The Literary Career of Charles W. Chesnutt PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Literary Career of Charles W. Chesnutt PDF full book. Access full book title The Literary Career of Charles W. Chesnutt by William L. Andrews. Download full books in PDF and EPUB format.
Author: William L. Andrews Publisher: LSU Press ISBN: 9780807124529 Category : Literary Criticism Languages : en Pages : 316
Book Description
The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: “Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community.” Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of Colored People, Chesnutt admitted without apologies that because of his own experiences, most of his writings concentrated on issue about racial identity. Only one-eighth Negro and able to pass for Caucasian, Chesnutt dramatized the dilemma of others like him. The House Behind the Cedars (1900), Chesnutt’s most autobiographical novel, evokes the world of “bright mulatto” caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage. Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation’s moral progress. Andrews argues that “along with Cable in The Grandissimes and Mark Twain in Pudd’nhead Wilson, Chesnutt anticipated Faulkner in focusing on miscegenation, even more than slavery, as the repressed myth of the American past and a powerful metaphor of southern post-Civil War history.” Although Chesnutt’s career suffered setback and though he was faced with compromises he consistently saw America’s race problem as intrinsically moral rather than social or political. In his fiction he pictures the strengths of Afro-Americans and affirms their human dignity and heroic will. William L. Andrews provides an account of essentially all that Chesnutt wrote, covering the unpublished manuscripts as well as the more successful efforts and viewing these materials in he context of the author’s times and of his total career. Though the scope of this book extends beyond textual criticism, the thoughtful discussions of Chesnutt’s works afford us a vivid and gratifying acquaintance with the fiction and also account for an important episode in American letters and history.
Author: William L. Andrews Publisher: LSU Press ISBN: 9780807124529 Category : Literary Criticism Languages : en Pages : 316
Book Description
The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: “Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community.” Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of Colored People, Chesnutt admitted without apologies that because of his own experiences, most of his writings concentrated on issue about racial identity. Only one-eighth Negro and able to pass for Caucasian, Chesnutt dramatized the dilemma of others like him. The House Behind the Cedars (1900), Chesnutt’s most autobiographical novel, evokes the world of “bright mulatto” caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage. Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation’s moral progress. Andrews argues that “along with Cable in The Grandissimes and Mark Twain in Pudd’nhead Wilson, Chesnutt anticipated Faulkner in focusing on miscegenation, even more than slavery, as the repressed myth of the American past and a powerful metaphor of southern post-Civil War history.” Although Chesnutt’s career suffered setback and though he was faced with compromises he consistently saw America’s race problem as intrinsically moral rather than social or political. In his fiction he pictures the strengths of Afro-Americans and affirms their human dignity and heroic will. William L. Andrews provides an account of essentially all that Chesnutt wrote, covering the unpublished manuscripts as well as the more successful efforts and viewing these materials in he context of the author’s times and of his total career. Though the scope of this book extends beyond textual criticism, the thoughtful discussions of Chesnutt’s works afford us a vivid and gratifying acquaintance with the fiction and also account for an important episode in American letters and history.
Author: Susan Prothro Wright Publisher: Univ. Press of Mississippi ISBN: 1604734183 Category : Literary Criticism Languages : en Pages : 147
Book Description
Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories---including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks---to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction. The essays engage with each other to display the continuum in Chesnutt's thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt's works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt's ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection's essays address Chesnutt's novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn's Husband. The volume opens up new paths of inquiry into a major African American writer's oeuvre.
Author: Dean McWilliams Publisher: University of Georgia Press ISBN: 0820327247 Category : Literary Criticism Languages : en Pages : 276
Book Description
Charles Chesnutt (1858-1932) was the first African American writer of fiction to win the attention and approval of America's literary establishment. Looking anew at Chesnutt's public and private writings, his fiction and nonfiction, and his well-known and recently rediscovered works, Dean McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race. The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality. The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.
Author: Joseph R. McElrath, Jr. Publisher: Stanford University Press ISBN: 9780804744324 Category : Literary Collections Languages : en Pages : 644
Book Description
Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.
Author: Charles W. Chesnutt Publisher: Standard Ebooks ISBN: Category : Fiction Languages : en Pages : 306
Book Description
Following the events of the Wilmington Massacre of 1898 and the sensationalist news reports and novels that framed the events as a race riot incited by members of the black community, The Marrow of Tradition was written as a critical response to these harmful reports and provided a perspective that had otherwise been ignored. Developed out of the stories and accounts provided by members of the black community in Wilmington and from his own experience growing up and living in North Carolina, the novel is a probable accounting of the events leading up to and surrounding the Wilmington massacre. On a hot and sultry night, Major Carteret sits anxiously beside his wife, Olivia, as she enters early labor. After the fall of the Southern Confederacy, Major Carteret’s family, one of the oldest and proudest in the state, fell to ruin, culminating in the deaths of his father and eldest brother. Only through winning the hand of Olivia Merkell did his fortunes turn around, and he goes on to found the Morning Chronicle, which becomes an influential paper among the discontented citizens. With the rising political power of the newly enfranchised black community, Major Carteret wishes for a radical change in direction for his state. Yet with the inauspicious birth of his child, his beliefs will come to be tested. Across town, a young Dr. Miller returns to Wilmington to lead a newly established hospital on the old Poindexter estate. Seeking to fulfill the growing need for medical care in the black community of Wilmington, Dr. Miller established a hospital that further served as a school for nursing with future aspirations for it to become a medical school. While respected among his colleagues, the young generation of black community members, Dr. Miller faces the challenges of being a black doctor from an older generation, and the growing restrictions being established by Jim Crow laws across the state. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: Charles Waddell Chesnutt Publisher: Stanford University Press ISBN: 9780804745086 Category : Biography & Autobiography Languages : en Pages : 380
Book Description
This book collects the letters written between 1906 and 1932 by the African-American novelist and civil rights activist Charles W. Chesnutt (1858-1932). His correspondents included prominent members of the Harlem Renaissance as well as major American political figures Chesnutt sought to influence on behalf of his fellow African Americans.
Author: William L. Andrews
Author: William L. Andrews
Author: William L. Andrews
Author: Charles W. Chesnutt
Author: Charles Waddell Chesnutt
Author: Susan Prothro Wright
Author: Dean McWilliams
Author: Joseph R. McElrath, Jr.
Author: Matthew Wilson
Author: Charles W. Chesnutt
Author: Charles Waddell Chesnutt