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Author: Nicole Dacos Publisher: Abbeville Press ISBN: Category : Art Languages : en Pages : 374
Book Description
"Art historian Nicole Dacos, the foremost authority on Raphael's Loggia, has distilled decades of research into the first comprehensive study of this remarkable monument to be published in English. In the first and second parts of her text, she examines the ornaments and the scenes from the Bible, respectively, clarifying their iconography and uncovering their sources in antique and Renaissance art. In the third part, she identifies in the Loggia the hands of Raphael's various collaborators, including not only his well known pupils, like Giulio Romano, Giovanfrancesco Penni, and Giovanni da Udine, but also many other artists, Italian, French, and Spanish, who traveled to Rome to work with the master. Finally, in the fourth part, she traces the enduring legacy of the Loggia: the style of grotesque ornament elaborated by Raphael has been imitated as far afield as the corridors of the United States Capitol, and the Bible scenes were widely circulated in engravings and copied in every medium, from painting to pottery." "The newly commissioned color photographs herein give the reader unprecedented access to the manifold visual splendors of the gallery, which is closed to the public. Also illustrated with an abundance of comparative images, this landmark volume affirms the central importance of Raphael's Loggia to the history of art."--BOOK JACKET.
Author: Nicole Dacos Publisher: Abbeville Press ISBN: Category : Art Languages : en Pages : 374
Book Description
"Art historian Nicole Dacos, the foremost authority on Raphael's Loggia, has distilled decades of research into the first comprehensive study of this remarkable monument to be published in English. In the first and second parts of her text, she examines the ornaments and the scenes from the Bible, respectively, clarifying their iconography and uncovering their sources in antique and Renaissance art. In the third part, she identifies in the Loggia the hands of Raphael's various collaborators, including not only his well known pupils, like Giulio Romano, Giovanfrancesco Penni, and Giovanni da Udine, but also many other artists, Italian, French, and Spanish, who traveled to Rome to work with the master. Finally, in the fourth part, she traces the enduring legacy of the Loggia: the style of grotesque ornament elaborated by Raphael has been imitated as far afield as the corridors of the United States Capitol, and the Bible scenes were widely circulated in engravings and copied in every medium, from painting to pottery." "The newly commissioned color photographs herein give the reader unprecedented access to the manifold visual splendors of the gallery, which is closed to the public. Also illustrated with an abundance of comparative images, this landmark volume affirms the central importance of Raphael's Loggia to the history of art."--BOOK JACKET.
Author: Alexis R. Culotta Publisher: BRILL ISBN: 9004430482 Category : Art Languages : en Pages : 238
Book Description
In Tracing the Visual Language of Raphael’s Circle to 1527, Alexis Culotta examines how the Renaissance master’s style – one infused with borrowed visual quotations from other artists both past and present – proved influential in his relationship with associate Baldassare Peruzzi and in the development of the artists within his thriving workshop. Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.
Author: Claudio Strinati Publisher: ISBN: Category : Architecture Languages : en Pages : 192
Book Description
The ideal model of a suburban residence desired by Leo X (1513-1521), son of Lorenzo the Magnificent, and continued by his cardinal cousin Giulio de' Medici, the future Clement VII (1523-1534), the 'vigna del papa', or papal residence, to be called Villa
Author: Cathleen Hoeniger Publisher: Cambridge University Press ISBN: 9780521196949 Category : Art Languages : en Pages : 0
Book Description
Raphael is one of the rare artists who have never gone out of fashion. Acclaimed during his lifetime, he was imitated by contemporaries and served as a model for painters through the nineteenth century. Because of the artist's renown, his works have continuously been subject to care, conservation, and restoration. In this book, Cathleen Hoeniger focuses on the legacy of Raphael's art: the historical trajectory - or "afterlife" - of the paintings themselves. The appreciation of Raphael was expressed and the restoration of his works debated in contemporary treatises, which provide a backdrop for probing the fortune of his paintings. What happened to his panel-paintings and frescoes in the centuries after his death in 1520? Some were lost altogether; others were severely damaged in natural disasters; and many were affected by uncontrolled climactic conditions, by travel from one place to another, and by the not always cautious and careful hands of restorers. This book reveals the five-hundred-year story of many of Raphael's most well-known paintings.
Author: Giorgio Vasari Publisher: ISBN: Category : Art Languages : en Pages : 100
Book Description
Raphael was for centuries considered the greatest artist who ever lived. Much of what we know about him comes from this biography, written by Florentine painter Giorgio Vasari. The Life of Raphael is a key text not only for the appreciation of Raphael's art--whose development Vasari portrays in detail--but also for its unprecedented attention to theoretical issues. This stand-alone edition of The Life of Raphael, published to coincide with a major exhibition of the artist's paintings and drawings at England's National Gallery, illuminates the entire span of Raphael's astonishing art.
Author: Morten Steen Hansen Publisher: Penn State Press ISBN: 0271056401 Category : Art Languages : en Pages : 238
Book Description
"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.
Author: Nicole Dacos
Author: Nicole Dacos
Author: Robert Williams
Author: Alexis R. Culotta
Author: Apuleius
Author: Claudio Strinati
Author: Cathleen Hoeniger
Author: Eugène Müntz
Author: Giorgio Vasari
Author: Morten Steen Hansen
Author: South Kensington Museum Art Division