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Author: Paul R. Secord Publisher: ISBN: 9781632932242 Category : Art Languages : en Pages : 78
Book Description
The seventeen murals painted by eleven Native Americans and artist Olive Rush that front Maisel's Indian Arts and Crafts store in downtown Albuquerque, New Mexico are a unique grouping by many of the most talented southwestern Native American artists of their day.
Author: Paul R. Secord Publisher: ISBN: 9781632932242 Category : Art Languages : en Pages : 78
Book Description
The seventeen murals painted by eleven Native Americans and artist Olive Rush that front Maisel's Indian Arts and Crafts store in downtown Albuquerque, New Mexico are a unique grouping by many of the most talented southwestern Native American artists of their day.
Author: Paul R Secord Publisher: ISBN: Category : Languages : en Pages : 58
Book Description
The murals fronting the entrance of Maisel's Indian Jewelry and Crafts store at 510 Central Avenue SW, Albuquerque, are a treasure of Native American painting and are of national importance. They represent some of the earliest and finest paintings by a seminal group of Southwestern native artists.This book is a follow-on to the author's The Maisel's Murals 1939 - Native American Art of the American Southwest published by Sunstone Press, Santa Fe, New Mexico in 2018. However, it is a stand-alone publication designed to be a viewer guide to the subject art works, i.e. a companion for the observer to assist in the understanding of what they seeing when they look at the murals and to allow for individual interpretation of what is being viewed, rather than to be a presentation of names, date, and basic facts about the murals.The mural's subject matter demonstrates a unifying thematic context. Through the use of paired opposites, cultural themes and subjects can be compared and contrasted. In addition, the stylistic differences between artists, while showing the strong influence of training at "The Studio" art program at the Santa Fe Indian School established by Dorothy Dunn, they also demonstrate considerable differences in execution.The Maisel's building was designed by legendary New Mexico architect John Gaw Meem, popularizer of the Santa Fe Style. Meem hired well know Santa Fe artist Olive Rush for a total of $1,500 to paint the murals. She than hired eleven Native Americans to undertake the project and saw to it that they were paid a fair wageRush's included artists of varying ages, from forty-four year old Awa Tsireh of the first generation of Pueblo painters, to sixteen year old Popovi Da, a beginning Studio painter and the son of famous potters Maria and Julian Martinez, as well as including representatives of other principal Native American cultures in the Southwest.
Author: Jennifer McLerran Publisher: University of Arizona Press ISBN: 0816550379 Category : History Languages : en Pages : 312
Book Description
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
Author: Diana L. Linden Publisher: Wayne State University Press ISBN: 0814339840 Category : Art Languages : en Pages : 185
Book Description
A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: Patricia Janis Broder Publisher: Macmillan ISBN: 1466859725 Category : Art Languages : en Pages : 545
Book Description
Earth Songs, Moon Dreams: Paintings by American Indian Women is a celebration of the contributions of Native American women to America's cultural heritage. Focusing on both traditional and modern art and offering an historical and stylistic overview, Broder's book includes the work of Native American women belonging to more than forty tribes across the United States and Canada. Earth Songs, Moon Dreams features historically important works by pioneer artists of the early twentieth century, classic examples of the Indian-School tradition, examples of the first successful attempts to interpret the techniques of modernism as compatible with the symbols and stylistic conventions of traditional Indian art, and examples of the work of the most innovative and accomplished Native American women painting today. Includes over 100 gorgeous, full color reproductions. Broder has prepared an introduction on each artist and then presents one or two samples of her work.
Author: Gretchen M. Bataille Publisher: Routledge ISBN: 1135955867 Category : History Languages : en Pages : 501
Book Description
This A-Z reference contains 275 biographical entries on Native American women, past and present, from many different walks of life. Written by more than 70 contributors, most of whom are leading American Indian historians, the entries examine the complex and diverse roles of Native American women in contemporary and traditional cultures. This new edition contains 32 new entries and updated end-of-article bibliographies. Appendices list entries by area of woman's specialization, state of birth, and tribe; also includes photos and a comprehensive index.
Author: Jules Heller Publisher: Routledge ISBN: 1135638896 Category : Social Science Languages : en Pages : 1941
Book Description
First Published in 1997. North American Women Artists of the Twentieth Century: A Biographical Dictionary was created to fill a gap of there being a comprehensive reference work like this available, even though the bibliography in English on various aspects of the history of women artists has grown exponentially during the past ten years. As researchers, the editors have been frustrated many times by being unable to locate basic information about many of the artists included in this volume—especially those working outside the United States. This leads directly to another reason for producing this particular kind of reference book—to try and create a better understanding between and among the artists and art audiences in these countries.
Author: Paul R. Secord
Author: Paul R. Secord
Author: Paul R Secord
Author: Jennifer McLerran
Author: Kathryn A. Flynn
Author: Diana L. Linden
Author: Patricia Janis Broder
Author: Gretchen M. Bataille
Author: Joan M. Marter
Author: Jules Heller
Author: Paul R. Secord