Author: Earl 1838-1886 Shinn
Publisher: Legare Street Press
ISBN: 9781022444805
Category :
Languages : en
Pages : 0
Book Description
Relive the excitement of the Centennial International Exhibition of 1876 with this beautifully illustrated volume. Featuring highlights of the art, industry, and technology on display at the Philadelphia-based event, this book is a treasure trove of historical information and visual inspiration. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Masterpieces of the Centennial International Exhibition of 1876 ..; V. 3
Author: Earl 1838-1886 Shinn
Publisher: Legare Street Press
ISBN: 9781022444805
Category :
Languages : en
Pages : 0
Book Description
Relive the excitement of the Centennial International Exhibition of 1876 with this beautifully illustrated volume. Featuring highlights of the art, industry, and technology on display at the Philadelphia-based event, this book is a treasure trove of historical information and visual inspiration. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781022444805
Category :
Languages : en
Pages : 0
Book Description
Relive the excitement of the Centennial International Exhibition of 1876 with this beautifully illustrated volume. Featuring highlights of the art, industry, and technology on display at the Philadelphia-based event, this book is a treasure trove of historical information and visual inspiration. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Masterpieces of the Centennial International Exhibition
Author: Walter Smith
Publisher: BoD – Books on Demand
ISBN: 3385504791
Category : Fiction
Languages : en
Pages : 574
Book Description
Reprint of the original, first published in 1876.
Publisher: BoD – Books on Demand
ISBN: 3385504791
Category : Fiction
Languages : en
Pages : 574
Book Description
Reprint of the original, first published in 1876.
The Masterpieces of the Centennial International Exhibition Illustrated. Industrial Art
Author: Walter Smith
Publisher: BoD – Books on Demand
ISBN: 3385528399
Category : Fiction
Languages : en
Pages : 318
Book Description
Reprint of the original, first published in 1876.
Publisher: BoD – Books on Demand
ISBN: 3385528399
Category : Fiction
Languages : en
Pages : 318
Book Description
Reprint of the original, first published in 1876.
Subject-catalogue of the Library of the College of New Jersey, at Princeton
Author: Princeton University. Library
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 926
Book Description
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 926
Book Description
Catalogue of Harris Institute Library, Woonsocket, R.I.: Comprising Subject, Author, and Title Lists
Author: Harris Institute Library, Woonsocket, R.I.
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 608
Book Description
British Museum Catalogue of printed Books
Among Our Books
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 958
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 958
Book Description
Annual Report
Author: Lancaster (Mass.). Town Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Catalogue of the Library of the Department of the Interior, Including the Additions Made from May 3, 1877, to February 1, 1881
Author: United States. Department of the Interior. Library
Publisher:
ISBN:
Category : Library catalogues
Languages : en
Pages : 310
Book Description
Publisher:
ISBN:
Category : Library catalogues
Languages : en
Pages : 310
Book Description
Designing the Centennial
Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.