Author: Nicomachus (of Gerasa.)
Publisher: Red Wheel/Weiser
ISBN: 9780933999435
Category : Music
Languages : en
Pages : 226
Book Description
In ancient Greek thought, the musical scale discovered by the philosopher Pythagoras was seen as a utopian model of the harmonic order behind the structure of the cosmos and human existence. Through proportion and harmony, the musical scale bridges the gap between two extremes. It encapsulates the most fundamental pattern of harmonic symmetry and demonstrates how the phenomena of nature are inseparably related to one another through the principle of reciprocity. Because of these relationships embodied in its structure, the musical scale was seen as an ideal metaphor of human society by Plato and other Pythagorean thinkers, for it is based on the cosmic principles of harmony, reciprocity, and proportion, whereby each part of the whole receives its just and proper share. This book is the first ever complete translation of The Manual of Harmonics by the Pythagorean philosopher Nicomachus of Gerasa (second century A.D.) published with a comprehensive, chapter-by-chapter commentary. It is a concise and well-organized introduction to the study of harmonics, the universal principles of relation embodied in the musical scale. Also included is a remarkable chapter-by-chapter commentary by the translator, Flora Levin, which makes this work easily accessible to the reader today. Dr. Levin explains the principles of Pythagorean harmony, provides extensive background information, and helps to situate Nicomachus' thought in the history of ideas. This important work constitutes a valuable resource for all students of ancient philosophy, Western cosmology, and the history of music.
The Manual of Harmonics of Nicomachus the Pythagorean
Author: Nicomachus (of Gerasa.)
Publisher: Red Wheel/Weiser
ISBN: 9780933999435
Category : Music
Languages : en
Pages : 226
Book Description
In ancient Greek thought, the musical scale discovered by the philosopher Pythagoras was seen as a utopian model of the harmonic order behind the structure of the cosmos and human existence. Through proportion and harmony, the musical scale bridges the gap between two extremes. It encapsulates the most fundamental pattern of harmonic symmetry and demonstrates how the phenomena of nature are inseparably related to one another through the principle of reciprocity. Because of these relationships embodied in its structure, the musical scale was seen as an ideal metaphor of human society by Plato and other Pythagorean thinkers, for it is based on the cosmic principles of harmony, reciprocity, and proportion, whereby each part of the whole receives its just and proper share. This book is the first ever complete translation of The Manual of Harmonics by the Pythagorean philosopher Nicomachus of Gerasa (second century A.D.) published with a comprehensive, chapter-by-chapter commentary. It is a concise and well-organized introduction to the study of harmonics, the universal principles of relation embodied in the musical scale. Also included is a remarkable chapter-by-chapter commentary by the translator, Flora Levin, which makes this work easily accessible to the reader today. Dr. Levin explains the principles of Pythagorean harmony, provides extensive background information, and helps to situate Nicomachus' thought in the history of ideas. This important work constitutes a valuable resource for all students of ancient philosophy, Western cosmology, and the history of music.
Publisher: Red Wheel/Weiser
ISBN: 9780933999435
Category : Music
Languages : en
Pages : 226
Book Description
In ancient Greek thought, the musical scale discovered by the philosopher Pythagoras was seen as a utopian model of the harmonic order behind the structure of the cosmos and human existence. Through proportion and harmony, the musical scale bridges the gap between two extremes. It encapsulates the most fundamental pattern of harmonic symmetry and demonstrates how the phenomena of nature are inseparably related to one another through the principle of reciprocity. Because of these relationships embodied in its structure, the musical scale was seen as an ideal metaphor of human society by Plato and other Pythagorean thinkers, for it is based on the cosmic principles of harmony, reciprocity, and proportion, whereby each part of the whole receives its just and proper share. This book is the first ever complete translation of The Manual of Harmonics by the Pythagorean philosopher Nicomachus of Gerasa (second century A.D.) published with a comprehensive, chapter-by-chapter commentary. It is a concise and well-organized introduction to the study of harmonics, the universal principles of relation embodied in the musical scale. Also included is a remarkable chapter-by-chapter commentary by the translator, Flora Levin, which makes this work easily accessible to the reader today. Dr. Levin explains the principles of Pythagorean harmony, provides extensive background information, and helps to situate Nicomachus' thought in the history of ideas. This important work constitutes a valuable resource for all students of ancient philosophy, Western cosmology, and the history of music.
Measuring Heaven
Author: Christiane L. Joost-Gaugier
Publisher: Cornell University Press
ISBN: 9780801443961
Category : Art
Languages : en
Pages : 388
Book Description
This is an examination of the unified concepts of harmony, form, proportion, and order that were attributed to Pythagoras in the millennium after his death and the important developments to which they led in art, architecture, astronomy, mathematics, music, medicine, morals, religion, and alchemy.
Publisher: Cornell University Press
ISBN: 9780801443961
Category : Art
Languages : en
Pages : 388
Book Description
This is an examination of the unified concepts of harmony, form, proportion, and order that were attributed to Pythagoras in the millennium after his death and the important developments to which they led in art, architecture, astronomy, mathematics, music, medicine, morals, religion, and alchemy.
Apollo's Lyre
Author: Thomas J. Mathiesen
Publisher: U of Nebraska Press
ISBN: 9780803230798
Category : Music
Languages : en
Pages : 832
Book Description
Ancient Greek music and music theory has fascinated scholars for centuries not only because of its intrinsic interest as a part of ancient Greek culture but also because the Greeks? grand concept of music has continued to stimulate musical imaginations to the present day. Unlike earlier treatments of the subject, Apollo?s Lyre is aimedøprincipally at the reader interested in the musical typologies, the musical instruments, and especially the historical development of music theory and its transmission through the Middle Ages. The basic method and scope of the study are set out in a preliminary chapter, followed by two chapters concentrating on the role of music in Greek society, musical typology, organology, and performance practice. The next chapters are devoted to the music theory itself, as it developed in three stages: in the treatises of Aristoxenus and the Sectio canonis; during the period of revival in the second century C.E.; and in late antiquity. Each theorist and treatise is considered separately but always within the context of the emerging traditions. The theory provides a remarkably complete and coherent system for explaining and analyzing musical phenomena, and a great deal of its conceptual framework, as well as much of its terminology, was borrowed and adapted by medieval Latin, Byzantine, and Arabic music theorists, a legacy reviewed in the final chapter. Transcriptions and analyses of some of the more complete pieces of Greek music preserved on papyrus or stone, or in manuscript, are integrated with a consideration of the musicopoetic types themselves. The book concludes with a comprehensive bibliography for the field, updating and expanding the author?s earlier Bibliography of Sources for the Study of Ancient Greek Music.
Publisher: U of Nebraska Press
ISBN: 9780803230798
Category : Music
Languages : en
Pages : 832
Book Description
Ancient Greek music and music theory has fascinated scholars for centuries not only because of its intrinsic interest as a part of ancient Greek culture but also because the Greeks? grand concept of music has continued to stimulate musical imaginations to the present day. Unlike earlier treatments of the subject, Apollo?s Lyre is aimedøprincipally at the reader interested in the musical typologies, the musical instruments, and especially the historical development of music theory and its transmission through the Middle Ages. The basic method and scope of the study are set out in a preliminary chapter, followed by two chapters concentrating on the role of music in Greek society, musical typology, organology, and performance practice. The next chapters are devoted to the music theory itself, as it developed in three stages: in the treatises of Aristoxenus and the Sectio canonis; during the period of revival in the second century C.E.; and in late antiquity. Each theorist and treatise is considered separately but always within the context of the emerging traditions. The theory provides a remarkably complete and coherent system for explaining and analyzing musical phenomena, and a great deal of its conceptual framework, as well as much of its terminology, was borrowed and adapted by medieval Latin, Byzantine, and Arabic music theorists, a legacy reviewed in the final chapter. Transcriptions and analyses of some of the more complete pieces of Greek music preserved on papyrus or stone, or in manuscript, are integrated with a consideration of the musicopoetic types themselves. The book concludes with a comprehensive bibliography for the field, updating and expanding the author?s earlier Bibliography of Sources for the Study of Ancient Greek Music.
Nichomachus of Geresa, Manual of Harmonics
Author: Nicomachus (of Gerasa.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 590
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 590
Book Description
The Pythagorean Sourcebook and Library
Author: Kenneth Sylvan Guthrie
Publisher: Red Wheel/Weiser
ISBN: 1609253949
Category : Philosophy
Languages : en
Pages : 374
Book Description
This anthology, the largest collection of Pythagorean writings ever to appear in English, contains the four ancient biographies of Pythagoras and over 25 Pythagorean and Neopythagorean writings from the Classical and Hellenistic periods. The material of this book is indispensable for anyone who wishes to understand the real spiritual roots of Western civilization.
Publisher: Red Wheel/Weiser
ISBN: 1609253949
Category : Philosophy
Languages : en
Pages : 374
Book Description
This anthology, the largest collection of Pythagorean writings ever to appear in English, contains the four ancient biographies of Pythagoras and over 25 Pythagorean and Neopythagorean writings from the Classical and Hellenistic periods. The material of this book is indispensable for anyone who wishes to understand the real spiritual roots of Western civilization.
Music and Ideas in the Sixteenth and Seventeenth Centuries
Author: Claude V. Palisca
Publisher: University of Illinois Press
ISBN: 0252092074
Category : Music
Languages : en
Pages : 314
Book Description
This essential summation of Palisca's life work was nearly finished by his death in 2001, and it was brought to completion by Thomas J. Mathiesen.
Publisher: University of Illinois Press
ISBN: 0252092074
Category : Music
Languages : en
Pages : 314
Book Description
This essential summation of Palisca's life work was nearly finished by his death in 2001, and it was brought to completion by Thomas J. Mathiesen.
Aristoxenus of Tarentum and the Birth of Musicology
Author: Sophie Gibson
Publisher: Routledge
ISBN: 1135877475
Category : History
Languages : en
Pages : 275
Book Description
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135877475
Category : History
Languages : en
Pages : 275
Book Description
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Music and Esotericism
Author: Laurence Wuidar
Publisher: BRILL
ISBN: 9004182799
Category : Religion
Languages : en
Pages : 389
Book Description
This collection of essays analyzes the relationships that exist between esotericism and music from Antiquity to the 20th century, investigating ways in which magic, astrology, alchemy, divination, and cabbala interact with music. The volume seeks to dissolve artificial barriers between the history of art, music, science, and intellectual history by establishing an interdisciplinary dialogue about music as viewed against a specific cultural background. The synthesis of scientific and historical contexts with respect to music, explored here on a large scale for the first time, opens up a wealth of new approaches to music historical research, music performance, and musical composition. Each chapter presents either a unique example of music functioning within esoteric and scientific traditions or a demonstration of the influence of those traditions upon selected musical works. L’ouvrage analyse les relations entre l’ésotérisme et la musique de l’Antiquité au 20ème siècle étudiant comment la magie, l’astrologie, l’alchimie, la divination et la cabale ont interagit avec la musique. Il vise à dépasser les frontières entre l’histoire de l’art, l’histoire de la musique et l’histoire des sciences et des idées afin de nouer un dialogue interdisciplinaire sur la musique autour de contextes historiques et scientifiques précis. L’ouvrage offre une première synthèse sur les rapports entre ésotérisme et musique ainsi que diverses pistes de recherche à poursuivre.
Publisher: BRILL
ISBN: 9004182799
Category : Religion
Languages : en
Pages : 389
Book Description
This collection of essays analyzes the relationships that exist between esotericism and music from Antiquity to the 20th century, investigating ways in which magic, astrology, alchemy, divination, and cabbala interact with music. The volume seeks to dissolve artificial barriers between the history of art, music, science, and intellectual history by establishing an interdisciplinary dialogue about music as viewed against a specific cultural background. The synthesis of scientific and historical contexts with respect to music, explored here on a large scale for the first time, opens up a wealth of new approaches to music historical research, music performance, and musical composition. Each chapter presents either a unique example of music functioning within esoteric and scientific traditions or a demonstration of the influence of those traditions upon selected musical works. L’ouvrage analyse les relations entre l’ésotérisme et la musique de l’Antiquité au 20ème siècle étudiant comment la magie, l’astrologie, l’alchimie, la divination et la cabale ont interagit avec la musique. Il vise à dépasser les frontières entre l’histoire de l’art, l’histoire de la musique et l’histoire des sciences et des idées afin de nouer un dialogue interdisciplinaire sur la musique autour de contextes historiques et scientifiques précis. L’ouvrage offre une première synthèse sur les rapports entre ésotérisme et musique ainsi que diverses pistes de recherche à poursuivre.
All from One
Author: Pieter d' Hoine
Publisher: Oxford University Press
ISBN: 0199640335
Category : History
Languages : en
Pages : 439
Book Description
Proclus (412-485 A.D.) was one of the last official "successors" of Plato at the head of the Academy in Athens at the end of Antiquity, before the school was finally closed down in 529. As a prolific author of systematic works on a wide range of topics and one of the most influential commentators on Plato of all times, the legacy of Proclus in the cultural history of the west can hardly be overestimated. This book introduces the reader to Proclus' life and works, his place in the Platonic tradition of Antiquity, and the influence his work exerted in later ages. Various chapters are devoted to Proclus' metaphysical system, including his doctrines about the first principle of all reality, the One, and about the Forms and the soul. The broad range of Proclus' thought is further illustrated by highlighting his contribution to philosophy of nature, scientific theory, theory of knowledge, and philosophy of language. Finally, also his most original doctrines on evil and providence, his Neoplatonic virtue ethics, his complex views on theology and religious practice, and his metaphysical aesthetics receive separate treatments. This book is the first to bring together the leading scholars in the field and to present a state of the art of Proclean studies today. In doing so, it provides the most comprehensive introduction to Proclus' thought currently available.
Publisher: Oxford University Press
ISBN: 0199640335
Category : History
Languages : en
Pages : 439
Book Description
Proclus (412-485 A.D.) was one of the last official "successors" of Plato at the head of the Academy in Athens at the end of Antiquity, before the school was finally closed down in 529. As a prolific author of systematic works on a wide range of topics and one of the most influential commentators on Plato of all times, the legacy of Proclus in the cultural history of the west can hardly be overestimated. This book introduces the reader to Proclus' life and works, his place in the Platonic tradition of Antiquity, and the influence his work exerted in later ages. Various chapters are devoted to Proclus' metaphysical system, including his doctrines about the first principle of all reality, the One, and about the Forms and the soul. The broad range of Proclus' thought is further illustrated by highlighting his contribution to philosophy of nature, scientific theory, theory of knowledge, and philosophy of language. Finally, also his most original doctrines on evil and providence, his Neoplatonic virtue ethics, his complex views on theology and religious practice, and his metaphysical aesthetics receive separate treatments. This book is the first to bring together the leading scholars in the field and to present a state of the art of Proclean studies today. In doing so, it provides the most comprehensive introduction to Proclus' thought currently available.
Ars Notoria: The Notory Art of Solomon
Author:
Publisher: Simon and Schuster
ISBN: 164411528X
Category : Body, Mind & Spirit
Languages : en
Pages : 896
Book Description
A new translation of the classic magical text from the original Latin • Learn how medieval magicians conducted the rituals of angelic magic for quickly learning scholastic knowledge by means of prayers and figures • Provides a complete translation of Ars Notoria, both the short and long versions based on Julien Veronese’s critical Latin edition • Includes the first translation of The Work of Works (Opus Operum), The Short Art (Ars Brevis), the abridged version attributed to Thomas of Toledo, and The Pauline Art (Ars Paulina) • Presents all of the original figures (notae), essential for inspection during ritual The magical treatise Ars Notoria offers a secret account of how King Solomon gained his famed wisdom and learning through sacred magic, revealed to him by the angel Pamphilius, thereby expanding upon the biblical narrative of Solomon’s vision from God. Solomon’s magical writings were transmitted to the first-century philosopher Apollonius of Tyana, who provided a commentary titled Flores Aurei (Golden Flowers) that is contained within Ars Notoria. Ars Notoria first appeared in the 13th century, when its prayers and techniques for rapidly acquiring the seven liberal arts—grammar, logic, rhetoric, arithmetic, music, geometry, and astronomy— made it the earliest representation of European angel magic. The text presents a complete system of magic consisting of prayers addressed to angels, using figures called notae, for the purpose of gaining scholastic and heavenly knowledge. Due to its rising popularity among university students, the magical ritual was reworked time and again, producing five treatises dating from the 13th to 15th centuries—Opus Operum (Work of Works), Liber Florum Celestis Doctrine (Book of Flowers of Heavenly Teaching) composed by John of Morigny, Ars Brevis (Short Art), Ars Abbreviata (an abridged version attributed to Thomas of Toledo), and Ars Paulina (Pauline Art [of the Seven Figures])—thereby establishing an entire notorial art tradition. In this new and complete translation of Ars Notoria, based on Julien Véronèse’s critical Latin edition, translator Matthias Castle presents—for the first time in English—the complete classic magical text, both short and long versions, including four of the later treatises. Castle explains how these theurgic ritual practices were performed, giving special attention to all the original pictorial figures (notae), and how the art of memory relates to angelic magic. Providing practical instruction, extensive commentary, and in-depth background research and annotations, Ars Notoria: The Notory Art of Solomon is an essential sourcebook on angelic magic for scholars and magicians alike.
Publisher: Simon and Schuster
ISBN: 164411528X
Category : Body, Mind & Spirit
Languages : en
Pages : 896
Book Description
A new translation of the classic magical text from the original Latin • Learn how medieval magicians conducted the rituals of angelic magic for quickly learning scholastic knowledge by means of prayers and figures • Provides a complete translation of Ars Notoria, both the short and long versions based on Julien Veronese’s critical Latin edition • Includes the first translation of The Work of Works (Opus Operum), The Short Art (Ars Brevis), the abridged version attributed to Thomas of Toledo, and The Pauline Art (Ars Paulina) • Presents all of the original figures (notae), essential for inspection during ritual The magical treatise Ars Notoria offers a secret account of how King Solomon gained his famed wisdom and learning through sacred magic, revealed to him by the angel Pamphilius, thereby expanding upon the biblical narrative of Solomon’s vision from God. Solomon’s magical writings were transmitted to the first-century philosopher Apollonius of Tyana, who provided a commentary titled Flores Aurei (Golden Flowers) that is contained within Ars Notoria. Ars Notoria first appeared in the 13th century, when its prayers and techniques for rapidly acquiring the seven liberal arts—grammar, logic, rhetoric, arithmetic, music, geometry, and astronomy— made it the earliest representation of European angel magic. The text presents a complete system of magic consisting of prayers addressed to angels, using figures called notae, for the purpose of gaining scholastic and heavenly knowledge. Due to its rising popularity among university students, the magical ritual was reworked time and again, producing five treatises dating from the 13th to 15th centuries—Opus Operum (Work of Works), Liber Florum Celestis Doctrine (Book of Flowers of Heavenly Teaching) composed by John of Morigny, Ars Brevis (Short Art), Ars Abbreviata (an abridged version attributed to Thomas of Toledo), and Ars Paulina (Pauline Art [of the Seven Figures])—thereby establishing an entire notorial art tradition. In this new and complete translation of Ars Notoria, based on Julien Véronèse’s critical Latin edition, translator Matthias Castle presents—for the first time in English—the complete classic magical text, both short and long versions, including four of the later treatises. Castle explains how these theurgic ritual practices were performed, giving special attention to all the original pictorial figures (notae), and how the art of memory relates to angelic magic. Providing practical instruction, extensive commentary, and in-depth background research and annotations, Ars Notoria: The Notory Art of Solomon is an essential sourcebook on angelic magic for scholars and magicians alike.