Author: Brian Hannan Publisher: McFarland ISBN: 1476619107 Category : Performing Arts Languages : en Pages : 289
Book Description
The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
Author: Mike Scott Publisher: Flood Gallery ISBN: 9781838345518 Category : Languages : en Pages : 240
Book Description
This 240-page book contains a 50,000 word narrative from Waterboys founder/leader, Mike Scott telling the story of the Waterboys great seven-piece band from 1989 through to the release of their 1990 album, Room to Roam. Covering the band members backgrounds, places they played, how they discovered traditional songs & recording at Spiddal House in the West of Ireland. The also features contributions by band members, an incredible collection of photographs, maps, lyrics, manuscripts, master tapes and other archival material.
Author: Walter Mirisch Publisher: Univ of Wisconsin Press ISBN: 0299226433 Category : Biography & Autobiography Languages : en Pages : 502
Book Description
This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association
Author: Brian Hannan Publisher: McFarland ISBN: 0786496959 Category : Performing Arts Languages : en Pages : 289
Book Description
The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
Author: Paul Kerr Publisher: Bloomsbury Publishing USA ISBN: 1501336770 Category : Performing Arts Languages : en Pages : 337
Book Description
Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.
Author: William V. Costanzo Publisher: John Wiley & Sons ISBN: 1118712927 Category : Performing Arts Languages : en Pages : 464
Book Description
World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
Author: James E. Brammer Publisher: Fulton Books, Inc. ISBN: 1633381005 Category : Fiction Languages : en Pages : 100
Book Description
They were with Morgan. Each time Morgan took six men into New Mexico to defend farmers from Bandits, there were some children. Each town children. The total of the children that they had a relation with added up to "seven." As time went on, those children grew up and they tested their knowledge and proficiency with guns, perhaps better than anyone else. Their education started as children apart from each other. Their time was well spent in the art of gun warfare. One was taught how to become a
Author: William R. Meyer Publisher: ISBN: Category : Performing Arts Languages : en Pages : 470
Book Description
This fascinating volume, The Making of the Great Westerns, examines 30 of the best in screen history, from their inception to release and sometimes after. Author Bill Meyer researches and scrutinizes the films and the people who made them. He takes us back behind the cameras and tells us how the directors worked with the producers, writers, and actors, how they came together to make the film, and what happened during production. We learn what the critics said, what place the work holds in critical history, much more.--Description from inside cover.
Author: Donna Hazle Glanzman Publisher: Beautiful Media ISBN: 9780975539804 Category : Self-Help Languages : en Pages : 156
Book Description
The book focuses in eight simple, yet effective, approaches to life. It helps the reader assess how to deal with daily challenges in practical and realisitic ways. Using personal and pragmatic stories, quotes, and questions, author Donna Glanzman leads the reader on an inspirational journey that ensures balance and purpose in life. She offers simple, yet highly effective, exercises to eliminate many of the hurdles we all face. Highly acclaimed, this is a must have for all readers!
Author: Brian Hannan Publisher: McFarland ISBN: 147663727X Category : Performing Arts Languages : en Pages : 309
Book Description
In 1969--the counter-cultural moment when Easy Rider triggered a "youthquake" in audience interests--Westerns proved more dominant than ever at the box office and at the Oscars. It was a year of masterpieces--The Wild Bunch, Butch Cassidy and the Sundance Kid, Once Upon a Time in the West and True Grit. Robert Redford achieved star status. Old-timers like John Wayne, Gregory Peck and Robert Mitchum appeared in two Westerns apiece. Raquel Welch took on the mantle of Queen of the West. Clint Eastwood and Lee Marvin tried their hand at a musical (Paint Your Wagon). New directors like George Roy Hill reinvigorated the genre while veteran Sam Peckinpah at last found popular approval. Themes included women's rights, social anxieties about violence and changing attitudes of and towards African-Americans and Native Americans. All of the 40-plus Westerns released in the U.S. in 1969 are covered in depth, offering a new perspective on the genre.
Author: Brian Hannan
Author: Mike Scott
Author: Walter Mirisch
Author: Brian Hannan
Author: Paul Kerr
Author: William V. Costanzo
Author: James E. Brammer
Author: William R. Meyer
Author: Donna Hazle Glanzman
Author: Brian Hannan