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Author: Richard Dyer Publisher: Routledge ISBN: 1135135029 Category : Performing Arts Languages : en Pages : 193
Book Description
Now published in a revised second edition, The Matter of Images searches through the resonances of the term ‘representation’, analysing images in terms of why they matter, what they are made of, and the material realities they refer to. Richard Dyer’s analyses consider representations of ‘out’ groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from queers to straights, political correctness, representations of Empire and films including Gilda, Papillon and The Night of the Living Dead. Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the South in Birth of a Nation, and society’s fascination with serial killers. The Matter of Images is distinctive in its commitment to writing politically about contemporary culture, while insisting on the importance of understanding the formal qualities and complexity of the images it investigates.
Author: Richard Dyer Publisher: Routledge ISBN: 1135135029 Category : Performing Arts Languages : en Pages : 193
Book Description
Now published in a revised second edition, The Matter of Images searches through the resonances of the term ‘representation’, analysing images in terms of why they matter, what they are made of, and the material realities they refer to. Richard Dyer’s analyses consider representations of ‘out’ groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from queers to straights, political correctness, representations of Empire and films including Gilda, Papillon and The Night of the Living Dead. Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the South in Birth of a Nation, and society’s fascination with serial killers. The Matter of Images is distinctive in its commitment to writing politically about contemporary culture, while insisting on the importance of understanding the formal qualities and complexity of the images it investigates.
Author: Leonard S. Marcus Publisher: Candlewick Press ISBN: 076366720X Category : Literary Criticism Languages : en Pages : 349
Book Description
“Will inspire, inform, and delight those of any age who areengaged in—or by—the arts.” — The Horn Book Renowned children’s literature authority Leonard S. Marcus speaks with twenty-one of the world’s most celebrated illustrators of picture books, asking about their childhood, their inspiration, their creative choices, and more. Amplifying these richly entertaining and thought-provoking conversations are eighty-eight full- color plates revealing each illustrator’s artistic process in fascinating, behind- the-scenes detail. This inspiring collection confirms that picture books matter because they make a difference in our children’s lives.
Author: Andrew Arnold Publisher: Roaring Brook Press ISBN: 1250793505 Category : Juvenile Fiction Languages : en Pages : 19
Book Description
What's the Matter Marlo? is a picture book about best friends that highlights empathy, as well as anger and sadness, and reminds us that these aren't feelings to run away from, but instead to help each other through. Marlo and Coco are best friends. They do everything together—they read together, laugh together, and play games together. After all, they’re best friends. And that’s what best friends do. But one day, when Coco asks Marlo to play, he doesn’t answer. Instead, Marlo turns away ignoring Coco, until he’s lost in his anger. Coco is worried about her friend, but then she remembers she can always find Marlo. In this charming, thoughtful picture book, author-illustrator Andrew Arnold explores empathy and sadness, and how friends can help each other navigate big emotions. Because that’s what best friends do.
Author: Tina Campt Publisher: Duke University Press ISBN: 0822350742 Category : History Languages : en Pages : 256
Book Description
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
Author: David duChemin Publisher: New Riders ISBN: 0132733234 Category : Photography Languages : en Pages : 537
Book Description
When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.
Author: Elina Gertsman Publisher: Penn State Press ISBN: 0271089016 Category : Art Languages : en Pages : 599
Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author: Peter Galison Publisher: University of Chicago Press ISBN: 9780226279176 Category : History Languages : en Pages : 1002
Book Description
Engages with the impact of modern technology on experimental physicists. This study reveals how the increasing scale and complexity of apparatus has distanced physicists from the very science which drew them into experimenting, and has fragmented microphysics into different technical traditions.
Author: Cara A. Finnegan Publisher: University of Illinois Press ISBN: 0252097319 Category : History Languages : en Pages : 257
Book Description
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Author: Richard Dyer
Author: Richard Dyer
Author: Leonard S. Marcus
Author: Andrew Arnold
Author: Tina Campt
Author: David duChemin
Author: Storm Thorgerson
Author: 
Author: Elina Gertsman
Author: Peter Galison
Author: Cara A. Finnegan