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The Madrigal at Ferrara, 1579-1597

The Madrigal at Ferrara, 1579-1597 PDF Author: Anthony Newcomb
Publisher: Princeton, N.J. : Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 328

Book Description
Vol. 1 : Text ; vol. 2 : Musical examples.

The Madrigal at Ferrara, 1579-1597

The Madrigal at Ferrara, 1579-1597 PDF Author: Anthony Newcomb
Publisher: Princeton, N.J. : Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 328

Book Description
Vol. 1 : Text ; vol. 2 : Musical examples.

The Madrigal at Ferrara, 1579-1597

The Madrigal at Ferrara, 1579-1597 PDF Author: Anthony Newcomb
Publisher:
ISBN: 9780835746465
Category :
Languages : en
Pages : 318

Book Description


The Madrigal at Ferrara

The Madrigal at Ferrara PDF Author: Anthony Newcomb
Publisher:
ISBN:
Category : Madrigals, Italian
Languages : en
Pages : 303

Book Description


The Madrigal at Ferrara, 1579-1597

The Madrigal at Ferrara, 1579-1597 PDF Author: Anthony Newcomb
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages :

Book Description


The Madrigal at Ferrara, 1579-1697

The Madrigal at Ferrara, 1579-1697 PDF Author: Anthony Newcomb
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 220

Book Description


Early Music History

Early Music History PDF Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521104289
Category : Literary Criticism
Languages : en
Pages : 400

Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume one include: A lost guide to Tinctoris's teachings recovered; two English motets on Simon de Montfort; the Mary Magdalene scene in the Visitatio sepulchri ceremonies; and European politics and the distribution of music in the early fifteenth century.

The Madrigal at Ferrara, 1579-1597: Musical examples

The Madrigal at Ferrara, 1579-1597: Musical examples PDF Author: Anthony Newcomb
Publisher:
ISBN:
Category : Madrigal
Languages : en
Pages : 244

Book Description
Discussions of Ferrara and its musical practice; contains lists and documentation of musicians employed at or visiting Ferrara, musical holdings of the court of Alfonso II, etc.; v. 2 contains scores of 27 madrigals by Marenzio, Luzzaschi, Virchi, Nanino, et al.

The Madrigal at Ferrara

The Madrigal at Ferrara PDF Author: Anthony Newcomb
Publisher:
ISBN:
Category :
Languages : en
Pages : 220

Book Description


The Madrigal

The Madrigal PDF Author: Susan Lewis Hammond
Publisher: Routledge
ISBN: 1135967008
Category : Art
Languages : en
Pages : 375

Book Description
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.

Guarini's 'Il pastor fido' and the Madrigal

Guarini's 'Il pastor fido' and the Madrigal PDF Author: Seth Coluzzi
Publisher: Taylor & Francis
ISBN: 1315463040
Category : Music
Languages : en
Pages : 459

Book Description
Battista Guarini’s pastoral tragicomedy Il pastor fido (1589) began its life as a play, but soon was transformed through numerous musical settings by prominent composers of the late sixteenth and early seventeenth centuries. Through the many lives of this work, this book explores what happens when a lover’s lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture. From the play’s beginnings in manuscripts, private readings, and aborted stage productions in the 1580s and 1590s, through the gradual decline of Pastor fido madrigals in the 1640s, this book examines how this widely read yet controversial text became the center of a lasting and prolific music tradition. Using a new integrative system of musical-textual analysis based on sixteenth-century theory, Seth Coluzzi demonstrates how composers responded not only to the sentiments, imagery, and form of the play’s speeches, but also to subtler details of Guarini’s verse. Viewing the musical history of Guarini’s work as an integral part of the play’s roles in the domains of theater, literature, and criticism, this book brings a new perspective to the late Italian madrigal, the play, and early modern patronage and readership across a diverse geographical and temporal frame.