Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
The Museums of Contemporary Art
Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
The Family of Man
Author: Edward Steichen
Publisher: ABRAMS
ISBN: 9780810961692
Category : Photography, Artistic
Languages : en
Pages : 192
Book Description
In the pages of this book are reproduced all of the 503 images that Steichen described as "photographs, made in all parts of the world, of the gamut of life from birth to death with emphasis on daily relationship..."-- Back cover.
Publisher: ABRAMS
ISBN: 9780810961692
Category : Photography, Artistic
Languages : en
Pages : 192
Book Description
In the pages of this book are reproduced all of the 503 images that Steichen described as "photographs, made in all parts of the world, of the gamut of life from birth to death with emphasis on daily relationship..."-- Back cover.
Museum Work
Art
Author: Yasmina Reza
Publisher: Macmillan
ISBN: 0571190146
Category : Drama
Languages : en
Pages : 83
Book Description
Art is a comedy set in Paris which revolves around three friends and raises questions about art and friendship. Moving from disagreement on the questionable purchase of a completely white painting their arguments become less theoretical and more personal. They border on destroying their friendships.
Publisher: Macmillan
ISBN: 0571190146
Category : Drama
Languages : en
Pages : 83
Book Description
Art is a comedy set in Paris which revolves around three friends and raises questions about art and friendship. Moving from disagreement on the questionable purchase of a completely white painting their arguments become less theoretical and more personal. They border on destroying their friendships.
Art World and Arts & Decoration
Arts & Decoration
Cathedrals of Urban Modernity
Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 0429839839
Category : Art
Languages : en
Pages : 299
Book Description
First published in 1998, this volume explores the expanding wave of a new kind of museums of contemporary art in the nineteenth and early twentieth centuries. Lorente examines their ‘coming of age’ and the weight of their museological legacy, arguing that the establishment of great national museums of art at London and Paris radiated out, carrying their influence with it. This book emerged as part of a series on towns and cities and has a focus on London and Paris as centres of artistic innovation.
Publisher: Routledge
ISBN: 0429839839
Category : Art
Languages : en
Pages : 299
Book Description
First published in 1998, this volume explores the expanding wave of a new kind of museums of contemporary art in the nineteenth and early twentieth centuries. Lorente examines their ‘coming of age’ and the weight of their museological legacy, arguing that the establishment of great national museums of art at London and Paris radiated out, carrying their influence with it. This book emerged as part of a series on towns and cities and has a focus on London and Paris as centres of artistic innovation.
Familiar Allusions
Author: William Adolphus Wheeler
Publisher:
ISBN:
Category : Allusions
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category : Allusions
Languages : en
Pages : 602
Book Description
The Brooklyn Museum Quarterly
Art + Paris Impressionist Museums and Walking Tours
Author: Museyon,
Publisher: Museyon
ISBN: 1938450280
Category : Travel
Languages : en
Pages : 244
Book Description
Illustrated listings of 150 must-see Impressionist paintings from Musée d'Orsay, Musée de l'Orangerie, Musée Marmottan Monet, Musée du Louvre, Petit Palais, Musée Picaso and Musée Rodin with the stories behind the art. Easy-to-follow tours that bring the reader into the streets of Paris to explore the places where the artists lived, fell in love, found inspiration and placed their easels to paint these famous works.
Publisher: Museyon
ISBN: 1938450280
Category : Travel
Languages : en
Pages : 244
Book Description
Illustrated listings of 150 must-see Impressionist paintings from Musée d'Orsay, Musée de l'Orangerie, Musée Marmottan Monet, Musée du Louvre, Petit Palais, Musée Picaso and Musée Rodin with the stories behind the art. Easy-to-follow tours that bring the reader into the streets of Paris to explore the places where the artists lived, fell in love, found inspiration and placed their easels to paint these famous works.