalric, milieu and are characterized by the extensive use of foreign motifs and a strong supernatural or fabulous element. Although the riddarasogur are clearly modeled on continental chivalric romances and are influenced by the 'translated' riddarasogur (in terms of subject matter, style, and ethos), that debt tends to be limited largely to the surface attributes of romance - typically, princes on quests in exotic foreign lands which ultimately bring material rewards, noble brides, and the acquisition of new kingdoms. Contrary to European chivalric romance, however, the Icelandic riddarasogur manifest a substantial debt to medieval encyclopedic and historiographical traditions. One effect of this is to bring an element of 'biculturalism' to the textual landscapes of the riddarasogur, which suggests that their authors, and, by implication, their audiences, were familiar with both learned tradition and traditional lore, and accustomed to moving back and forth between them in creative literary composition. The author, Geraldine Barnes, has written extensively on the riddarasogur throughout her long career. The book represents the culmination of Barnes's work in this area and presents an interesting 'take' on the riddarasogur, focusing on their learned or 'bookish' elements. (Series: The Viking Collection: Studies in Northern Civilization - Vol. 21)
Author: Theodore Murdock Andersson Publisher: Cornell University Press ISBN: 9780801444081 Category : History Languages : en Pages : 268
Book Description
Andersson introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of politics and history.
Author: Gísli Sigurðsson
Author: Gísli Sigurðsson
Author: Gísli Sigurðsson
Author: Margaret Clunies Ross
Author: Magnus Magnusson
Author: Theodore Murdock Andersson
Author: Carol J. Clover
Author: Rory McTurk
Author: Mark Amodio
Author: Geraldine Barnes
Author: Theodore Murdock Andersson