Author: Yalçın Erden
Publisher: EĞİTİM YAYINEVİ
ISBN: 6057786823
Category : Education
Languages : en
Pages : 122
Book Description
Women are forced to survive under patriarchal boundaries even within the present-day world. Even though women of the century have faced certain economic, social, and political improvements, the male-supremacy has not weakened significantly: Capitalist system employs patriarchal tools and exploits women much more severely compared to men; women, restricted by patriarchal boundaries, are more frequently stigmatized as envious; language that shapes the masses’ perceptions still devalues women; rape and pornography degrade women and control their lifestyles; a great number of women are confined within the private sphere; and women still suffer from identity crises in the patriarchal system, as the contemporary British plays brought together in Midsummer Mischief: Four Radical Plays (2014) demonstrate. This book focuses on specific marginalized female characters depicted in Timberlake Wertenbaker’s The Ant and the Cicada, Alice Birch’s Revolt. She said. Revolt again., E.V. Crowe’s I Can Hear You, and Abi Zakarian’s This is Not an Exit and discusses women’s marginalization in the patriarchal order in light of feminist theories. It questions how the playwrights mentioned above prompt the audience to become conscious of this unjust order and challenge it through their mischievous female characters. In other words, it seeks to analyze both the factors that marginalize women and the playwrights’ revolts against the patriarchal order.
The Marginalized Female Characters in Contemporary British Drama
Author: Yalçın Erden
Publisher: EĞİTİM YAYINEVİ
ISBN: 6057786823
Category : Education
Languages : en
Pages : 122
Book Description
Women are forced to survive under patriarchal boundaries even within the present-day world. Even though women of the century have faced certain economic, social, and political improvements, the male-supremacy has not weakened significantly: Capitalist system employs patriarchal tools and exploits women much more severely compared to men; women, restricted by patriarchal boundaries, are more frequently stigmatized as envious; language that shapes the masses’ perceptions still devalues women; rape and pornography degrade women and control their lifestyles; a great number of women are confined within the private sphere; and women still suffer from identity crises in the patriarchal system, as the contemporary British plays brought together in Midsummer Mischief: Four Radical Plays (2014) demonstrate. This book focuses on specific marginalized female characters depicted in Timberlake Wertenbaker’s The Ant and the Cicada, Alice Birch’s Revolt. She said. Revolt again., E.V. Crowe’s I Can Hear You, and Abi Zakarian’s This is Not an Exit and discusses women’s marginalization in the patriarchal order in light of feminist theories. It questions how the playwrights mentioned above prompt the audience to become conscious of this unjust order and challenge it through their mischievous female characters. In other words, it seeks to analyze both the factors that marginalize women and the playwrights’ revolts against the patriarchal order.
Publisher: EĞİTİM YAYINEVİ
ISBN: 6057786823
Category : Education
Languages : en
Pages : 122
Book Description
Women are forced to survive under patriarchal boundaries even within the present-day world. Even though women of the century have faced certain economic, social, and political improvements, the male-supremacy has not weakened significantly: Capitalist system employs patriarchal tools and exploits women much more severely compared to men; women, restricted by patriarchal boundaries, are more frequently stigmatized as envious; language that shapes the masses’ perceptions still devalues women; rape and pornography degrade women and control their lifestyles; a great number of women are confined within the private sphere; and women still suffer from identity crises in the patriarchal system, as the contemporary British plays brought together in Midsummer Mischief: Four Radical Plays (2014) demonstrate. This book focuses on specific marginalized female characters depicted in Timberlake Wertenbaker’s The Ant and the Cicada, Alice Birch’s Revolt. She said. Revolt again., E.V. Crowe’s I Can Hear You, and Abi Zakarian’s This is Not an Exit and discusses women’s marginalization in the patriarchal order in light of feminist theories. It questions how the playwrights mentioned above prompt the audience to become conscious of this unjust order and challenge it through their mischievous female characters. In other words, it seeks to analyze both the factors that marginalize women and the playwrights’ revolts against the patriarchal order.
Women in Dramatic Place and Time
Author: Geraldine Cousin
Publisher: Routledge
ISBN: 1134917945
Category : Performing Arts
Languages : en
Pages : 230
Book Description
Presents detailed analysis of a wide range of plays by British women dramatists from the last two decades. It will be invaluable reading for students of contemporary British theatre, literature and Women's Studies.
Publisher: Routledge
ISBN: 1134917945
Category : Performing Arts
Languages : en
Pages : 230
Book Description
Presents detailed analysis of a wide range of plays by British women dramatists from the last two decades. It will be invaluable reading for students of contemporary British theatre, literature and Women's Studies.
Feminism In Modern English Drama (1892-1914)
Author: Swapan Kumar Banerjee
Publisher: Atlantic Publishers & Dist
ISBN: 9788126905706
Category : English drama
Languages : en
Pages : 158
Book Description
Feminism In Modern English Drama Explores The Emergence Of The New Woman In The Plays Of Bernard Shaw, Galsworthy And Granville Barker And How Their Dominating Role Revolutionized The Modern Drama. The Emphasis Shifted From The Male Protagonist To The Unwomanly Woman Who Is Shown More As A Product Of Social, Economic And Political Interactions Than Individual Creation.The Focus Is On The Early And Middle Plays Of Bernard Shaw And The Influence Of Ibsen S Plays Has Been Given Their Rightful Place. Most Of Shaw S Major Plays From Widowers Houses To Pygmalion, Come Under The Purview Of The Book, While The Plays Of Contemporaries Like Pinero, Jones And Oscar Wilde Have Been Discussed To Highlight The Contrast.More Interesting Are The Unknown Assertive Heroines Of Galsworthy S Middle And Late Plays From The Eldest Son And The Fugitive To The Skin Game. His Women Characters Remain In Oblivion Because Hardly Any Scholar Has Bothered To Study Them. Though Granville Barker Is Well-Known As A Critic And Director Of Shakespeare S Plays, His Own Plays With The New Woman As Heroine Still Remain Little Known In The Academic Circle. In The Conclusion The Bearing Of This Early Feminism Is Shown On The Feminist Playwrights Like Caryl Churchill, Pam Gems Et Al. Of The 1980S.It Is Hoped That The Present Book Will Prove An Asset To Those Who Have Keen Interest In English Drama. In Addition, The Students, Researchers And Teachers Of English Literature Will Find It An Ideal Reference Book.
Publisher: Atlantic Publishers & Dist
ISBN: 9788126905706
Category : English drama
Languages : en
Pages : 158
Book Description
Feminism In Modern English Drama Explores The Emergence Of The New Woman In The Plays Of Bernard Shaw, Galsworthy And Granville Barker And How Their Dominating Role Revolutionized The Modern Drama. The Emphasis Shifted From The Male Protagonist To The Unwomanly Woman Who Is Shown More As A Product Of Social, Economic And Political Interactions Than Individual Creation.The Focus Is On The Early And Middle Plays Of Bernard Shaw And The Influence Of Ibsen S Plays Has Been Given Their Rightful Place. Most Of Shaw S Major Plays From Widowers Houses To Pygmalion, Come Under The Purview Of The Book, While The Plays Of Contemporaries Like Pinero, Jones And Oscar Wilde Have Been Discussed To Highlight The Contrast.More Interesting Are The Unknown Assertive Heroines Of Galsworthy S Middle And Late Plays From The Eldest Son And The Fugitive To The Skin Game. His Women Characters Remain In Oblivion Because Hardly Any Scholar Has Bothered To Study Them. Though Granville Barker Is Well-Known As A Critic And Director Of Shakespeare S Plays, His Own Plays With The New Woman As Heroine Still Remain Little Known In The Academic Circle. In The Conclusion The Bearing Of This Early Feminism Is Shown On The Feminist Playwrights Like Caryl Churchill, Pam Gems Et Al. Of The 1980S.It Is Hoped That The Present Book Will Prove An Asset To Those Who Have Keen Interest In English Drama. In Addition, The Students, Researchers And Teachers Of English Literature Will Find It An Ideal Reference Book.
The Cambridge Companion to Modern British Women Playwrights
Author: Elaine Aston
Publisher: Cambridge University Press
ISBN: 9780521595339
Category : Drama
Languages : en
Pages : 300
Book Description
This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century.
Publisher: Cambridge University Press
ISBN: 9780521595339
Category : Drama
Languages : en
Pages : 300
Book Description
This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century.
Look Back in Gender (Routledge Revivals)
Author: Michelene Wandor
Publisher: Routledge
ISBN: 1317606140
Category : Drama
Languages : en
Pages : 237
Book Description
In this challenging book, first published in 1987, Michelene Wandor looks at the best-known plays in the thirty years prior to publication, from Look Back in Anger onwards. Wandor investigates the representation of the family and different forms of sexuality in these plays and re-reviews them from a perspective that throws into sharp relief the function of gender as an important determinant of plot, setting and the portrayal of character. Juxtaposing the period before 1968, when statutory censorship was still in force, with the years following its abolition, Wandor scrutinises the key plays of, among others, Osborne, Pinter, Wesker, Arden, and Delaney. Each one is analysed in terms of its social context: the influence of World War II, the testing of gender roles, the development of the Welfare State and changes in family patterns, and the impact of feminist, Left-wing and gay politics. Throughout the period, two generations of playwrights and theatregoers transformed the theatre into a forum in which they could articulate and explore the interaction of their interpersonal relationships with the wider political sphere. These changes are explored in this title, which will allow readers to re-evaluate their view of post-war British drama.
Publisher: Routledge
ISBN: 1317606140
Category : Drama
Languages : en
Pages : 237
Book Description
In this challenging book, first published in 1987, Michelene Wandor looks at the best-known plays in the thirty years prior to publication, from Look Back in Anger onwards. Wandor investigates the representation of the family and different forms of sexuality in these plays and re-reviews them from a perspective that throws into sharp relief the function of gender as an important determinant of plot, setting and the portrayal of character. Juxtaposing the period before 1968, when statutory censorship was still in force, with the years following its abolition, Wandor scrutinises the key plays of, among others, Osborne, Pinter, Wesker, Arden, and Delaney. Each one is analysed in terms of its social context: the influence of World War II, the testing of gender roles, the development of the Welfare State and changes in family patterns, and the impact of feminist, Left-wing and gay politics. Throughout the period, two generations of playwrights and theatregoers transformed the theatre into a forum in which they could articulate and explore the interaction of their interpersonal relationships with the wider political sphere. These changes are explored in this title, which will allow readers to re-evaluate their view of post-war British drama.
Decapitation and Disgorgement. The Female Body's Text in Early Modern English Drama and Poetry
Author: Melanie A Hanson
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838256050
Category : Language Arts & Disciplines
Languages : en
Pages : 178
Book Description
This book brings the ideas of French feminist Hélène Cixous to bear on a number of Early Modern English texts. The female characters of Mariam from Elizabeth Cary’s The Tragedy of Mariam, Lavinia from William Shakespeare’s Titus Andronicus as well as John Milton’s Eve in Paradise Lost and the poetic voice of Isabella Whitney are investigated through the application of Cixous’s theories of figurative decapitation and disgorgement. The author examines the creation of a unique discourse through the blending of what is stereotypically referred to as “female text” with “male discourse,” which results in what Cixous would call “bisexual discourse.”
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838256050
Category : Language Arts & Disciplines
Languages : en
Pages : 178
Book Description
This book brings the ideas of French feminist Hélène Cixous to bear on a number of Early Modern English texts. The female characters of Mariam from Elizabeth Cary’s The Tragedy of Mariam, Lavinia from William Shakespeare’s Titus Andronicus as well as John Milton’s Eve in Paradise Lost and the poetic voice of Isabella Whitney are investigated through the application of Cixous’s theories of figurative decapitation and disgorgement. The author examines the creation of a unique discourse through the blending of what is stereotypically referred to as “female text” with “male discourse,” which results in what Cixous would call “bisexual discourse.”
Modern British Drama: The Twentieth Century
Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 9780521016759
Category : Drama
Languages : en
Pages : 604
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521016759
Category : Drama
Languages : en
Pages : 604
Book Description
Publisher Description
Feminist Stages
Modern and Contemporary Black British Drama
Author: Mary Brewer
Publisher: Bloomsbury Publishing
ISBN: 1137506296
Category : Performing Arts
Languages : en
Pages : 252
Book Description
This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.
Publisher: Bloomsbury Publishing
ISBN: 1137506296
Category : Performing Arts
Languages : en
Pages : 252
Book Description
This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.
Marian Moments in Early Modern British Drama
Author: Lisa Hopkins
Publisher: Routledge
ISBN: 1317100662
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Concerning itself with the complex interplay between iconoclasm against images of the Virgin Mary in post-Reformation England and stage representations that evoke various 'Marian moments' from the medieval, Catholic past, this collection answers the call for further investigation of the complex relationship between the fraught religio-political culture of the early modern period and the theater that it spawned. Joining historians in rejecting the received belief that Catholicism could be turned on and off like a water spigot in response to sixteenth-century religious reform, the early modern British theater scholars in this collection turn their attention to the vestiges of Catholic tradition and culture that leak out in stage imagery, plot devices, and characterization in ways that are not always clearly engaged in the business of Protestant panegyric or polemic. Among the questions they address are: What is the cultural function of dramatic Marian moments? Are Marian moments nostalgic for, or critical of, the 'Old Faith'? How do Marian moments negotiate the cultural trauma of iconoclasm and/or the Reformation in early modern England? Did these stage pictures of Mary provide subversive touchstones for the Old Faith of particular import to crypto-Catholic or recusant members of the audience?
Publisher: Routledge
ISBN: 1317100662
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Concerning itself with the complex interplay between iconoclasm against images of the Virgin Mary in post-Reformation England and stage representations that evoke various 'Marian moments' from the medieval, Catholic past, this collection answers the call for further investigation of the complex relationship between the fraught religio-political culture of the early modern period and the theater that it spawned. Joining historians in rejecting the received belief that Catholicism could be turned on and off like a water spigot in response to sixteenth-century religious reform, the early modern British theater scholars in this collection turn their attention to the vestiges of Catholic tradition and culture that leak out in stage imagery, plot devices, and characterization in ways that are not always clearly engaged in the business of Protestant panegyric or polemic. Among the questions they address are: What is the cultural function of dramatic Marian moments? Are Marian moments nostalgic for, or critical of, the 'Old Faith'? How do Marian moments negotiate the cultural trauma of iconoclasm and/or the Reformation in early modern England? Did these stage pictures of Mary provide subversive touchstones for the Old Faith of particular import to crypto-Catholic or recusant members of the audience?