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Author: Sierra Simone Publisher: ISBN: 9781732172272 Category : Fiction Languages : en Pages : 280
Book Description
Notorious playboy Silas Cecil-Coke returns to England to persuade Molly O'Flaherty to marry him, but between the bitter memories and the competing suitors, Silas discovers that wooing a bride is no easy task, unless, of course, he decides to stop playing fair...
Author: Sierra Simone Publisher: ISBN: 9781732172272 Category : Fiction Languages : en Pages : 280
Book Description
Notorious playboy Silas Cecil-Coke returns to England to persuade Molly O'Flaherty to marry him, but between the bitter memories and the competing suitors, Silas discovers that wooing a bride is no easy task, unless, of course, he decides to stop playing fair...
Author: Sierra Simone Publisher: Sierra Simone ISBN: Category : Fiction Languages : en Pages : 178
Book Description
One playboy billionaire. One heartbroken heiress. One sham marriage. What could go wrong? — That's what notorious playboy Silas Cecil-Coke thinks as he returns to England to persuade Molly O'Flaherty to marry him. Certainly, their brief fling last year ended in heartbreak (and a black eye), but matters are different now. Molly must marry to save her company, and Silas is determined that he'll be the man she chooses. Between the bitter memories and the competing suitors, Silas discovers that wooing a bride is no easy task, unless, of course, he decides to stop playing fair... This edition now includes The Persuasion of Molly O’Flaherty!
Author: Sierra Simone Publisher: Sierra Simone ISBN: Category : Fiction Languages : en Pages : 148
Book Description
One empty bed. One bold plan. One tragedy that changes everything. — Silas Cecil-Coke is not a man who is easily dissuaded. So when Molly leaves him without a word of goodbye, he is even more determined to save her from her enemies and claim her as his bride. But neither of them are prepared for the betrayals and tragedies that await them before they can even approach the altar...
Author: Calhoun Winton Publisher: University Press of Kentucky ISBN: 0813185335 Category : Drama Languages : en Pages : 230
Book Description
The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century—and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive, and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions. But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognized the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre, but also on the politics and culture of his era.
Author: Christina Fuhrmann Publisher: Cambridge University Press ISBN: 1316351874 Category : Music Languages : en Pages : 275
Book Description
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated into English, fitted with spoken dialogue, divested of much of their music, augmented with interpolations and frequently set to altered libretti. By the end of the period, the radical changes of earlier adaptations gave way to more faithful versions. In the first comprehensive study of these adaptations, Christina Fuhrmann shows how integral they are to our understanding of early nineteenth-century opera and the transformation of London's theatrical and musical life. This book reveals how these operas accelerated repertoire shifts in the London theatrical world, fostered significant changes in musical taste, revealed the ambiguities and inadequacies of copyright law and sparked intense debate about fidelity to the original work.
Author: Sarah Yuill McCleave Publisher: University Rochester Press ISBN: 1580464203 Category : Music Languages : en Pages : 282
Book Description
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
Author: Sierra Simone
Author: Sierra Simone
Author: Sierra Simone
Author: Sierra Simone
Author: Calhoun Winton
Author: Library of Congress. Copyright Office
Author: 
Author: Christina Fuhrmann
Author: Sarah Yuill McCleave
Author: Library of Congress. Copyright Office
Author: British Museum. Department of Printed Books