![The Lusorium, Being a Collection of Convivial Songs, Lectures, Etc. ... With Music, Cuts, Etc. The Second Edition. [By W. O'Brien.] PDF](https://books.google.com/books/content/images/frontcover/T01iNcqiCP4C?fife=w150-h200)
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
The Lusorium, Being a Collection of Convivial Songs, Lectures, Etc. ... With Music, Cuts, Etc. The Second Edition. [By W. O'Brien.]
![The Lusorium, Being a Collection of Convivial Songs, Lectures, Etc. ... With Music, Cuts, Etc. The Second Edition. [By W. O'Brien.] PDF](https://books.google.com/books/content/images/frontcover/T01iNcqiCP4C?fife=w80-h100)
Author: British Museum Catalogue of printed Books
Author: Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 474
Book Description
Sports, Pastimes, Arts, Sciences
Author: Pickering & ChattoPublisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 236
Book Description
The British Union-catalogue of Early Music Before the Year 1801
Author: Edith Betty SchnapperPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 626
Book Description
An Illustrated Catalogue of Old and Rare Books, Illuminated Manuscripts, Specimens of Fine Old and Modern Bindings, &c
Author: Pickering & ChattoPublisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 990
Book Description
Anarchism and the Crisis of Representation
Author: Jesse S. CohnPublisher: Susquehanna University Press
ISBN: 9781575911052
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
"Anarchism and the Crisis of Representation is intended to provide readers of literary criticism, art history, political philosophy, and the social sciences with a fresh perspective from which to revisit dead-end theoretical debates over concepts such as "agency," "essentialism," and "realism" - and, at the same time, to offer a new take on anarchism itself, challenging conventional readings of the tradition. The anarchism that emerges from this reinterpretation is neither a musty rationalism nor a millenarian irrationalism, but a living body of thought that points beyond the sterile antinomies of post-modern and Marxist theory."--BOOK JACKET.
Six Sonatas
Author: George Frideric HandelPublisher: Alfred Music
ISBN: 1457469138
Category : Music
Languages : en
Pages : 102
Book Description
Six Sonatas by George Frideric Handel for Violin and Piano now in one volume: A major, E major, G minor, D major, F major, A major.
Labyrinth of Digressions
Author: René BoschPublisher: BRILL
ISBN: 940120506X
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
With their appearance during the 1760s, the five instalments of Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman caused something like a booksellers’ hype. Small publishers and anonymous imitators seized on Sterne’s success by bringing out great numbers of spurious new volumes, critical or ironic pamphlets, and works that in style and title express a congeniality with Tristram Shandy. This study explores these eighteenth-century imitations as indicators of contemporary assumptions about Sterne’s intentions. Comparisons between the original, the first reactions, and a number of late eighteenth-century imitations, show that Tristram Shandy was initially read against the background of Augustan and Grub-street satire. The earliest imitators harked back to traditions of banter and folklore, bawdy and grotesque humour, pathetic stories and orthodox religiosity, reaffirming a pattern of moral and aesthetic values that was conservative for its time. Philosophical Sentimentalism appears to have been a late development. It is also argued that, partly because of their bad reputation, some of the authors of forgeries and parodies had a greater influence on the original than the reviewers to whom Sterne is often said to have listened. The imitators followed leads and themes in the first instalments, developing them according to their own conception of Sterne’s project and the reasons for his success. As a consequence, they unintentially put a pressure on Sterne to alter his course, and even to abandon some of the narrative lines and themes he had set out for himself. The literature section contains a chronological checklist of English eighteenth-century Sterneana.